China: The Final Frame – Reflections on a Journey


The tour is over. The bags are unpacked, and things are settling back into their usual rhythm at home. But even though I’m back, part of me is still in China—still thinking about the streets of Shao Xing, the energy of Shenzhen, or the moments shared with the orchestra. The journey may have ended, but it hasn’t really left me.

Reflecting on the Journey

From the moment I landed in Changsha to the final farewell in Shanghai, this trip was a series of moments—some I expected, and some I didn’t. The hustle and bustle in Shenzhen, the streets of Shao Xing, the quiet hills of Xian Ju, and the meals shared with colleagues between concerts. It wasn’t just about the places. It was about the little things—a gesture of hospitality, that mutual respect between musicians, or just watching the world go by.

This trip wasn’t just about playing concerts, it was about learning and adjusting. It was about connecting with people, understanding their way of life, and how we relate to one another in those brief encounters.

The Photographer Without Film

For the first time in a long while, I didn’t travel with my usual film cameras. The Fujifilm X100F was the only camera I had with me, and while I had mixed feelings about it at first, it became a good fit. There was no hesitating over which shot was worth the price of a roll of film. It was just me, the camera, and the present moment.

Not every moment needed to be captured. I found myself slowing down and soaking things in—sometimes shooting quickly, sometimes just letting the moment pass. It wasn’t about having everything on film; it was about experiencing it fully, even without the lens in front of me.

Respect and Connection

One of the most memorable things about this trip wasn’t the landscapes or the buildings—it was the people. Everywhere I went, I felt a deep respect and sense of community. It wasn’t about being given titles like “Uncle” or anything else. It was just how people engaged, how they saw me as part of something.

The concerts themselves were a reminder of this—the public wasn’t there for rehearsals, but they were there for the concerts, offering energy and appreciation. Music, like photography, is about presence. It’s about sharing a moment with others, and that’s something I’ll never forget.

Coming Home

Returning home after a trip like this always feels a little strange. The familiar feels slightly unfamiliar at first—the quieter streets, the slower pace. But there’s comfort in returning, and yet, it’s hard not to feel that shift in perspective. Things seem different now.

The Final Frame

So, what remains from all of this? The photographs, of course. They’ll hold the moments, the details, the things I might forget over time. But beyond that, it’s not just about the photos. It’s the way travel shifts your perspective and makes you notice the small moments—the ones that don’t always get captured in a frame.

This series was meant to document a tour, but it ended up being more than that. It’s a reflection on the journey itself, on photography, on what it means to truly be somewhere, to connect with others. The tour might be over, but this story isn’t done yet. And whenever the next journey comes, I’ll be ready to pack my bags again.

I have been posting these articles in the WhatsApp group made for the people on the tour, and people’s feedback has been amazing. What came out the most was the feeling of revisiting the tour through the photographs and how that made people feel. And if you make somebody feel something with an image, then you’re off to a good start. The other comment was, “Oh, I didn’t see that!” And that is part of our role as photographers, to record what people don’t see… My reputation as a photographer seems to have surpassed my reputation as a beer drinker, which is good, because I hardly drink a drop anymore. My reputation as a writer seems to be well established too.

So not only am I seen as a hornplayer but also as a photographer, a writer, and a sensitive soul instead of the gruff bear that sits at the back of the orchestra and makes farting sounds with his instrument. Quite the step up really!

China – Foshan to Shenzhen Day 1 of 4


Welcome, dear reader, to another round of “what happens on tour, stays on tour.” So, where were we? It was the morning in Foshan.  I had time to go out and explore before the drive to Shenzhen.

I would wander the streets and just take the odd photo.  At the moment I’m doing an intermittent fast to try and help me lose some of the extra baggage I’m carrying around my tummy and part of that is having a window of when I can eat and when I can’t.  That morning I decided to not be so hard on myself.

I was thinking about Killian and my tummy and just “popped in” to a local supermarket which was definitely on the super side.  As I passed each aisle I was thinking about how Killian would have felt seeing all the produce.  It was going to be impossible to fit a 25kg bag of rice in my suitcase so that will have to wait.  I left, with regret, but still kept going on.

Out of the corner of my eye, I spotted a shop specialising in blueberries—or Myrtilles, as we call them in France.  There are one of my major food weaknesses, and when at home they have become the new Smarties.  Yes, I eat them by that handful.  The gentleman at the till spoke wonderful english, and I ordered a glass of mixed up berries with ice.  I was going to get those anti-oxidants and that yummy juice.  I was happy.  On the way back to the hotel, some of the youngsters passed me by.  They had been to Starbucks.  Well good for them.  I had had my juice and felt far more superior, and healthier!

