The Opening of the Film Archives—Clisson, September 2016


Welcome back, Dear Reader, to the film archives, still with the Canon AE1 and HP5 Plus from Ilford, but in Clisson this time.  You will remember Clisson from previous articles and will have seen the pictures, so it shouldn’t be a stranger to you.  Who knows, it could even feel like revisiting an old friend.  It certainly is for me. 

But why Clisson I hear you say.  Well, it’s not very far away from where I live.  It’s also one of those market towns that is renowned for the beauty of its architecture with an Italian slant.  It has the massive castle that towers above the river.  It has me taking photographs of it.  

Clisson, like most things, has options.  On a Friday the main option is the huge market, and wandering around the 14th-century Halles, which can keep you out of the sun, the rain, the heat or the cold, depending on the time of year.  I either go down to the river and wander along the river banks in the Garenne and Lemot park, or park at the top of town and stroll around the Halles and surrounding streets.  In the series of photos at the end, you will see some stone steps that join the two options, but I have dodgy knees, and those steps are like leg day at the gym.  You can avoid those steps by just following the road that wraps itself around the church, and going under the tree that just got tired and decided to rest on the house opposite.  

But this time I decided to break out of my habits and visit the Quartier St Jacques with its decommissioned chapel, and garden.  It’s yet another pretty place in a pretty town, and when I was sitting there in the sun, I felt that I didn’t have a care in the world.  Serenity flooded my mind and all was well with the world…

The Opening of the Film Archives – Noirmoutier September 2016


Welcome back, dear reader, to another delve into the Film Archive from before this wonderful blog that I know you enjoy reading so much. I appreciate being able to share these photos with you in the hope that they may not only please you but also offer insight into an older form of photography, one where concerns about overheating or battery life were minimal. I want to demonstrate how it is still possible to achieve great results with any camera and that the main quality in your photography comes from you, the photographer.

Earlier this year, I was there with my Canon 6D Mark II, but today, we’re revisiting my visit from September 2016. At that time, I didn’t have my Canon, but I did have the Olympus Trip 35 with HP5 Plus film from Ilford. I used that camera quite a lot that summer and continued to use it in September. I might just have to dig it out of my camera cupboard and use it again. Constraints and minimal kit often lead to more creative decisions—just think back to my UK trip, where I only had my X100F with me.

Let’s start with the camera. It’s a small but gorgeous camera designed for the mass market in the 1960s and was still being produced in the 1980s, which attests to its appeal among casual photographers. With relatively few controls, it’s pretty foolproof. I can adjust the film ASA setting, and the selenium cell housed with the lens takes care of the rest, whether it’s aperture or shutter speed. The famous red flag appears in the viewfinder when the camera senses insufficient light. All I need to do is set the focus zone.

I must have bought mine around 2015 or 2016, and it was quite affordable at the time—no more than 50€. It was an iconic camera then and still is today, but as the supply of these cameras dwindles, prices have increased. You can now expect to pay 100€ or more, with some models even reaching nearly 200€. It remains a great camera but might be a victim of its own success, along with sellers’ optimism and greed. Buyer beware—shop around, and you might still find more accessible prices.

As for film, prices have also risen, especially for Kodak film, but Ilford remains affordable, as do Kentmere, Fomapan, and Rollei.

I’ve travelled the same road numerous times, and it always brings me a certain sense of peace. I tend to stop off at familiar spots along the way, and those of you with an eagle eye will recognise some of these locations from other photos in this blog.

But why go to Noirmoutier? Firstly, why not? It’s just over an hour’s drive from my home and is a popular destination for many locals from the Vendée. The island now suffers from overtourism, which has certainly changed its character since 2016. Efforts have been made to manage the flow of tourists, with improvements such as parking, pedestrian zones, clearly marked hiking trails, and numerous bike lanes. It’s a beautiful part of the world, so typical of the Vendée Coast with its pinède and long beaches. However, not everything is about tourism. The island is also renowned for its salted butter made with salt from local salt marshes and the famous potatoes from Noirmoutier. Additionally, there’s a small fishing fleet, as well as the fleet from Le Port du Bec in the neighbouring Beauvoir-sur-Mer.

