Seeing the World Through 35mm: Street Photography with the Fujifilm X100F


Introduction

I have been writing for this blog for a while now and everytime I get a comment it feels wonderful. Especially when I get a thought provoking comment.  LIke this one from my friend Joe:

Excellent post Ian I admire your willingness to stay neutral on the merits of which focal length lens is better for street photography. I personally find the 23mm 2.0 Fuji lens fairly close to what my eyes are seeing before I take the image. Of course we are talking about lenses designed for the APS-C sized Fuji sensor so 35mm would be the equivalent field of view for my 23mm lens (23mm x 1.5 = 34.5mm). Undoubtedly some people will say the nifty fifty is a closer field of view to what the human eye sees but in my opinion I will leave that up to other people that may care to argue that point….
Sorry for my long winded response but I enjoy your articles so much I cannot resist replying even though once I get started you can’t shut me up

I am grateful for Joe’s thoughtful comment and I am still going to stay neutral, and just explain why I use the 35mm (equivalent) on my X100F, for street photography, and environmental portraits, despite having the teleconverter to convert that lens into a 50mm (equivalent) lens.  As a special bonus I will present my latest street photography from Nantes, which just goes to show the sun can shine on us…

The Appeal of the 35mm Lens

The 35mm offers a world view which is very similar to that of the human eye albeit with a very slight distortion that disappears at 50mm.  So, when on the street, we know that our image will have much the same view as what “we” see.  When I get really close for a close up of a subject, the possible distortion remains manageable and doesn’t distract from the subject.   

My Journey with the Fujifilm X100F

I have fanboyed and waxed lyrical about this camera in previous articles and will not do that here. However, I have had mine since 2018 and still use it on a very regular basis, which tells you an awful lot. I use it during travel and when doing street photography because it is light, takes up next to no space, and is subtle, unlike the huge DSLRs and their massive lenses. Moreover, I have enough self-confidence to not need to compensate for anything. It’s also a very sexy little camera, and over the years that we have been together, I have learned how to use it to its full capacity. I can use it intuitively without having to think, which is always a relief. According to camera manufacturers, six years is a long time to be with just one camera, but the costs of replacing it with the latest version are prohibitive, and not enough of them are being produced. The old argument about one in the hand still holds true.

The Versatility of the 35mm Lens on the X100F 

The versatility of the lens, as with any lens, depends on the person “behind” the camera. I use it for documenting a scene. It’s just wide enough to get a good view, but not to distort or have too “busy” a scene, as can happen with the 28mm. It’s great for portraits. Dear Reader, I know I have previously talked about the distortion when close up, but what it is great for is a portrait of a person in his environment. It gives us more context about the person and tells more about him, as we can see his surroundings. Because of the silent shutter, I can also get nearer to my subject without making a flapping mirror sound when I press the shutter button. At F2.0, I can either get massive depth of field or shoot in relatively low light. My basic setup is ISO 3200 and F2.0. But on a day like today, I will put it into ISO 400, and if things get really bright, then I can use the inbuilt ND filter.

Comparisons with Other Focal Lengths

I have already touched upon the differences between the 28mm, the 35mm, and the 50mm focal lengths, but let’s get real for a second.  The 28mm is great, but too much distortion and makes the image very busy because of the wider field of view.  This is fine when used with intent, but you have to be so much more careful with your composition.  The 50mm is the lens that I grew up, but after having used the slightly wider 35mm, I find myself backing up to get the same field of view, which leads to banging into things and apologising profusely to the bin that I have just reversed into.  It has happened!

Practical Tips for Street Photography with the 35mm

Just use it, go back and use it again, and if you have any doubts then just go out and use it once more to be sure.  Don’t overthink it.  Don’t worry about the distortion I have mentioned.  It only really happens when you get right up to your subject.  If you have only used the nifty fifty then you shouldn’t notice a huge difference, but physically you will.  You’ll be moving closer to things, but it’s just “one step up.”  It will seamlessly “grow” on you.  