It would be a mere 135km by bus to Shenzhen.  I was going to remain antisocial (is this a character trait?) and just chill.  Shenzhen is one of those places that is huge.  We seemed to be driving in its suburbs forever.  Out of the window we could see Hong Kong, where a lot of us would have fancied going but it was not to be.  It was like seeing a Christmas present and it being taken away before you can unwrap it.

We arrived at the hotel and I thought, “well this will do for the next four days…” and indeed it would!   We traisped up to our room and it was fine!  Maybe not as modern as some of the others that had obviously been refurbished.  We were on the more “classic” floor.  But it was for sleeping in, and those pillows again.  Wow! 

Now, let’s get this out of the way: I’m still a “big” man. Like many of us, I carry around a hefty complex about my body. Even though I’ve lost some weight, I’m still too self-conscious to deal with the horror of getting changed in a room full of less rotund gentlemen. Silly, I know, but those of you who’ve been there will understand. Anyway, there I was, looking halfway decent—or at least as much as my concert attire would allow. But I am not just Big Uncle Ian. I’m also a horn player with a few years of practice under my belt. I help keep my section together, and I know they can depend on me when needed.

When we pulled up to the venue, the sheer size of the theatre was a bit overwhelming—in the best possible way. I can’t speak for the others, but when I arrive at a venue, I like to take a moment to soak it all in. First, I park my instrument in the wings, safe from the risk of being knocked over by an overzealous stagehand, then I step onto the stage to breathe in the atmosphere. You know, just to get a sense of the place.

A long banner in Chinese draped across the front balcony greeted us. It looked very official, like the kind of thing you’d expect at an international summit. Nearby, neatly stacked boxes of red flags caught my eye. It reminded me of a joke I once cracked about my son’s ex-girlfriend: “That girl had more red flags than the Chinese Communist Party Convention.” But these flags, though? They were no joke—definitely more on the serious side of things.

Looking up, I couldn’t help but marvel at the rigging. Lights and decorations were everywhere, hanging in their designated spots, all set to work their magic later. The whole setup was impressive—so much so, I hadn’t even properly stepped onto the stage yet.

When I did, I looked out at the sea of seats waiting to be filled. The thought of all those Chinese bums soon occupying them was enough to make anyone feel a touch nervous. But this is what we’re here for, isn’t it? You’ve got your program, you’ve done your prep. All that’s left is to get out there and play. Do, don’t think. Just blow…

We were to perform the same concert as the previous one. That doesn’t change. What does change is the audience and the way in which they interact with your music. When Jennifer sang her “I Love You China” song, it was as if the audience needed permission to sing along. Once given, they sang perfectly, and just like that, they were on our side.

Corentin—sorry, Sir Fanny Magnet—leapt up for the waltzes and had as much success as ever with his growing fan club. That poor boy just gives and gives, and when there’s nothing left, still keeps giving, much to the delight of the many Chinese lady fans.  Fortunately, he was accompanied by Paul (the duck tongue) Trouillet and two lucky ladies from the orchestra.  Sharing is most certainly caring, and these two just give, give, give, and share, share, share.   

As always, during the interval and before and after the concert, the staff put out fruit, tea, and bottles of water for us. As you know, I’m not a big drinker, but I make sure to drink at least two litres of water and eat plenty of fruit and vegetables daily. It keeps me regular. I had been missing both my water and fruit rations, so I stuffed myself with fiber for my gut. They might not do water, but they certainly do do wonderful tea—and that was a lifesaver.

Corentin, the poor boy, was going through coffee withdrawal symptoms. You see, we all have our troubles to deal with!

After the concert, our familiar routine awaited us: the bus, the restaurant, and eventually bed. Or so I thought—Corentin had other plans. I had eaten with my Cholet friends and learned that the boy wanted to try his hand at Mahjong. It’s a game where four players sit at a table, and to win, you need to form pairs of tiles and a sequence of tiles. I had joined my Cholet friends for an after-meal beer to discuss our plans for the upcoming visit to Shenzhen. Once we had made our plans, we headed down to the Mahjong table to see how our favourite Walzer was faring.

By the time we all went to bed, that boy had won three out of four games! Luckily, no money was changing hands, but we did learn that huge debts can be racked up playing this game. The Chinese do like their betting.

