Smartphone Photography – Welcome to the Dark Side


Introduction

You might have caught on to the fact that I’m a little bit the photography enthusiast. I even have a “few” different cameras, most of which are manual film cameras, with a few digital ones thrown into the mix. Over 40 years of learning have gone into getting the results you, Dear Reader, might just have seen on this blog.

Democratisation of photography

How many times have I heard people say, “Oh, I just use my phone,” or worse, “Oh, I could just do that with the camera on my phone?” These statements can really get on my wick! Don’t they just toss aside all the work I’ve put into photography with “real cameras?”

But after a lovely cup of tea and a slice of cake, my nerves have settled, and I’ve had time to reflect on the brashness of my emotions, and come back down to earth. Yes, some people do use the camera on their phone, and maybe, just maybe, unlike the microwave in the tea-making process, it might have a role in photography. Ooooooh, haven’t I just gotten controversial!

A little historical context

Just a quick interlude to remind myself of the democratisisation of photography that came with the Box Brownie in the 1920 and the purists were up in arms! Then the shock and horror of those same purists when colour photography came out with those dastardly Kodak Instamatics, and making photography even more egalitarian. Maybe the phone is just the extension of this and I should remove my own head from my arse and just chill!

The best camera?

“The best camera is the one that’s with you.” — Chase Jarvis.

While this statement might be true in absolute terms, it pains me to admit that for most of the hoi polloi, that camera might just be the one on our ever-intrusive phone. Does that mean I’d choose my phone over a film camera? Hell no! But it does remind me that photography is about capturing the decisive moment in time. I’ve often talked about balance in the photographic process, where you might have to sacrifice grain or digital noise (grains rather disgraced cousin from an inbred family, where somebody knew somebody in the family), to get more light to expose a shot. Or where I might have to sacrifice a certain amount of bokeh, in order to use a longer lens to “bring me nearer to my subject… The eternal give and take, if you will.

I think we might just have to have a little reality check here. Will a mobile phone, or even a very smart phone with a degree in smartness from the dashing and debonair university of Smartness upon Thames, ever be as good as a film camera, or a modern DSLR, even my beloved X100F? No. Sorry if I have just pissed on your bonfire. It will not. However, does that mean that it is completely useless? Far from it.

You still have to “think!”

As an avid reader of this wonderful and thoroughly informative blog, it will not have escaped your attention that I have written a couple of articles about the fundamentals of photography.  Going from the very basics of the exposure triangle, through various rules of composition that come to us from the world of traditional art, and that have been transferred to photography.  You will have found out and learnt about various lenses available for various cameras, and I have even touched upon the differences between medium format and 35mm film photography.  I talked about the advice given for digital as well as film photography.  I’ll let you into a secret, “It’s just as valid for smartphone photography!

Yes, I’ve said it.  If you put in as much effort into getting the shot on a smartphone as you do with your “real” camera, then You will get good results.  Can you have control over every aspect of the shot?  No.  But, and it’s a big but, “so you other brothers can’t deny,” there is a lot of technology in that little device that really helps you out.

Mindful always

What I’m trying to get at is that when you mindfully take photographs, even with your phone, it is always better than just snapping away like a small dog that knows it’s small.  Just a tiny bit of effort towards composition will go a long way.  Think about framing, and where the objects are in your image.  Think about where the light is coming from.  Try and get the best image that you can.  So it’s not a Leica?  You still have your kidneys and haven’t had to sell one yet.  It might be a less formal way of taking a photograph, but I would really like you to respect yourself and put in the effort to take your phone photography beyond the bare minimum.

Conclusion

It would appear that smartphone despite my frist misgivings is here to stay. It is a logical progression of the democratisation of this art. I have been asked to contribute to the website Monochromia, and one of my future colleagues reminded me that one of their contributors uses only his Iphone, and has received all kinds of accolades and has been the subject of numerous Expositions. I have seen his work and it is clear that he is a most mindful photographer, and the only thing that separates us are the tools we use to capture the image. I must not be such a photgraphy snob and so dismissive.

What’s next

I might just have to go further into this subject and talk about editing images on your phone and giving you ways of sharing your images if you so wish.  Maybe even some tips to help you get the results you want.  I will talk about the features of the phone camera, how the AI within can help you not just in photography, but also in video production.  Stick around to find out more!