Be the man in grey, or whatever colour you fancy, but know the environment in which you’ll be shooting.  You might want to avoid fuchsia if you’re going to be in the woods shooting, or in that beautifully tailored three piece suit if you’re going to be in the stands at a football match.  Think sore thumb and being out standing in a field.

Conclusion

If you so wish, you now have the arguments for and against the 35mm lens.  I don’t think that arguing about ti will get you anywhere though…  The lens, as the camera, is a tool at your disposal to create an image.  Just getting a new lens won’t change your life despite what the guy in the shop might tell you.  You “can” use a 50mm for street photography, and some even use the 85mm to go for more details, and more candid shots.  Use what you have already.  I have just talked about my experience since using the 35mm (equivalent) on the X100F.  The information is purely subjective.  If you want an X100, then by all means go out and buy one.  Maybe go for an older model like the X100F or even the X100T for the price difference.  Or if you can get your hands on one, the X100VI is wonderful.  At the moment however, I cannot justify buying a more expensive camera to my wife!

I’ll leave you the comments section to debate the various merits of each piece of kit.  And you can use the hashtag “#ijmphotography” to share your images with me on the gram.  Look forward to hearing from you.  Until next time…

Cassiopée, Queen or Constellation?


The Cassiopée that I will be talking about is neither. She is not a star that looks like the letter W, nor is she an arrogant queen of Aethiopia who annoys the god of the sea. Mine is a barber. She works where I get my beard taken care of was part of the article showing a series of portraits that I did for the salon O Barber, 2 rue de Paré, Nantes.

She is part of this generation that is our future and is part of the Instagram experience, where image has become the king as well as a projection of self-image. Back in the day, when I had hair, yes Dear Reader, there was such an age even though it was many many years ago, we expressed ourselves through our clothes, what we smoked, and the kind of beer that we drank. Now they use a little device that lives in your pocket and broardcasts to the world. Scary isn’t it!

Anyway. Cassi was very happy with the photos I took of her in the barbershop, and asked if it were possible to have some new photos. I of course jumped at the chance to add to my “œuvre” and to add to my “répertoire.” Since the barbershop photos, she had changed her look, as you will be able to by checking here. I was very flattered that she asked me. I asked what kind of photos she wanted, studio, or on location, and black and white or colour. She chose location and colour. I remember my son’s ex-girlfriend Elise, who said I should try and do more colour photography as it was something she thought I was good at. Well, for once, she was right about something, so I thought, right matey, let’s get some colour. Cassi suggested the Île de Nantes, with its machines, and the famous Buren Rings, but my mind went back a week to where I had done my last photos. Trentemoult. It’s a village that just breathes colour and I knew I would be able to get something good out of my location.

Like most plans that have been well laid out, things never seem to go to plan. We had already pushed back the rendez-vous by one hour to avoid the rain. Great. I was bang on time, and even managed to find a parking space, which was part of the plan… What wasn’t part of the plan were train delays, replacement bus services, the wind coming off the river, and my model being an hour late. Improvise, adapt and overcome. We ended up chatting on Instagram following her progress, and my need to improvise, nearly lead me to a café terrace, adapting to a beer, and overcoming the wait, but I resisted, and remained patient, getting out of the wind. Even the ferryman had problems sailing up to the quay.

She arrived, apologising with as much gusto as the wind, and I said not to worry, let’s get out of the wind and start shooting. She was very soon at ease and we got on with it. Wondering around the streets using the coloured walls as backdrops, and getting the shot. In my mind I had been wondering about the colour of her outfit, and how to incorporate complimentary colours into the shots. She wore a little black dress with white polka dots. Perfect! I would take my series of shots, show her on the camera screen, and it gave us both confidence in the process. Wandering around I would see a wall, see the colour in my mind and say, could you possibly just put yourself up against this wall please? Which she did with grace. Then can you just crouch down, thinking how lucky I was not to have to do the same. Middle age and arthritic knees do not mix well.