Talking of giving, and sharing, here is recording of that night’s concert.  Featuring Sir Fanny Magnet et Paul “Duck Tongue” Trouillet dancing and lapping up the attention…

What I get up to when unsupervised…

China – YongZhou to Foshan


Boxing Day 2024

Now, you might think of accusing Uncle Ian of feeling a little delicate this morning after the previous evening’s “fun,” but I’m going to disappoint you. My head did not feel as if it had gone through 10 rounds with a certain Mr Tyson, though I will admit to feeling a little tired. Slightly less bright-eyed and bushy-tailed than I’ve known myself to be. Will that satisfy you? Good, then we shall move on. Today’s destination was Foshan, much further south, and our first stop in Guangdong Province.

We were to have a mere 500km bus ride to Foshan. I decided to be anti-social and put my headphones on, just staring out of the window. A more relaxed way of passing the time and something that allowed me to simply take in the countryside. And what countryside it was. Now, the Vendée, where I live, isn’t exactly known for its mountainous terrain. Think more Jane Birkin than Marilyn Monroe—flat, laid-back, and subtle. At first, I didn’t realise what the trees were; some appeared bent over and broken. I just thought they were very young trees, before eventually cottoning on to the fact that I was looking at bamboo forests on the hillsides. They reached high up, gently moving with the wind. It was something I had never witnessed before.

We passed houses and farms along the way too. Again, a stark contrast to the cityscapes we had previously contemplated.

There was, of course, the inevitable “stop pipi,” and we all shuffled into the service station, which still wasn’t selling overpriced sandwiches. But the snacks available were certainly something to behold.

Now, you may be wondering if I partook in the tasting of these delicious-looking snacks. I did not. I was afraid they might be a little on the spicy side. Otherwise, absolutely no problem with eating poultry feet. Really, none whatsoever! I ended up getting something that vaguely resembled a chicken burger. Cheap, filling enough, and actually quite nice!

We arrived at the hotel. Before lunch—well, you know the drill: passports, room keys, and then we could finally eat. By now, I was really getting into Chinese food, and my chopstick funk was over. I was back in form! I managed to grab a couple of photos of the table we were eating at to show you, Dear Reader. The central turning platter took up most of the space and, by the end of the meal, was piled high with dishes that were certainly on the interesting side. In French, we say “tout est bon dans le cochon,” as a means of justifying eating the whole animal. In China, there is no mistaking what you’re eating. The whole beast goes into or onto the serving plate. Even the chicken’s head and feet. It was on this day that I ate tortoise for the first time. It was delicious! I think I had to get over any Western superiority complex I may have had and just eat what was in front of me. It would save trauma later on, and my belly would be full. Oh, sweet ignorant bliss!

Inbetween lunch and getting ready to go to the theatre, I decided to relax by having a go at some street photography to get the “vibe” of the city.  The main “vibe” was the amount of electric scooters everywhere, and the fact that they drive on pavements.  The French might have called it “un joyeux bordel” but somehow, don’t ask me how, it all seemed to work flawlessly.  You had couples on scooters, mother and small children on scooters, gentlemen on scooters.  Everybody in that place was on an electric scooter, or so it seemed.  The only downfall of such a system especially with me being hard of hearing, was that I could only hear them when they honked their horns at me.  Usually I hate this, but they were all honking!  The sun was out.  I was out, and the whole process gave me a mental clense that was greatly appreciated!

If you know China at all you will know that they have a reputation for pollution.  Oooooh.  Pollution bad!  Pollution very nasty.  Not good.  However, it does give a wonderful diffused light for photography, and one of the way theys fight pollution is not only by a huge amount of electric scooters and electric cars, but also by spraying water vapour in the streets hoping to capture some of those not very nice particles.  You can see this in a couple of my street photos above  It is said that all their electricity comes from coal powered power stations, but I saw plenty of solar panels as well as wind turbines.  I think they’re really trying, and should be encouraged.

Back to the hotel, getting washed, and changed, and dressed to go to the theatre for the rehearsal and concert.  But that will be for another day…

The Opening of the Film Archives – Stonehenge August 2016


Stonehenge is something different for most people.  For some it is a historical site in Wiltshire, and despite not being part of the 7 wonders of the ancient world, still remains pretty special.  For some more “alternative” folks, it’s an ancient spiritual centre, and just happens to be on converging energy lines.  For some it’s a day out with the children.

We had come back from a cruise that had taken us around the Canary islands, Lisbon, and Galicia in Spain.  Thank you Mummy, and thank you Daddy!  I think they felt guilty about us always coming up to see them in Northumberland, and wanted us to get a different holiday experience.  Well, different it was!  But that is a totally different story, and the photos can be found in the Olympus Trip 35 article.

