The Opening of the Film Archives—Clisson, September 2016


Welcome back, Dear Reader, to the film archives, still with the Canon AE1 and HP5 Plus from Ilford, but in Clisson this time.  You will remember Clisson from previous articles and will have seen the pictures, so it shouldn’t be a stranger to you.  Who knows, it could even feel like revisiting an old friend.  It certainly is for me. 

But why Clisson I hear you say.  Well, it’s not very far away from where I live.  It’s also one of those market towns that is renowned for the beauty of its architecture with an Italian slant.  It has the massive castle that towers above the river.  It has me taking photographs of it.  

Clisson, like most things, has options.  On a Friday the main option is the huge market, and wandering around the 14th-century Halles, which can keep you out of the sun, the rain, the heat or the cold, depending on the time of year.  I either go down to the river and wander along the river banks in the Garenne and Lemot park, or park at the top of town and stroll around the Halles and surrounding streets.  In the series of photos at the end, you will see some stone steps that join the two options, but I have dodgy knees, and those steps are like leg day at the gym.  You can avoid those steps by just following the road that wraps itself around the church, and going under the tree that just got tired and decided to rest on the house opposite.  

But this time I decided to break out of my habits and visit the Quartier St Jacques with its decommissioned chapel, and garden.  It’s yet another pretty place in a pretty town, and when I was sitting there in the sun, I felt that I didn’t have a care in the world.  Serenity flooded my mind and all was well with the world…

The Opening of the Film Archives—Le Château des Ducs de Bretagne, August 2016


Welcome back to the Film Archive of IJM Photography! This time, we find ourselves in the beautiful city of Nantes, in the heart of the Cité des Ducs. Our adventure takes us through the majestic Château des Ducs de Bretagne, a site rich in history and culture.

As we explore the castle, I’m armed with another one of my favorite cameras from the golden days of film photography—the Canon AE1. This was before the surge of interest from the YouTube hipster crowd, who quickly snatched up every classic camera they could find, driving up prices and making these gems harder to come by.

The Canon AE1 is justifiably sought after, and for good reason. It’s a camera that offers both simplicity and elegance, paired with the beautiful FD 50mm F1.8 lens. This lens, in particular, has a way of capturing light that enhances every shot, allowing me, the photographer, to create images that feel alive. You can see the results in the photos here—every frame is a testament to the quality and craftsmanship of this camera.

It feels solid in the hand, and focusing with the split prism is a breeze. The camera is “shutter priority,” and it adapts the f-stop to the speed at which you’re shooting. As a street photographer, I don’t need to shoot at 1/1000th of a second for all my shots, so I have a wider range of options than someone taking pictures of sports. It still provides me with the necessary depth of field.

On this particular day, I was motivated and thought I could walk up the steps to the battlements to get some more interesting shots from a raised standpoint. I captured the urban landscape that spans from the 13th to the 21st century, and in one of the shots, you can see the ever-present figure of the Tour de Bretagne. It once represented the modernity of the 20th century and is now closed for asbestos removal. My feet, however, were firmly rooted much earlier in the castle.

Exploring the Château des Ducs de Bretagne with the Canon AE1 was a journey through both time and photography. The castle’s ancient walls and rich history provided a stunning backdrop for capturing moments that feel timeless. With every click of the shutter, I was reminded of the magic of film photography—the anticipation, the artistry, and the satisfaction of seeing the world through a vintage lens. As I descended from the battlements, I couldn’t help but feel grateful for the simple joy of capturing life on film, in a place where history and modernity blend seamlessly. Until next time, keep exploring and shooting. There’s always more to discover.

The Opening of the Film Archives – Noirmoutier September 2016


Welcome back, dear reader, to another delve into the Film Archive from before this wonderful blog that I know you enjoy reading so much. I appreciate being able to share these photos with you in the hope that they may not only please you but also offer insight into an older form of photography, one where concerns about overheating or battery life were minimal. I want to demonstrate how it is still possible to achieve great results with any camera and that the main quality in your photography comes from you, the photographer.