Why the Pentax ME Super Is the Perfect First Film Camera (Even in 2025)


Dear Reader, if you’ve read my last post, you will understand my current state of photographic helplessness after my X100F was taken out of service. Before we proceed, I want to take a moment to reassure my dear mother that I’m doing fine, being a big brave boy during this challenging time, and not losing my mind. I’m still getting my photographic fix, and I thank you, Dear Reader, for your understanding.

Now, let’s dive into today’s topic. The Pentax ME Super, a camera gifted to me by a fellow musician and dear friend, Robert McMillan, holds a special place in my heart. Using it brings back fond memories, and I’m forever grateful for the thoughtful present.

Introduced in 1979, the Pentax ME Super is a 35mm SLR camera that offers reliability and ease of use, making it perfect for those seeking excellent image quality. However, it requires proper focus and composition to make the most of its capabilities. When I use it, I approach photography in a similar manner to how I would with my beloved X100F, albeit with a slight adjustment due to the 50mm lens, which changes from the 35mm lens on the Fuji.

Technical Specs:

  • Shutter speed range: 4 seconds to 1/2000 second, plus Bulb – allowing wide apertures and excellent depth of field.
  • ISO speed range: 12 to 1600
  • Exposure control: Aperture priority
  • Viewfinder: 0.9x magnification, 95% coverage
  • Other features: include a self-timer, a cable release socket, and exposure compensation.

Handling and Ergonomics:

The ME Super is a well-made and compact camera, making it easy to carry around; it is almost the same size and weight as the X100F. The controls are user-friendly and well-positioned. The large, bright viewfinder helps, especially for those of us with less-than-perfect vision.

While it may not surpass the joy I find in using the X100F, the ME Super is steadily gaining ground, and its satisfying shutter noise is a small comfort during this time of longing. Loading and unloading film is a breeze, and the shutter release is smooth and responsive. Additionally, the camera’s reliability is reassuring, offering solace in the absence of the X100F.

Image Quality:

The Pentax ME Super consistently delivers excellent image quality. Composing shots is a breeze with the sharp and bright viewfinder, and the aperture priority exposure control ensures proper exposure. For someone like me who cherishes depth of field, the 1/2000 of a second shutter speed is a delightful feature.

Moreover, the ME Super is compatible with a wide range of Pentax K-mount lenses, providing versatile options for image-making. With my collection of 24mm wide-angle, 50mm F1.7, and 24-80mm zoom lenses, I’m well-equipped for various shooting scenarios, and there is even a 15mm wide angle lens, but I nearly peed myself when I saw the price!

The Verdict:

In conclusion, the Pentax ME Super is an exceptional 35mm SLR camera. Its well-made design, ease of use, and ability to produce outstanding image quality make it an appealing choice. If you’re searching for a reliable and versatile camera that brings years of photographic enjoyment, the Pentax ME Super won’t disappoint.

Pros:

  • Excellent build quality
  • Sharp and bright viewfinder
  • Simple and straightforward operation
  • Wide range of compatible lenses
  • Capable of producing excellent image quality
  • Built-in exposure compensation
  • Self-timer
  • Cable release socket

Cons:

  • Flash sync limitations at faster shutter speeds (i.e., more than 1/125)
  • Not an X100F

Overall:

The Pentax ME Super is an excellent 35mm SLR camera, offering great build quality, ease of use, and superb image quality. It’s a dependable choice for any photography enthusiast seeking a delightful film shooting experience.

Additional Information:

The ME Super remains popular among collectors for its exceptional build and image quality. If you’re interested in acquiring one, you can explore used cameras online or at camera shops. Additionally, you’ll find manuals and other valuable information about the camera on the internet.

I hope this review proves helpful. If you have any questions, please feel free to ask in the comment section.

But, most importantly, let me stop talking and allow you to enjoy some photos taken with the Pentax ME Super, capturing moments in Clisson and Nantes.

Post Scriptum

If the Pentax ME Super has caught your attention, I’d recommend checking out my other posts on classic film cameras like the Olympus Pen EE S (Aug 9, 2023) or my reflections on the lasting appeal of film photography in In Defense of Film (Aug 23, 2023). For a more in-depth look at the Pentax in action, mark your calendars for Capturing the Essence of Nantes: A Street Photography Journey with the Pentax ME Super and Kentmere 100 Film (coming Nov 17, 2023). And for those curious about the Fujifilm X100F, you can preview how it compares in Seeing the World Through 35mm: Street Photography with the Fujifilm X100F (Jun 21, 2023). A more detailed comparison between these two cameras is also coming this November!