China: An Introduction from Nantes to Changsha


This marks the beginning of a journey I’m eager to share—a series about my recent orchestral tour to China with the Symphonique des Bords de Loire (or SBL for those special people who know). Before leaving, China was a distant, almost abstract concept to me: a country whose language I couldn’t speak, whose script I couldn’t read, and whose cuisine I knew little about—aside from my clumsy attempts at wielding chopsticks.

Fast forward to today, and although I’ve only just returned—less than 48 hours ago—China feels much less foreign. I’ve wandered its streets, performed in its theatres, and shared meals with people who reminded me just how much we all have in common, no matter where we’re from.

Through this series, I’ll invite you into the world of an orchestra on tour, from long-haul flights and pre-concert rehearsals to quiet, reflective moments exploring unfamiliar cities. Expect stories of camaraderie, cultural discovery, and the universal language of music. And, of course, I’ll share the photographs—nearly 500—capturing the essence of the places we visited and the people we met.

Our first stop is the journey itself, from Nantes to Changsha, where it all began. Along the way, I’ll recount how we celebrated Christmas and New Year far from home, the magic of our performances, and the unexpected connections made along the way.

Are you sitting comfortably? Then we shall begin…

Like most people, I had a certain reticence about the unknown. I was basically terrified! But, as one must, I thought the best place to begin was the beginning. I knew it would be a long trip, but this was possibly the longest for me. We had our itinerary and knew where we were going. We had all installed the app Alipay on our phones to pay for things. There’s also a translator on the app, so we should be fine.

My wife and daughter dropped me, my suitcase, and my instrument off at the rendezvous point in Nantes at 1:30 am, giving us enough time for the 2:00 am departure by coach to get us all to CDG Roissy airport. We stopped off in Angers to pick up the last of the orchestra members and headed off to the airport.

We were split into two groups: us and them. We would be flying with Air China later that day, and the other group would fly almost immediately with Xiamen Airlines. There weren’t enough seats on the plane for us to travel together. As a result, we had the pleasure of spending all day in our terminal at CDG. This felt like the longest part of the whole trip.

We split up again—one group to Starbucks, the other to the bakery Paul. We felt a little more exclusive in our little group, made up of a horn player (yours truly), two violinists, Eléonore and Marie, and Nicolas, a percussionist.

What does one do for eight hours while waiting for a flight? Well, you go to the loo, eat, chat, become bosom buddies with your fellow travellers. You talk about your jobs, share photos, realise the adapter you bought won’t work in China, so you buy another one, have lunch, share jokes, and then realise too late that the small children around you can actually understand those jokes, so you dial it down a bit. You wander around, one person looking after the luggage, making sure it doesn’t get blown up by security. Excitement, excitement, excitement!!

Tired of remaining exclusive, we joined the hoi polloi of the Starbucks group and headed to security together. Passport control, however, was a different matter altogether. You may have guessed that I am not French, so I had the privilege of going through a different line to be let out of the country. I was scanned, as was my passport, and then made my way through to the other side. We had to go through security again.

My hand luggage was my instrument, and I felt very pleased with myself and my choice of clothing. It’s amazing how much “stuff” you can stuff into the pockets of a sports jacket and still look relatively good. You take off the jacket and pop it into the bins along with the horn, camera, phone, wallet, etc. It all felt like being in a queue at Disneyland…

I had nothing else planned, so I took it all in my stride. Going through Duty-Free was an interesting experience. Gone are the days of cheap booze and perfume. Now it’s all about luxury brands, and definitely not cheap. I’d have to wait until I got home to restock my perfume.

The departure lounge had a public piano, and of course, the colleagues had to let rip. And let rip they did. A productive way to get through the tediousness of waiting. I was reminded of the British Army philosophy of “hurry up and wait.” Take it in your stride, lad, take it in your stride.

The first flight was Air China from CDG to Beijing. When they talk about long haul, they forget to tell you how long long haul really is. We weren’t in business or first class but in economy, where long haul takes on a completely different dimension. The flight, though long, was very pleasant, and between meals (served with forks), it went smoothly. As part of my research for this trip, TripAdvisor had become a reference, and my experience was obviously much better than that of certain reviewers. The food was great, although it was the first time I had rice and fish for breakfast in a long while. I sat next to Fran, one of the English members of the orchestra, and we chatted about everything and nothing. It helped pass the time and allowed us to get to know each other in ways you can’t when just playing concerts and rehearsing in France.

