The concert was for the municipality of Lorient and was more I’ll scratch your back if you scratch mine. Sometimes as musicians we have to kowtow to certain political matters to keep the municipality sweet. They said it would be cramped, but it was, at worst, cosy, so no complaints there.
After the concert, I had organised my car so I could sleep in it. I parked up in front of my mother-in-law’s house to spend the night and get some photography in during the early hours of the morning — and because my mother-in-law can be intense, and I don’t like bothering people. It’s not that I don’t like staying overnight in people’s houses, but at one stage on exercise with the RCT (Royal Corps of Transport) back in the late 1980s, I learnt that I could sleep anywhere and that it was nothing to worry about. I didn’t have my sleeping bag from those days, which would let me sleep comfortably in minus temperatures, but I did have a couple of Scottish tartan blankets that would keep me nice and warm.
It wasn’t long before I got off to sleep. I actually slept quite well, considering, and bought myself breakfast at the local boulangerie. No snoring to contend with and no risk of being shouted at because the dog was awake and needed to go outside to poop. Yes, a very satisfying night.
After my wonderful bakery breakfast, I headed to St Cado, which really is a cadeau — a gift — for the eyes. You’ll see what I mean when you see the pictures.
I relish solitude, not just because I’m an introvert, but because I like calm and quiet. And the idea of being up at the crack of dawn is wonderful, especially when I don’t have to get out of my bed and stop hugging my wife. I was on my own and loving every minute of it.
I arrived at St Cado and used the public conveniences, as it is not the done thing to poop in front of everyone. I’m not a dog, after all. St Cado was there waiting for me to get some photos in some beautiful light. I’ve started bracketing lately to get as much as I can out of each image. Bracketing, for those who think I am speaking in Chinese, consists of taking the same photo three times — once with normal metering for light, once underexposed, and once overexposed. Back in the day, you would set up your tripod and take each photo one at a time, but now I press the button and it does it automatically. On film you would lose film doing this, but on digital, with an empty SD card — why not?
As the morning light continued to change and the village slowly came to life, I packed up my gear feeling quietly content. These simple moments — waking early, capturing the beauty of a place like St Cado, and enjoying solitude — remind me why I keep a camera close. It’s not just about the photos, but about being present and finding peace in the everyday. Saint Cado truly was a gift to the senses, and I’m grateful for the chance to savour it in my own way.
Those who know me know I’m alright at photography, reasonably OK at music, and not especially brilliant at much else. Over Christmas, I was off adventuring in China, but now I’m back in France, trying not to overcommit—and failing, as usual.
It turns out I’ve joined a new orchestra. Lanester, just next door to Lorient, who needed a horn player, and some of the musicians I toured with last year gave me the heads-up. “Only one full-day rehearsal a month,” they said. “Just come try it out,” they said. So I did. And here we are. Oops a daisy
It’s early days, but I’m settling in, and I think they’re warming up to me too. I’m doing my best to approach things with what I like to call legendary finesse—and not my more traditional approach of putting my foot in it. So far, so good.
Getting to Lanester is a bit of a trek, but I’m lucky to liftshare—what the French call co-voiturage—with Anne, a colleague from the SBL and a percussionist in the orchestra. It’s good to have company on the road, especially someone who doesn’t feel the need to critique my driving. Not that anyone at home does that. Of course not. Never. Virginie, me darling wife…
Anne has serious percussion chops, which puts a bit of pressure on my playlist game. I found a drum tutorial version of Wipe Out by The Surfaris recently and played it for her—she was delighted. It’s nice to have shared moments like that on the drive. Adds a little rhythm to the road.
Anne also likes to arrive early to check over the percussion gear before concerts. On this particular day, we had some time to spare before the pre-concert rehearsal, so we headed down to the beach for a walk. Spring light, sea air, and the strange hush that comes with lowish tide—it felt like stepping sideways out of time.
Naturally, I had my camera with me. You didn’t think I’d go to the coast without it, did you?
There’s something about black and white photography that suits these moments. The beach in spring isn’t always the bright, holiday postcard version most people imagine—it’s quieter, starker, but no less beautiful. Stripped of colour, the textures stand out: the grain of driftwood, the ripple of sand under wind, the blurred silhouettes of gulls in motion.
I love how black and white invites the eye to slow down, to notice more. Just like music, really—it’s not always the loudest note that makes the biggest impression.
Below, you’ll find a few of the images I made during that walk. Nothing posed, nothing polished. Just a quiet moment between rehearsal and performance, caught in passing light.