It’s a beautiful little village, and very bohemian chic, or Bo-bo, for the French.  Very stylish, trendy lefties, ecologically aware rich people, who have gentrified what was a fishing village on the Loire, but still allow the hoi polloi like me to come along and use it as a film location.  At every turning, we would get a new colour and new feel to each photo.  I have actually done black and white photography here too and it works just as well, but the colours are amazing.  Did I mention how colourful the place is?  Because it’s really colourful, and makes the rainbow flag look quite boring!

After an hour we had a certain amount of photos and I had something I could work on.I offered to drive her to the station so she less things to worry about, dropped her off and went to the pub!  Because I can, and more so because they’re open!!  I improvised, finding a spot on the terrase, and Simon, Stephanie, and Evan, greeted me with fist bumps, which has become the new handshake.  Simon came over and asked would I like a Guinness, so I decided to adapt and say, yes please.  It was lovely just sitting down watching the world go by, judging it, and looking at pretty women.  I was overcome with joy.  What more do you need.  Well, a couple of friends that I hadn’t seen for eight months whilst the pub was shut due to government Covid restrictions, invited me over to their table.  At last I was able to talk bollocks again and make people laugh.  Pure bliss!

On Monday Cassi was already asking me when she could have her pictures.  Apparently patience is not her forte.  I said that I would start the editing process and the inevitable cull of photos that Monday evening.  By the end of the first night  the cull had been done.  Some because the composition was off, some didn’t turn out the way that I had hoped, others because the auto focus hadn’t focussed they way I thought it had.  By about ten that night she already had some images for the Gram. 

Where it gets surreal is that I put some of the images in my stories on Instagram, and Google, in it’s wisdom suggested some collages for me, that I added on at the end.  So I thought what the heck and why not. Little did I know that Cassi would react.  She asked me very nicely and kindly to remove one of the stories, because she thought her cheeks were too big on the photos proposed by Google.  I of course took the photos down, but it pushed my mind into questions of self worth, self image, the place of the image in this modern world where we are no longer just an image, but ust create a public persona and sell ourselves to the world!

I told her that I thought she looked lovely on each photo that I had taken. I mean we have to love ourselves. To put not too fine a point on it, I entered Dad mode!

“Right, you know I’m a Dad, and strangely enough I see the world through the eyes of a Dad. I will therefore talk to like a Dad. You will listen, and listen well. We are allowed to have complexes concerning our physical aspect, especially with al the images that are on Instagram, Facebook, on on the more traditional media. We live in an age where “Image” is king. Well you have to put it in its place. There are men who like arses, some boobies, some like skinny girls, some like girls with a bit more body. But that only counts in physical and sexual attraction. You can’t base a long-term and durable relationship on just being pretty. If you boyfriend just stops at your physical appearance, it might be time to change boyfriends. There is already so much hate in this world, and enough people to hate us, why waste time hating ourselves, when others can do it perfectly well for us. Shouldn’t we love ourselves the way we are already? With an unconditional love? And here’s something else, we are more than just our good looks! We are our own person! we have so many facets that shine in this world. Sometimes it’s hard to see ourselves shine, but we still shine despite that! There I’ve said it!!! Think what you may. You’re a great girl. You are pretty. You have beauty. Please let yourself shine. The world needs it!”

Sometimes this world that we live in is so perverse. The media fills us with all our complexes. The say we are too thin, so bulk up, or we are too big, so slim down. You have long hair, then cut it. You have short hair, then let it grow. You have curly hair, then straighten it, you have straight hair, then curl it. The day we can accept ourselves the way we are, the world will become an easier place to live in.

I’m fat. There, you might have already guessed it. Do I look like Brad Pitt? Nope. But then again, Brad doesn’t look like me. His loss. Do I love my body and do I have issues with it? Yup. Will that stop me living? Nope. Will I ever be a top model? Probably not. Do I care? Not in the slightest. I am me. My body helps me move around, to love, to work, to hug my wife and children. That’s a damned good start.

Anyway. Let us leave the stage for Cassi and the colours of Trentemoult! Canon 6D Mark ii, and the 85mm f1.8 Canon lens.