We arrived in Beijing, descended, and started looking for the loo—the first of many visits to the loo during this trip. I had heard about Chinese loos being a little different from those back home, but in the airport at least, everything was fine.

We went through the airport to the domestic transfers, filled in the form with the information we had provided on our Visa application form, and went through immigration. Now, we were all on a level playing field, much to my satisfaction! We made it to the other side and headed to our gate, where we would board flight number two to our final destination for the day: Changsha. Changsha is one of those places that will amaze you with the colour of its lights around the buildings—one of the many cities that do this. It was resolutely modern and vibrant. To be honest, I didn’t know what to expect before arriving, so I just decided to take it all in.

At the hotel, we were greeted by colleagues who had arrived earlier. My roommate was still out in town, but thanks to WhatsApp, he was told we had arrived and it would be nice of him to come back to the hotel and let me into our room with our shared key. He returned with a huge smile on his face—not only happy to see me but excited to tell me about the girl who had stopped him in the street to take a selfie with him. This would be the first of many such occasions for my friend Correntin to satisfy his ever-growing fan club. Poor lad! Not easy being girl-bait every day! He would get used to it.

The man in action. What more can I say!!! Tank you Corentin for letting me use your photo…

The room was posh, and I thought, “I could get used to living like this.” And indeed, I did. Those pillows were huge, soft, and when your head landed on them, you just seemed to float off into another world. Eventually, I had to leave my pillow and get ready for the evening Christmas meal and Secret Santa exchange.

Now, I had presents for Eléonore, Mathilde, and Titaua—whom I met while dabbling a little more in music in Cholet, and who convinced me to join this orchestra. I’m very glad they did because here I was, offering them their Christmas presents in China! Secret Santa is where you’re assigned someone in the orchestra to buy a small gift for. My person had messaged me to ask for an orange, but I couldn’t just give them an orange. I made the effort to find a Terry’s Chocolate Orange for him. My Secret Santa, Barbara, presented me with a mini-tote bag from the Paris Olympics. It’s just the right size for the car! The meal was somewhat less French than the Olympics, but it was the first of many discoveries in this new country. Well, one must show willing…

Conclusion: Reflecting on the Philosophy of Photography


As we reach the end of A Photography Philosophy Series, I hope this journey has been as rewarding for you as it has been for me. Through these articles, we’ve explored the philosophy behind why we photograph—going beyond equipment and technique to dig into the heart of what makes photography so meaningful. Each theme in the series has shed light on a unique layer of photography, from capturing emotions to telling stories, reflecting identity, building connections, and even embracing impermanence.

We began with Why Do We Photograph?—a question that sits at the root of every image we capture. For some, photography is about preserving memories; for others, it’s about self-expression, documenting moments, or sharing perspectives. Over time, our reasons for photographing often shift and evolve, bringing more layers to our work as we grow. This first article set the tone for the series by reminding us that photography is a deeply personal journey, and our motivations shape each image we create.

Then we delved into The Emotions of Photography, exploring how images can carry feelings, from joy and nostalgia to solitude and contemplation. Photography allows us to express emotions that words often fail to capture, communicating through light, composition, and mood. Each photograph holds the potential to resonate with viewers in a way that feels both personal and universal, offering a window into the photographer’s emotional landscape.

The Art of Storytelling in Photography came next, where we looked at how images can create narratives—small windows into people, places, or moments that form part of a larger story. Photography has a remarkable way of capturing both detail and the bigger picture, allowing us to document stories that speak to shared experiences or unique perspectives. In a world full of words, photographs can often tell a story with a quiet eloquence.

In Identity and Self-Expression, we explored how photography offers a chance to express who we are and what we see. Our images inevitably reflect parts of ourselves—our backgrounds, our worldview, and our personal journey. For many, photography is as much a journey of self-discovery as it is a creative practice, helping us find our own voice and share it with others. Photography encourages us to see ourselves more clearly and to reveal something of that to the world.

Then came Connection Through Photography, a theme close to my heart. Photography, as we’ve seen, can forge connections—between photographer and subject, among fellow photographers, or with viewers who see something of themselves in the image. These connections remind us that we’re not alone in this world; they foster a sense of community, shared understanding, and empathy that goes beyond language. Photography has a unique power to unite us, even if only for a moment.