Welcome back to China, Dear Reader. When I last left you, we were on the bus somewhere between Hangzhou and Shao Xing. I’m pleased to report that we made it safe and sound, and that Corentin and I now had two keys to our room. It was still sunny—a joy to be alive. Thank you, happy pills. Our room had all the mod cons, though there was a quirk: if one of us was on the loo, we’d slide the door across for privacy. Unfortunately, that meant the person taking a shower lost their privacy. Still, I couldn’t see anything from the loo, so my roomie’s modesty was safe.
Speaking of toilets, we encountered quite a range during our travels. In the service stations, they were the French “chiottes à la Turque,” which are nothing like the Mozart Rondo, but certainly more pungent. Then there were the “ordinary” toilets, followed by the ones whose lids lifted automatically as you passed, and finally the pièce de résistance: the Japanese-style toilet, which remained resolutely Chinese.
This marvel had a heated seat—luxury in itself. You had to lift the lid manually (slumming it in the Stone Age again), but once seated, nature took its course in unparalleled comfort. The real magic began when you pressed a button: a mechanism extended to spray water precisely where needed. There was even a function for ladies. And after the water came the air, drying everything off! I double-checked with toilet paper, of course, but it had done an impeccable job. Truly, a game-changer. As Forrest Gump said, “That’s all I have to say about that!”
Now, let’s move quickly on from toilet humour (as universal as it may be) to the park next to our hotel. We were on the 22nd floor and had a marvellous view of the city centre. I could even see that night’s venue from our room and decided to explore the area, camera in hand. The winter sunlight was soft—bright but not blinding—perfect for photography. I wanted to capture the impression of Shao Xing, not just through candid portraits of people but through its landscapes and atmosphere. My aim was to convey the city’s essence, much like an impressionist painting, but with a camera instead of a brush.
The park was alive with activity. Aunties and uncles sat on benches, chatting animatedly and observing the world go by. One Aunty beckoned me to join her, and I obliged. She greeted me with a thumbs-up—a universally positive gesture, except when hitchhiking in Greece, where it’s a faux pas. Using the translator in Alipay, I explained that I was a horn player with the visiting orchestra and would be performing that night in the concert hall across the park. This app is a godsend in China, though I briefly considered going back to study the language. My wife might not be thrilled with me disappearing for six months, though.
As we sat, the Aunty hummed a Chinese song. I was transported elsewhere, nearly dozing off in the sunlight—a habit I seemed to be developing. Thanking her for her company, I wandered further into the park. The sunlight filtered through the trees, highlighting the park’s serene beauty. I came across a single artist practicing calligraphy on the ground, using water instead of ink. His strokes were delicate and ephemeral—a fleeting masterpiece destined to evaporate. Children played with marbles nearby, using the sculpted floor as their playground. The juxtaposition of timeless tradition and youthful play captured the spirit of China for me. Above it all, a pagoda stood proudly, with an airship hovering in the background—a striking blend of the classic and the modern.
Reluctantly, I left the park to prepare for our penultimate concert. The thought of returning to the mundanity of home life began to weigh on me. This tour had been a gift, filled with unforgettable experiences and people. I wasn’t ready for it to end.
The concert hall was just across the park, and I strolled over leisurely—no need to rush; a gentleman never runs. The theatre director and his team greeted us warmly, their hospitality as magical as ever. Some brass players had prepared a fanfare to welcome the audience, and the atmosphere buzzed with excitement. Selfies were taken in abundance, and someone was even live-streaming for TikTok.
The concert itself went beautifully, with the usual audience participation adding to the magic. Afterward, the theatre manager addressed us, reminding us of the event’s purpose: celebrating Franco-Sino relations and their 60th anniversary. His French was excellent, and his enthusiasm infectious. They had prepared a spread for us—a delightful picnic with beer aplenty. As the night progressed, the manager led by example, dancing and motivating his team to let loose. Seeing their boss in this light seemed to surprise them.
I left the party early, taking a quiet stroll back to the hotel. The park, now illuminated, looked entirely different. The pagoda glowed softly and had changed character, and became the central element to the park. Meanwhile, Corentin extended the festivities at a local bar, where the owner was treated to an impromptu rendition of Michel Sardou’s “Les Lacs du Connemara.” A night to remember, indeed.
Sundays usually find me in the city of Nantes, where I prefer attending an evening Mass. You get a different crowd at the evening mass, and it feels more exclusive. This particular church stands out for its reverent atmosphere, the cherished celebrant, and the more traditional Mass it offers. It’s not just about tradition; it’s the sense of reverence it brings, allowing for leisurely Sunday mornings. But yesterday was different, and I found myself up at the somewhat ungodly hour to go to mass at 9:30 AM.
