IJM Photography — Blog & Projects

Four decades behind the lens. Six years of sharing the journey.

Welcome. I’m Ian — photographer, horn player, and writer living in the Vendée, near the Loire-Atlantique border. This blog has been running since 2019 and shows no sign of stopping.

You’ll find black and white film work, travel essays, orchestra photography, philosophical digressions about why any of us bother pressing the shutter, and the occasional camera review written by someone with strong opinions and a perhaps unreasonable attachment to grain. No algorithms chose what appears here. No agency wrote it. Just forty years of looking, and six of writing it down.

Start anywhere. Stay as long as you like.

Latest from the Field

  • Part 3: The Grind — General Rehearsal on HP5+ 3200

    Part 3: The Grind — General Rehearsal on HP5+ 3200

    The grind continues. General orchestra rehearsal without soloists, shot on Nikon FE with HP5+ pushed to 3200. Heavy grain, raw aesthetic, iterative work. Part 3 of a trilogy documenting the Symphonique des bords de Loire through lunch, concerto rehearsal, and general rehearsal. Read more

  • Something I’ve Been Working On

    Something I’ve Been Working On

    A personal note from Ian Myers of IJM Photography — introducing a small collection of fine art prints, each with the story behind the photograph Read more

  • Part 2: The Work — Rehearsing a Double Violin Concerto on HP5+ 1600

    Part 2: The Work — Rehearsing a Double Violin Concerto on HP5+ 1600

    After lunch, the work begins. Documenting rehearsal of a double violin concerto with two Chinese guest soloists. Shot on Canon AE-1 Program with HP5+ pushed to 1600, these grainy black and white images capture collaboration between soloists and the Symphonique des bords de Loire. Part 2 of 3. Read more

  • The Break: An Orchestra at Lunch on Fomapan 100

    The Break: An Orchestra at Lunch on Fomapan 100

    An orchestra at lunch: documenting the Symphonique des bords de Loire’s communal meal before rehearsal. Shot on Pentax ME Super with Fomapan 100, these fine-grain black and white images capture community, food, and the calm before the musical work begins. Part 1 of 3. Read more

  • Let’s Connect: Mentorship, Prints & Collaborations

    Let’s Connect: Mentorship, Prints & Collaborations

    Let’s Connect: Mentorship, Prints & Collaborations A brief and practical note. After six years of writing here, I’m formalising something that has been happening informally for a while — people getting in touch to ask about prints, about learning, about working together. Which is lovely, and I’d like to make it easier. So here’s where… Read more

  • The HP5 Plus 100 ASA Experiment: A Happy Accident?

    The HP5 Plus 100 ASA Experiment: A Happy Accident?

    “Accidentally shot HP5 Plus 400 at ISO 100? Discover how this film photography mistake became a happy accident. Learn pull processing techniques, shadow detail retention, and highlight control using Ilfosil 3. See stunning black and white results from a Nikon FE. Your guide to film latitude and overexposure experiments. Read more

Featured Projects

  1. The UK Chronicles
    Light, minimalism, and preparation.
    Shot entirely on the Fujifilm X100F during a recent solo journey through Britain — a deliberate exercise in traveling light, seeing deeply, and preparing for the sensory overload of China.
  2. The Film Archives
    Memory in monochrome.
    A vault unlocked: black and white film photographs from Nantes, Clisson, and beyond — captured long before this blog existed. Grain, patience, and timeless moments.
  3. Photography Philosophy
    Why do we do this?
    Not a tutorial. Not a gear guide. A quiet exploration of purpose — the “why” behind the viewfinder. For those who photograph not to post, but to feel.
  4. The Orchestra Visit to China
    Culture, chaos, and concert halls.
    A visual symphony from the road with the orchestra — temples, trains, backstage glances, and the electric silence before the first note.

About the Photographer

I am not an influencer. I am not a brand.
I am a photographer, ever so slightly stubborn, analogue at heart, digital when needed, and fiercely independent. I’ve been developing my own film since the 1980s. I built this blog in 2019, not for followers, but for focus.

I do not outsource my editing. I do not chase trends. I shoot what moves me, and I hope, sometimes, it moves you too.

“Commercial editing offers and unsolicited partnerships will not be published or replied to. This space is sacred; for art, not advertising.”

A Note from a Reader

“j’adore… il y a des jours avec, et les jours sans….”
— A kind visitor, September 2025

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