Lastly, we explored The Philosophy of Impermanence, where we reflected on the fleeting nature of each photograph. Every image captures a moment that can never be repeated, lending photography its unique poignancy. Impermanence reminds us to treasure the moment and see beauty in the transient. Photography, like life itself, is filled with unexpected moments, and it’s often the imperfections or mistakes that give images their authenticity and depth.

As we close, I invite you to reflect on your own photographic journey. What drives you to take photographs? Which themes resonate most with you—capturing emotions, telling stories, connecting with others, or perhaps embracing impermanence? These reflections aren’t just theoretical ideas; they form the personal philosophy that shapes how each of us approaches photography.

Ultimately, photography is about connecting with the world and each other through shared moments and meanings. If this series has encouraged you to think more deeply about your motivations, experiences, and the meaning behind your work, then I hope you’ll carry those reflections forward. Photography gives us a way to see, to understand, and to share in ways that words alone can’t.

Thank you for joining me on this exploration. I’d love to hear about your own experiences—what drives you, what connects you, and how photography shapes your view of the world. Let’s keep the conversation going and continue building a community of thoughtful photographers, one image at a time.

The Opening of the Film Archives – April 2017 On the Border


Good evening Dear Reader.  Some of you may know that I live in France, despite being originally from the UK, and despite probably having gone native after living here for 30 years.  I have even been accused of being a little “Continental” whatever that may mean..  I live in the west of France.  You could think that I live in Nantes just judging by the quantity of photos taken in that city.

I actually live in a smallish village at the very northern edge of the Vendée and my village borders the “la Loire Inférieure” or to use the more modern term “la Loire Atlantique.”  Our department number is 85 and theirs is 44.  I’m not saying there is any animosity between the two, in the same way that there isn’t any animosity between the inhabitant of Lancashire, and God’s own county of Yorkshire.  Absolutely none at all.

You now know where I am.  Let’s have a closer look at that area through the lens of my Canon AE1.  This series of photos was taken along my route to work.  You can see the milestone on the road where the border between the two departments finds itself.  

The trees along this stretch form a natural tunnel, creating an otherworldly atmosphere as sunlight filters through the canopy. Capturing that interplay of light and shadow was my goal with the Canon AE1. Despite some doubts about its metering capabilities, the camera performed admirably, and I’m thrilled with the results.

Since I took these photos, some of the trees have been cut back, making these images even more precious. They preserve a fleeting beauty—a reminder of how photography can immortalise moments before they change forever.

At the base of the hill runs a quiet stream, tame in spring but often overflowing in winter. Its stillness offers another perspective, reflecting the surrounding trees and clusters of mistletoe hanging high in their branches. These reflections, captured on film, reveal a different kind of magic—a mirror-like calm that contrasts with the lively interplay of light above.

This installment of the Film Archives is a tribute to the quiet beauty of my daily commute. Through these photographs, I hope to share not just a sense of place but a moment in time that speaks to the power of film photography to hold onto the ephemeral.

Opening of the Film Archives, Château de Clisson, February 2017


I had obviously taken a break with the Canon AE1 and spent the whole of December and January in hibernation, as most grumpy bears of my age do. Get Christmas over with, then go back to bed… I like my bed. No, I love my bed!!

Spring was just around the corner, and Kate had managed to awaken the beast and proceeded to tell me what she had planned for the day. It included me, a camera, and the Chateau de Clisson. I had just been “told” by my daughter, and off we headed to Clisson.

Now, the Chateau de Clisson is no small affair by any means. It dominates the centre of the town, sitting atop a hill as an imposing structure. I remember Kate having begged me on numerous occasions to actually go inside, and this time I acquiesced.

It was the perfect opportunity to not only document the inside of this historic site but also to let my playful daughter do what children do best: be cute, or as they say in French, espiègle. At that age, she was still content to pose for the camera, unlike the moody teenager she has become. Yet, sometimes, that same playful nature still manages to shine through.

If you’re curious to learn more about the history of the Chateau de Clisson, I’ve included a link for further reading.

After our outing in Clisson, I retreated to the quiet of my darkroom, where the real magic happens—transforming the captured moments into tangible memories. The familiar routine of developing the film, loading it into the tank, and watching the images slowly emerge never fails to captivate me. Once the negatives are ready and the scans are complete, I file them away in both my digital and analogue archives.

Then, a few years later, I get to share these memories with you. It’s a special kind of nostalgia—the kind that comes with taking time to slow down, reflect, and preserve what matters most. Thank you for joining me on this journey and for allowing me to share these pieces of the past with you.

