olympus trip 35 – Page 2 – IJM Photography

Why the Olympus Pen EE-S Is the Best Budget Film Camera for Beginners (Even in 2025)

Pentax 17 fever is sweeping the film photography world, and I’ll admit, I was tempted. Half-frame cameras, with their promise of double the shots per roll, sound pretty amazing. But with a price tag of 500€, the Pentax 17 isn’t exactly within my budget. That’s when I rediscovered a little gem tucked away in my camera collection: the Olympus Pen EE S.

This Japanese-made half-frame beauty hails from the 1960s, the same era as the beloved Olympus Trip 35. Like its sibling, the Pen EE S features zone focusing and a selenium cell meter for fuss-free shooting. The lens is an F2.8 22.5mm Zuiko lens. The ISO settings go up to 200 ASA, unlike the Olympus Trip which goes up to 400 ASA. So, despite everything else, it needs light. The half-frame format means you get a whopping 48 exposures on a standard 24-exposure roll. That’s double the shots for your buck, folks!

Now, the idea of twice as many photos for the same developing cost is pretty appealing. But does the Olympus Pen EE S deliver the goods in practice? Stay tuned as I put this vintage camera through its paces and share my findings. Could this be the perfect half-frame hero for those of us who can’t quite swing a Pentax 17? Let’s find out!

Well, for starters, it felt very much like using the Olympus Trip 35. It’s very slightly smaller and weighs next to nothing. The shutter button is almost identical as well. Instead of having four zones for focusing, you have three, but it’s fine, and when you turn the dial, you feel a click as you enter a new zone. You point, and then press. Simple!

Let’s talk about this half-frame shooting experience. When talking about the Pentax 17, “they” talk about how the images are great for sharing on social media. A little like using your phone… This is the mindset that I had when putting in my Kodak Gold 200 to capture those famous Kodak moments in Nantes.

I found it a challenge to get used to the half-frame. “They” say that you have to take your photos as diptychs and remember that the two photos in your full frames are related, not just simple images. The idea is that when the two half frames are put together, you create a story and a suite of ideas, instead of two separate photos. I tried, and the results will show you if I succeeded. I felt that “they” were pulling my leg!

I’ll be honest with you. The idea behind the outing was to test the camera, see how I felt using it, and have a look at the results. It took me out of my comfort zone, which is something rare in photography for me. I was thinking about taking it to the UK with me to record the trip. It takes up next to no space in a camera bag and would allow me to shoot some film while back home. The idea of getting twice as many shots by using just half the frame is attractive. I’m just getting used to the reduced coverage that you get with just using half the frame.

For this outing, I decided to head out towards the Cathedral, and takes some shots of the Voyage à Nantes.

I found myself thinking differently about framing my shots and using my phone as a mental template. As for the resolution of my images, they will be half as much as using my full frame, but were I to print my photos, then I would definitely see a difference. But if they’re just for sharing on social media, then the resolution will be perfectly satisfactory.

The million-dollar question is, will I take it on my trip, and will I use it? Yes, I will. Will it be my main camera? Possibly not. Will it be more like using a new toy? Possibly, even if the toy in question is a vintage 1966 toy…

Here’s what I’ll do. I’ll put some images taken on the X100F, my more modern toy, and let you see how they compare. You’ll see the diptychs and see how the different shooting styles change the outlook and how they change the framing.

These are the X100F photos with editing in Snapseed…

And these are the half frame images from the Pen EE S… with the editing done in Photoshop using the neural filters to get rid of the scratches on the film.

So what do you think? Worth taking?

After the success of my review of the Fuji Film X100F, I am excited to introduce you to another fantastic camera. If you’re not a tech-savvy person, don’t worry, this camera is a breeze to use. In fact, even my seven-year-old daughter had no trouble operating it! Let’s delve into the world of film photography with the Olympus Trip 35.

The Olympus Trip, as the name suggests, was designed for travel photography and gained popularity in the 1960s and 1970s (production ceased in 1988). This point-and-shoot camera comes without any gimmicks, and while this may not be a style or fashion blog, the Olympus Trip 35 is a beautiful object that exudes undeniable sex appeal. Trust me; you’ll have people complimenting you on how gorgeous your camera looks. To add to its allure, I replaced the original wrist strap with a more comfortable and chunky version from Amazon.

One of the camera’s limitations is that you can’t change lenses. However, the 40mm Zuiko F 2.8 lens covers most situations you’ll encounter during your photographic journey and delivers stunning results, especially with modern emulsions! Just take a look at the X100F photos, and it becomes evident. While the Olympus Trip lacks the modern conveniences of a DSLR or mirrorless camera, it compensates with the absence of battery worries as it relies on a selenium cell for metering. You will need to get film for it, and it takes ISO (or ASA) 25 to 400, which works well for your travel needs.

Loading film is incredibly simple, even a seven-year-old can do it, just like my daughter did with ease. Once the film is loaded, you’re all set to explore the world through your lens. Let me explain how to focus the camera. The Olympus Trip uses zone focusing. As you turn the lens, you’ll see markings for different distances, such as a face, a couple, a group of people, and a mountain for infinity and beyond. It’s photography, not a film about Ants or Seven Samurai, so rest assured it’s easy to grasp.

Regarding shutter speeds, the camera offers two options: 1/200th of a second and 1/40th. The camera will automatically choose the appropriate shutter speed. With a 40mm lens, camera shake shouldn’t be a concern at 1/40th of a second. This versatility allows you to capture images at F22 with 1/200th of a second to F2.8 at 1/40th of a second. Keep an eye on the F-stop dial in the viewfinder for a seamless shooting experience. Set the camera to A (automatic) when not using a flash. If there’s insufficient light, a little red flag will pop up in the viewfinder, indicating that the camera shutter won’t fire. Rest assured; it’s idiot-proof!

To make it easier to understand how to load film, her is a helpful video from YouTube.

So, get out there and start taking some amazing photos! Embark on street photography adventures and capture the essence of your trips. The Olympus Trip 35 is here to be your trusty companion. Have fun and feel free to share your photos with the world! Mine are from a memorable trip to Portugal and the Canary Islands in 2016, shot on Ilford HP5 Plus film. Make of them what you will, and let the camera take you on a delightful photographic journey!