The Opening of the Film Archives – Trentemoult October 2016


This was another Ian and Kate day.  Similar in concept to the Ian and Killian day, but a day where I can dedicate myself solely to Kate.  She’s fifteen now of course, but I should spend more time with her.  If she’ll let me of course.  At the time she was only seven—simpler times where I could make her happy with just a nice tea, a boat trip across the river, and just wandering around exploring the intricate streets of an old fishing village on the “bords de Loire.”  There are no cars in the narrow streets, and the children can run wild.  

This day was one spent in Trentemoult, that rather colourful village that you can see here. The colours are intense and provide a great backdrop for portrait photography. So of course I went in with a film camera and black and white film.  Which only goes to show that when you photograph a location, however colourful, and take away the distraction of that colour, you have to really concentrate on composition, texture, and forms.  I couldn’t rely on colour for my photos today.  But I was sure that I could reveal some good photos despite that.

So what do you do?  You just try and capture some moments of your daughter messing around and being a perfectly normal seven year old.  I tried to capture her exploring the streets and being absorbed by the whole ambiance of the place.  She became part of the scenery, and blended in perfectly.

I was just there purely to observe and record the day on film, with one eye in my camera and the other on Kate.  It was a good day.  

Looking back at those moments reminds me of how quickly time seems to slip by without me realising that I am getting older.  She of course is slightly older, and possibly slightly less “insouciante” or carefree, but my love for that girl is still as strong as ever.

The Opening of the Film Archives – Le Hangar à Bananes July 2016


Continuing our journey through the film archives, we find ourselves on the Île de Nantes, home to the iconic Hangar à Bananes. Let’s rewind to July 2016, when I captured this vibrant scene with my then favourite Canon AE1. Once a shipbuilding powerhouse, Nantes had cleverly repurposed its abandoned infrastructure into a bustling hub. The area is now home to the fantastical Machines de l’Île, the historic Chantiers Navals, the towering Grue Jaune, and of course, the Hangar à Bananes itself. Back then, the Hangar was a hive of activity, buzzing with picnics, impromptu barbecues, and lazy afternoons under the summer sun.

My goal was to capture that unmistakable “Summer Vibe.” As always, I started with the architecture, drawn to its striking modern lines, a refreshing departure from the stark brutalism of the 1970s. The clever use of texture and the innovative design of the apartment buildings particularly caught my eye.

That summer, the Voyage à Nantes festival had a brilliant idea: communal barbecues for everyone. Genius, right? You simply brought your food, and they provided the grills, charcoal, tables, and chairs. It might not be Texas, but the French know their way around a barbecue, and being the food lovers they are, they go beyond the usual sausages and burgers. It was a true testament to what a public space should be – a place for everyone to gather, share, and simply enjoy themselves.

Then there was the dancer. He was just filming himself with a GoPro, but the way the sunlight caught his movements and the glistening sweat on his skin was mesmerising. It was a fleeting moment, the first and only time I’ve ever photographed a dancer, but it left a lasting impression. There’s something undeniably captivating about the human body in motion.

My wanderings continued to the edge of the island, where the mighty Grue Jaune – now a “monument historique” and a symbol of Nantes – stands tall. Walking past and through this enormous yellow crane was an awe-inspiring experience.

Along the riverfront, the Anneaux de Buren, a series of massive rings, stretched out in a mesmerizing pattern. At night, they transform into a dazzling display of vibrant reds, blues, and greens – a photographer’s dream, offering endless possibilities for capturing leading lines, geometric shapes, and unique framings of the cityscape.

And of course, no photo series of mine would be complete without the obligatory bike shot. It’s a bit of a tradition for me.

Even now, in 2024, the Hangar à Bananes still exudes that same “Summer Vibe.” It remains a popular spot for after-work drinks with friends and colleagues, boasting a variety of restaurants, bars, the HAB Gallery, and the infamous “Warehouse.” While the area can get a bit dicey later at night, it’s perfectly safe and enjoyable for a daytime visit or an early evening soirée.