Opening of the Film Archives – Canon AE1 Street Photography in Nantes


Good afternoon, Dear Reader. I’m writing this article thinking of you and wondering what to show you next in this ongoing series. The clue is in the title: Canon AE1 Street Photography in the streets of Nantes.

I know you have the eyes of a hawk who never miss a trick because your vision is so sharp. You might even have scrolled down to the photos already, and your eagle eyes will have noticed that this isn’t the usual area I visit on these outings. And, of course, you’d be right!

Yes, I still parked in the Feydeau car park but crossed the road to the south, heading along Baco-Lu, past the Tour Lu (sans “t”), towards the St Felix Canal, and then back into town… Some of the places no longer exist or have changed hands, but you would still recognise them even today.

I think that with these photographs, I’m getting closer to what some might call “proper” or “traditional” street photography. The images have a certain gritty quality to them, including the people in the shots. This was something I was actively aiming for. Maybe it’s the grain—something I don’t get with the X100F—that helped bring this about. Or could it be the people, whose presence seems to reveal the stories behind them? Whatever it is, I felt that this was a very good day.

I think I may have shared with you that I’m going to China this Christmas on tour with the orchestra I play for. I’m still undecided about which camera to take and wondering if I should bring a film camera along. With the X100F, I’ve become so accustomed to the 35mm lens, while my film cameras only have 50mm lenses to work with. Reviewing these older images may help me make up my mind. It’s going to be an epic trip, and I want to be sure of the kinds of images I’ll be able to capture.

As much as I’d love the flexibility to hop in the car and retake a shot if needed, this trip to China will be different. I’ll need to trust my choices and embrace the moment as it unfolds—something that feels both exciting and a little daunting. But that’s the beauty of photography, isn’t it? The challenge of capturing fleeting moments, knowing they might never come around again. So, whatever I decide, I know the experience will be unforgettable.

While the anticipation of the China photos may be killing you, I know you’ll be patient, whatever I decide to use. Rest assured, those photos will capture the spirit of the trip. Only two and a half weeks before I start my travels…

The Opening of the Film Archives – Chaussée des Moines, Autumn 2016


It was one of those sunny late autumn days we sometimes get here—warm, golden, and untouched by the inevitable rain, wind, and cold that would soon claim the season. This time, I wasn’t in Nantes, or exploring the Forest of Grasla like last week’s outing. Instead, I decided to take my Canon AE-1 for a walk down by the river—more precisely, along the Sèvre Nantaise—to explore the Chaussée des Moines.

Chaussée des Moines translates to “the monk’s pathway,” and no, it’s not a detour through Iowa. I always get the name wrong, thanks to the cheese Chaussée aux Moines. Freud would probably call it a slip—though even he might have struggled to find better footing on this trail.

The pathway, bathed in the low autumn sun, was serene. Its golden light skimmed the water, creating shimmering reflections on the surface, while the riverbanks glowed with the last stubborn hues of the season. For those of you looking at the photos in black and white, you’ll just have to imagine the colours. The Canon AE-1 was a faithful companion that day, helping me focus on the interplay of light and shadow, the quiet stillness of the river, and the textured beauty of autumn’s final stand.

The Sèvre Nantaise is a river that flows into Nantes at the Bras de Pirmil. The Chaussée itself is a weir—a place where, weather permitting, you can walk across the river, loop over a nearby bridge, and return along the opposite bank. It’s a lovely little circuit, especially on a crisp autumn day.

The photographs from this outing were taken with the Canon AE-1 using Ilford HP5+ film, shot at 400ASA. I later edited the images in Lightroom to bridge that gap between film and digital. Some might call me a charlatan, but even in the darkroom, we worked our magic with tools akin to what Lightroom offers today—just a bit more hands-on and aromatic.

When I was learning how to draw, I was often reminded of the importance of contrast: darker, more defined elements in the foreground and softer, lighter tones in the background. Looking back at these photos, especially the ones of trees and fields, I’m struck by how naturally this principle seems to have played out.

All in all, it was lovely being out in the autumn sun, soaking up the scenery, and enjoying every minute of it. The boat moored along the bank, the cascading weir, the solitary man fishing—it all added to the charm of a wonderful afternoon. And if you’re wondering, the slice of cake and cup of something nice at the café overlooking the river had absolutely nothing to do with how fondly I remember the day… or so I tell myself.