So our ship docked at Southampton and we still were in the holiday mood.  I remember as a small boy visiting Stonehenge, and thought it was “the” opportunity to introduce my family to the site.  

It seemed slightly smaller than I remember it.  As do most things if I’m going to be honest with you, but the majesty of the stones remained.  As did the wonder at the fact that these stones had been dragged overland from Wales, and put into place, with the joints still being “rock solid” and down to the nearest millimetre.  I work in a factory that does industrial woodworking and I know what we can do with modern tools and technology and yet here, this massive construction was put together using basic tools.

The children were just taking in the whole experience, and rather bemused at the sight of Japanese tourists being shoved around the site and taking the obligatory selfie.  They also seem quite bemused by the amount of school groups being led around.  

I preferred, as often as I do, to just take my time and take it all in and get some photos of the place.  With the 40 mm zuiko lens I was getting some lovely environmental shots that you can see below.  

My wife, however, was in tears.  Crying her heart out.  She later confided in me telling me how she just felt overcome with emotion.  Maybe those lines of energy for those alternative folks might have something in them…

The Opening of the Film Archives – Clisson May 2016


Introduction

Welcome back to the film archives.  Today I’m going to share some photos of the first reel from my “new” Canon AE1.  Well, not new, but certainly new to me.  The Canon AE1s were produced between 1976 and 1984.  It is one of those iconic cameras and at the time I must have paid about 50€.  When I say iconic, I really mean iconic.  It is a shutter speed priority camera using Canon’s FD lenses. I used it an awful lot that summer.  I liked it so much that I even bought a second one that I ended up giving to a photographer friend. 

Colour

To some people of my generation they represent their first cameras, and were so popular.  Talking of popular, the photographs from this part of the archive are from the very popular and photogenic town, Clisson.  Also you will have noticed that the photos are in colour.  Which only goes to show that not all film photography is black and white photography.

Clisson, as you can see in the photos, is one of those beautiful French villages that oozes Gallic charm.  It also exudes a certain Italian charm, and is known for its Italian style architecture.  

Canon AE1

I have both a Canon AE1 and AEI Program. The AE1 is the big brother of the AE1 Program, and doesn’t have a program mode, but as you can see from the photos it still works a treat.

FeatureCanon AE-1Canon AE-1 ProgramDifferences
Release Year19761981AE-1 Program released 5 years after AE-1
Exposure ModesShutter Priority AEShutter Priority AE, Program AEProgram AE added to AE-1 Program
MeteringCenter-weighted AverageCenter-weighted AverageNo difference
Shutter Speeds2s – 1/1000s2s – 1/1000sNo difference
Viewfinder DisplayLEDsLEDsNo difference
Film Speed SettingManualManualNo difference
Self-timerYesYesNo difference
Depth of Field PreviewYesYesNo difference
Motor Drive CompatibilityYesYesNo difference
Other NotesFirst Canon SLR with microprocessor; revolutionary for its timeSimplified controls for easier use; appealed to wider audienceAE-1 Program aimed at beginners and enthusiasts
As you can see there’s not a huge differece between the two. The major difference being the Program option, and the other allowing for easier changing of the ASA film sensitivity setting.

On the day in question I must have parked just next to the river and concentrated on this picturesque  area.  You can see the castle, the bridge, and the river, all making for a peaceful spring moment.

I think the film was Fuji Superia, and I just wanted to use colour.  Thetones are slightly muted and warm, and the flowers, trees and plants were just screaming out to be photographed.  I remember the excitement of loading the film into this “new” camera, and the novelty of simply using an iconic camera.

Here is what fuji tells us about the film:

FUJICOLOR SUPERIA X-TRA400

An all-round general purpose, high-performance, high speed color negative film delivering truly fine-grain. Superb for snapshots or action, in low light with flash, outdoors or indoors. Ideal for general use with compact zoom lens cameras.

  • Excellent skin tones
    For beautiful, clear people-shots.
  • Fine grain
    Great results even when enlarged.
  • High-speed
    Superb results, whatever the shooting conditions.
  • Sensitivity and Film Sizes
    ISO : 400
    Film Sizes : 135 : 36 exp.

 When using digital, it’s so difficult to get that particular film look, and using film and an older camera just changes your whole outlook.  The fact of not having your image straight away leaves you with that anticipation that we all used to feel when we sent off our films to the lab.

Give film a try.  There are still cheap film cameras out there, and your photography experience will be totally different.  I certainly appreciate it.