Earlier this year, I was there with my Canon 6D Mark II, but today, we’re revisiting my visit from September 2016. At that time, I didn’t have my Canon, but I did have the Olympus Trip 35 with HP5 Plus film from Ilford. I used that camera quite a lot that summer and continued to use it in September. I might just have to dig it out of my camera cupboard and use it again. Constraints and minimal kit often lead to more creative decisions—just think back to my UK trip, where I only had my X100F with me.

Let’s start with the camera. It’s a small but gorgeous camera designed for the mass market in the 1960s and was still being produced in the 1980s, which attests to its appeal among casual photographers. With relatively few controls, it’s pretty foolproof. I can adjust the film ASA setting, and the selenium cell housed with the lens takes care of the rest, whether it’s aperture or shutter speed. The famous red flag appears in the viewfinder when the camera senses insufficient light. All I need to do is set the focus zone.

I must have bought mine around 2015 or 2016, and it was quite affordable at the time—no more than 50€. It was an iconic camera then and still is today, but as the supply of these cameras dwindles, prices have increased. You can now expect to pay 100€ or more, with some models even reaching nearly 200€. It remains a great camera but might be a victim of its own success, along with sellers’ optimism and greed. Buyer beware—shop around, and you might still find more accessible prices.

As for film, prices have also risen, especially for Kodak film, but Ilford remains affordable, as do Kentmere, Fomapan, and Rollei.

I’ve travelled the same road numerous times, and it always brings me a certain sense of peace. I tend to stop off at familiar spots along the way, and those of you with an eagle eye will recognise some of these locations from other photos in this blog.

But why go to Noirmoutier? Firstly, why not? It’s just over an hour’s drive from my home and is a popular destination for many locals from the Vendée. The island now suffers from overtourism, which has certainly changed its character since 2016. Efforts have been made to manage the flow of tourists, with improvements such as parking, pedestrian zones, clearly marked hiking trails, and numerous bike lanes. It’s a beautiful part of the world, so typical of the Vendée Coast with its pinède and long beaches. However, not everything is about tourism. The island is also renowned for its salted butter made with salt from local salt marshes and the famous potatoes from Noirmoutier. Additionally, there’s a small fishing fleet, as well as the fleet from Le Port du Bec in the neighbouring Beauvoir-sur-Mer.

The Opening of the Film Archives, Lisbon, August 2016


Welcome back to the Film Archives, where I showcase my analogue photography from the period BB (before the blog). In this edition, we’re diving into a street photography session in Lisbon, captured using the Olympus Trip 35 paired with Ilford HP5 Plus film. This camera and film combination was my go-to at the time, and with the fantastic lighting conditions in Lisbon, I was confident in its ability to deliver excellent results.

Setting the Scene

Our cruise around the Canary Islands had one final stop in Lisbon before heading back to Southampton. After disembarking, we faced the usual checks—showing ID and ensuring we had no contraband. The docks were conveniently close to the city center, and I followed the crowd to the left as we exited. My family, however, decided to explore in a different direction and turned right.

Capturing Lisbon’s Essence

Lisbon is renowned for its distinctive tiles, and I was immediately drawn to their intricate patterns. My first shot aimed to capture these tiles, which were a striking shade of blue. Of course, the beauty of these tiles is somewhat lost in black-and-white photos, but the pattern’s appeal was undeniable. Perhaps a color photograph would have better showcased their vibrancy, but the monochrome shots still convey the city’s essence.

Having visited Lisbon before, I was eager to find the massive statue of a man on a horse located in the square. Finding it again brought back memories of my previous visit. The weather was quite warm—typical of that summer—but I sought refuge under the cool arches, which made for excellent photographic compositions. The leading lines and repetitive patterns of the arches created compelling visual elements in my photos.

One aspect I had forgotten about was the trolley buses. Their bright yellow color adds a unique touch to the city’s character. Although these buses are less striking in black and white, their presence adds to the city’s charm and energy.

Technical Insights

The Olympus Trip 35 is a straightforward, fully mechanical camera with a fixed lens and automatic exposure. It’s perfect for street photography due to its simplicity and reliability. The HP5 Plus film is known for its versatility and fine grain, which works well in various lighting conditions. On this bright day in Lisbon, the film’s wide exposure latitude allowed me to capture the city’s details with great clarity and depth.