The UK Chronicles – Preface


Off to the UK

Good Evening, Dear Reader. You might not be able to feel the same excitement and trepidation as me, but I can assure you it’s palpable. I’m not talking about the Olympics, or the opening ceremony, which was very, very French. I’m talking about my upcoming annual leave. I will be going home to the UK for 10 days. I will be going home. Home is where the heart is, and as my mate David Frank once reminded me, you can take the boy out of Hull, but not the Hull out of the boy. How right he is. Even after 30 years of living in a foreign country, and despite having become somewhat “continental,” the UK is, and always will be, home.

Heading Home: Embracing Nostalgia and Anticipation

The physical preparations are not underway yet, but the mental ones certainly are. We will be driving up to Calais from the Vendée. It is a drive that over the years has become vaguely familiar, and I have the images in my mind of the various stops along the way, and the signs that I will be looking out for. My wife is a professional driver, and I will be relegated to helping out when she becomes tired and needs a rest.

The Road to the North: Familiar Drives and Service Station Delights

I don’t know about you, but when I’m in my car, I’m in a familiar environment, and it feels a little like having a part of my home with me. The controls for driving are second nature, and I don’t have to think. As I have mentioned, I am a creature of habit, and despite not being alone whilst driving, and the possibility of a mad screaming harpie, I mean wife, sitting next to me, I’m still looking forward to the trip. For the first time in 4 ½ years, my son will be coming with us, so I’ll have some masculine back-up and will feel less dominated by my daughter and wife.

We will have a stopover in Dover, and take the now familiar road up to Northumberland to see my parents. I’m actually looking forward to the service stations in the UK, especially one near Peterborough, that has a kind of Food Court, which includes Marks and Spencer. I’m looking forward to biting down onto a prawn cocktail sandwich, and a Wensleydale and carrot chutney sandwich. I know it’s not the “gastronomie” that the French might talk about, but to me, it’s about the nostalgia of the thing. It’s part of coming home.

Home Away from Home: Comfort in the Driver’s Seat

But, I hear you say, Dear Reader, you haven’t talked about cameras or photography yet? And you would be right. Thank you for allowing my little trip to nostalgia land. So, let’s talk about cameras for this trip. There is, of course, the X100F, that is the travel photographer’s camera par excellence. It’s compact, it works, and gets the job done. It’s what I will probably be using nearly 80% of the time. The 35mm F2.0 lens has me covered for nearly all situations, and if I take the telephoto conversion lens, then I’ll be even more covered.

Capturing Northumberland’s Beauty: Gear and Location Plans

Do I already have plans for where to take photos? Mayyyybe…

I have already a largish selection of photos of the village of Alnmouth, that you should be able to find on this site, either by using the search bar, or looking at the tag list at the bottom of every article. But, believe it or not, Northumberland is not just about Alnmouth. I know. Mind blowing.

I would like to get some shots of Dunstanborough Castle (for which I might even have to take my Canon 6D Mark II and various lenses, but I’m not sure about that yet), Beadnell, Seahouses, the Farne Islands, Holy Island, Craster, Bambourgh Castle. There’ll be beaches, islands, birds, seals, boats, and harbours. I even thought of going down by Amble and maybe stopping off in Walkworth.

That might mean a Canon bag, with lenses and filters, and possibly even a tripod. Decisions, decisions. Do I need more room in the car, and will the family gang up on me if I take more photography kit with me? There is a difference in volume and weight, of course.

Weathering the Storm (Or Not): Temperature Contrasts and Photographic Possibilities

I suppose it all depends on the weather. One tends not to visit the UK for the great weather. Here in my little corner of France, it’s supposed to be getting up to 36°C today. Not in Northumberland, though. I’m expecting 20°C and maybe lows of 14°C. Much more comfortable, and almost human.

Conclusion

So “home is where the heart is” is still something that resonates with me.  Thirty years a foreigner, and yet as a lot of us immigrants, we’ll never be completely at home in our adopted country, we are condemned to never feel fully at home in our home country.  We will be “continental”.  Our very essence has changed. The nostalgia for a past that has moved on since we left is another of our penances.  Maybe that’s why I do so much black and white photography; a way of trying to capture this bygone time.