Why the early rise, you might wonder? I had a date with destiny at 1:00 PM, helping friends celebrate their 30th wedding anniversary.
If you’ve read my recent article about bidding farewell to my beloved X100F, you’ll recall the camera’s untimely breakdown. Fate, it seemed, had other plans for me. The ISO dial had broken down, rendering me unable to control ISO settings. It was a frustrating predicament for any photographer.
In an attempt to assess the camera’s condition, I had left it sitting in my glove box for over a month, thinking I might need to send it for repairs. But yesterday, as I turned it on, I was amazed and baffled to see it working again as if nothing had happened. It was a photographic miracle, one that put a smile on my face.
With my trusted camera miraculously resurrected, I set off for my friends’ home, ready to revel in their love story and join the festivities. It was a heartwarming celebration, marking three glorious decades of their union. But there was more to this gathering than just an anniversary.
My friends had recently embarked on a journey to adopt their second child, a precious soul from China. They were soon to depart for China, eager to bring their new daughter home. The air was filled with palpable excitement, the anticipation of a new chapter in their lives.
As I arrived at the party, I was greeted not only by the radiant couple but also by familiar faces from my past. Friends who had once been my teachers and companions in the orchestra I had been part of until the previous year had gathered. It was a reunion of kindred spirits, a chance to catch up on life’s many twists and turns.
The day took an unexpected turn when my wife joined the festivities later in the after. She had been having a meal with the people she had learned to drive a school bus with, so she was going to be late. Little did I know that the surprise and icing on the proverbial cake were yet to come.
A Serbian orchestra arrived, instruments playing and walked playing up to the rest of us. The moment they began to play, the air was filled with a symphony of pure magic. The musicians entertained us with their musical virtuosity, their music becoming the heartbeat of the celebration.
Under the summer sun and the backdrop of a joyful celebration, the strains of Balkan music filled the air. It was as if the very essence of celebration had taken musical form. The infectious rhythms swept us off our feet, and we danced with abandon, reveling in the sheer euphoria of the moment. Laughter, love, and music merged into an unforgettable medley, creating memories that would last a lifetime.
As I reflect on that day, I can’t help but marvel at how life has a way of surprising us when we least expect it. What began as a simple morning Mass and a camera conundrum unfolded into a day of pure joy and connection. It was a reminder that sometimes, the best moments in life are the ones we don’t plan for—the unexpected gifts that leave our hearts brimming with gratitude.
And so, my summer concluded with a flourish, with the echoes of Balkan rhythms resonating in my heart. It was a day of celebrations, a day of love and friendship, and a day that reminded me of the beauty of life’s unpredictable dance. It’s safe to say that I’ll be holding onto the memories of this day for a long, long time, and perhaps reconsidering the pace of my Sunday mornings in Nantes.
Sometimes you have a friend that wants a photo taken for whatever reason, and the friend in question was a schoolmate from my days at the Conservatoire de Cholet. We both still play and now play in the same orchestra. She wanted a photograph of herself with the said violin. She was expecting me to whip out my phone and Bob’s your uncle. Little did she realise that this was just not an option. As somebody who dabbles in photography with cameras and not camera phones, I suggested that I bring the studio to her and that we would try to get something half-decent.
We set up the rendez-vous, and up I turned. I was offered tea, which as you now know, Dear Reader, is something I have a great affection for, and this girl knows how to make a lovely cup of tea! Her husband arrived from getting their little boy from school, and we started setting up the studio. He was a good sport and let me use him for my test shots to get all my camera settings in order.
Then onto the serious business of getting some portraits! Now that’s the easy bit. The slightly less easy bit is where the magic happens. Photoshop is my editing software, and yet is far from being worn, or soft! The idea is to keep everything looking natural, and the premise “less is more” is my goal. If my editing is obvious, then I have to go back to the drawing board.
Before / After
This is the first edited shot from the session and gives you an idea of what the result can be. See what you think and tell me in the comments how “you” might have done it!
As you can see, the poor girl is a violin player and not a horn player like Yours Truly, but we have to make allowances. Not everyone has the chance to play the most beautiful instrument in the world.
As a musician, even one as not as implicated as me, December can be a busy time and has proven itself to live up to its reputation of loads of concerts to finish the year, and carolling. For the moment, I have 3 out of 5 weekends taken up with playing the horn in one form or another.
At the end of the Season in the summer of 2022, I decided not to follow the new direction taken by the Orchestre d’Harmonie de Cholet. Not just out of loyalty to the outgoing conductor who, since 2009, become a close friend, but sometimes you just need a change of scene. I first thought of just having a complete break from music, which is a rash decision but one I have taken in the past. Friends were worried that I would stop music altogether, which would not only be a shame but also a waste of talent or work that I have put into learning the horn over the years. I had lost the love of performing, and rehearsals had become more a way of spending time on something I knew how to do but with less and less pleasure.