Experiencing Lisbon

As I walked through Lisbon, it felt as if I had stepped back in time. The city’s mosaic pavements and vintage shop signs created a nostalgic atmosphere reminiscent of the 1960s. While I’m sure some areas are more modern, my exploration was limited to the historic parts I could reach on foot. In these moments, I felt detached from the “real” world, fully immersed in observing and photographing the city. This sense of liberation of being a stranger in a new place is incredibly freeing.

During my shoot, a German lady, who was a resident of Lisbon, approached me on Instagram and was surprised when I told her these photos were taken just 15 days ago. It’s fascinating how a fresh perspective can capture the timeless quality of a place.

Conclusion

In summary, Lisbon, at least in the areas I explored, possesses a timeless charm akin to that of a gentleman in a linen suit with a Panama hat. The city’s classical style and foreign allure were captivating. Although I don’t speak Portuguese, I chose to keep to myself, relying on the universal language of photography to connect with the city.

The Olympus Trip 35 was ideal for this day of exploration. Its simplicity, coupled with the bright light of Lisbon, allowed me to focus on capturing the city’s spirit without being bogged down by complex settings. The vintage camera, combined with the city’s classic charm, perhaps contributed to the nostalgic vibe of the photos, adding to the allure that intrigued even my German friend.

The Opening of the Film Archives – Stonehenge August 2016


Stonehenge is something different for most people.  For some it is a historical site in Wiltshire, and despite not being part of the 7 wonders of the ancient world, still remains pretty special.  For some more “alternative” folks, it’s an ancient spiritual centre, and just happens to be on converging energy lines.  For some it’s a day out with the children.

We had come back from a cruise that had taken us around the Canary islands, Lisbon, and Galicia in Spain.  Thank you Mummy, and thank you Daddy!  I think they felt guilty about us always coming up to see them in Northumberland, and wanted us to get a different holiday experience.  Well, different it was!  But that is a totally different story, and the photos can be found in the Olympus Trip 35 article.

So our ship docked at Southampton and we still were in the holiday mood.  I remember as a small boy visiting Stonehenge, and thought it was “the” opportunity to introduce my family to the site.  

It seemed slightly smaller than I remember it.  As do most things if I’m going to be honest with you, but the majesty of the stones remained.  As did the wonder at the fact that these stones had been dragged overland from Wales, and put into place, with the joints still being “rock solid” and down to the nearest millimetre.  I work in a factory that does industrial woodworking and I know what we can do with modern tools and technology and yet here, this massive construction was put together using basic tools.

The children were just taking in the whole experience, and rather bemused at the sight of Japanese tourists being shoved around the site and taking the obligatory selfie.  They also seem quite bemused by the amount of school groups being led around.  

I preferred, as often as I do, to just take my time and take it all in and get some photos of the place.  With the 40 mm zuiko lens I was getting some lovely environmental shots that you can see below.  

My wife, however, was in tears.  Crying her heart out.  She later confided in me telling me how she just felt overcome with emotion.  Maybe those lines of energy for those alternative folks might have something in them…

The Opening of the Film Archives—the Hangar à Bananes August 2016


In my last venture into the film archives, I talked about how there was a time that my daughter hadn’t yet seen me the way I see myself and how she actually still liked me, before turning into a teenager.  This is the second part of that special day.

We had explored the Jardin des Plantes and discovered what they had to offer.  This of course builds up an appetite in a young lady, and convinces her that she really needs to drink something Daddy.  And why couldn’t we go to the Altercafé (now the D3) at the Hangar à Bananes.

So what else was I to do but drive us to the Hangar à Bananes.  You will have seen the Hangar in this article, and you will now be completely up to date and know nearly everything there is to know.

Don’t forget that this is a girl who gets an idea into her head and then just goes through with it.  That idea is so rooted that it is nigh on impossible to change that idea.  I knew what was coming.  I would order a chocolate brownie, and Kate would have an Orangina.  I could have a beer.  How gracious of her.

She had been my model for most of the day and even a top model needs a rest, and just has nothing left to give a photographer.  You just know when enough is enough…