I was therefore on the lookout for a new ensemble that needed a horn player. When I was in the Cholet Conservatoire Symphony orchestra, I made friends who talked about this relatively new orchestra based just South of Nantes. You go to Facebook and see their page and try to make a choice. I made a choice. I am now the fourth horn in the Symphonique des Bords de Loire.
So what does this have to do with being busy in December? I’ll tell you. With concerts and rehearsals, I have been playing every weekend since the 26th of November. I am now 50, have taken up napping in a big way, and sleeping, or at least trying to sleep as a secondary calling. All this music is creating an enormous conflict of interest between music and my new vocation, napping. I have tried automatic pilot, but people seem to cotton on and even dare come up to me and try to talk to me when my body is still on, but the brain is experiencing a temporary outage. The sheer audacity of it all!
Last weekend, I did a paid gig for the Brass Quintet Arabesque, replacing my old horn teacher, the Grand, the mother Great, and all-around good egg, Jerome Percher who teaches the horn in the Conservatoire In Angers! He is also a massive football fan and maybe the evening match between our two splendid countries was just too much for him. Little did we know that Harry Kane would be less fortunate than us.
The idea was to have a brass band style quintet with two cornets, one tenor horn, one euphonium, and one tuba. Similar to what you might see the Salvation Army playing when they’re out around this time. We would play three sets of Christmas carols to add some ambience to the Christmas Market in La Roche Sur Yon, which is the administrative capital of the Vendée. It was a beautifully sunny day, but a tad cold. Yes, brass monkey weather!
Now I don’t technically play the tenor horn, but had studied the fingerings to know how to approach the instrument and not look too silly. It’s also much lighter than the more common, yet beautiful instrument, which is the French Horn.
Everything that morning seemed to go wrong. I was already nervous as I didn’t want to let the lads down and my heart was going like the clappers. Then slightly late getting out of the house, having to get the windscreen de-iced, as it was -5°C, which is chilly. Then the car pretended to not want to start. Ha ha ha, it was the car just trying to play a trick on me. The roads had been salted so fine, and I was headed down to La Roche. I had misread the text message with the meeting times and thought I was late. As it turned out, I wasn’t, and our lady answered my prayer for a parking space not too far from the meeting point. I, of course, couldn’t find my colleagues when I arrived in the square and then suddenly I saw Hervé and felt a lot less anxious!
We played our three sets, and the only upset was whilst playing I saw three ships. I think we all managed to sink them!
The organisers had prepared us some hot pretzels and some mulled wine, which just hit the spot and told us where the restaurant was, where we were to have lunch. The five of us needed feeding! Starters and main, or main and dessert, with drinks. I could get used to this. We ate, joked, finished our beer, and said see you later at Hervé’s house for the Soirée to celebrate Jean Michel’s birthday in a French and very fitting way!
I just had to get to Nantes, for confession, to get a little something for my evening’s host, wife, and daughter. Just enough time left over to pick up my wife, and get ourselves to our evening.
Jean Michel has a bit of a reputation as an epicurean, and not only a lover of fine cuisine, but a very accomplished chef! Upon arrival, we went to say hello to everyone, and were told to leave the kitchen, which is exactly what we did! The aforementioned legend that is Monsieur Percher was there with his lovely wife, and it was such a pleasure introducing each other to our respective spouses. The pre-meal beers were served and then out of nowhere appeared a magnum of very nice champagne, which was the first of quite a few exquisite bottles, which complemented Jean Michel’s cooking so well. We’re now in happy as a pig in shit territory.
It was a lovely evening and with the wine, I was beginning to feel a little tired, which is better than being a little tiring. It was time for little Ian to go beddy byes… My new vocation in life. Fortunately, my wife is a professional driver, stone-cold sober, and able to drive us home.
The next day was spent gently getting out of bed, and trying not to let on that I might be a little tired. By Sunday evening I was ready to go to mass, and who would I see, but Hervé and his family. It’s nice not being at mass on your own and was just the surprise I need to finish the evening off on a high point. That and going to the pub afterwards.
Next Saturday, I will play the tenor horn with the Tuba Class with Hervé as their teacher. The weekend after will be a lot quieter. Then three days in the factory before breaking up for two weeks holiday for Christmas, which, Dear Reader, will be a completely different story.
Until then, I wish each and every one of you a very happy, peaceful, and above all drama-free Christmas!
IJM Photography 