First night of the holidays


It was Friday. The boss had come round and asked where we were with our workload. I was fully up to date. He asked if I wanted to finish work that morning or work the Friday afternoon. Strangely enough I said, oh alright, I’ll finish at lunchtime then. And so started my four week Summer holidays.

I’d done a reportage of Bouffay at night a while ago and wanted to have another bash at it. And as usual I found the pub… Ah well, I was a good boy and only had a single pint. Yes that can happen! Not often, but it has been known.

I needed food and ended up having a goats cheese and honey pizza. Don’t forget that this is France and that anything can happen as far as food is concerned. On the way back to the pub for number two, pint number two and not a “number two,” even if the loos have just been done up and look rather nice, I just wanted to get a photo of the Café du Cinéma, which is a cafe just next to a cinema but is a thing of beauty with it’s mosaic front and just looks sooo French. I still get emotional every time I pass by. Am I the only person who gets like that when they see a certain building?

Hello, my name is Ian, and I like looking at certain buildings and they just touch me.

Back to the pub just to say hi as the late shift came on, just to say hi. That second pint was just circumstantial.

I was taking the X100F out for a spin that night, and although everyone says it, I’m going to to say it too: It’ a great little camera for street photography.

Humber Street


In 1987, my father bought me my first SLR. Notice the D is missing. So, I did say SLR and not DSLR. It was a Praktica MTL3 and it is now retired (polite way of saying Kaput) and sitting on a shelf in my son’s room. It took film. And the first roll of film that I shot with it was down Humber Street

In 1987, Humber Street was the fruit market of Hull, and I’m not making an unpolitically correct joke about sensitive men looking to do sensitive things with other sensitive men. No. That would be wrong and very un-enlightened of me. No, they did that in other places dotted around the city.

I used to shoot my film, get it developed at a place on Newland Ave, where I got the camera, and the guy would present me with a contact sheet and critique my photos. For those of you who were born after this analogical age, a contact sheet is where you lay out the negatives on a sheet of photographic paper, and expose the paper, and develop it, and get a whole load of thumbnail images that you can look at and decide which were worth printing. Yes, just like the thumbnails you get on the gallery on your phone, except it might have taken a little longer…

There was one image that pleased me immensely of a cat sitting quietly on a box of fruit wondering what the hell I was up to. That was then.

Skip forward a few years, just a few mind you, because I’m not an old git yet. No sonny Jim, I’m just a git! The area came into it’s own in 2017 when Hull was declared City Of Culture. People were proud of their city again and there were whisperers whispering, “Come to ‘Ull, it’s not shite anymore!”

The ‘gentrification’ of the area started with bars, and even Art Galleries! Then of course came the Humber Street Sesh, showing some amazing local musical talent. This year’s Street Sesh was last night, so you’ve missed it!

At the bottom is the Minerva. Minerva is of course the wise old owl in Greek mythology. It is also a pub which always has such a special place in people’s hearts. They do good food and good beer, and good gin, so the wife was more than happy.

The two nights before these photos, I had met up with and old friend from my school days who was kind enough not to mention all the silly shit that I used to get up to in my youth. The next night was a school reunion with people I hadn’t seen since 1985 and 1988 for the lads. Tales were told that I will not repeat here including stories about a pogo stick, and how I once said “merde” to my French teacher and left the room throwing my French books into the bin on the way out. They told my French wife, “Well he always was a bit European….”

Well now, you’ve kept reading up to now so I suppose I should tell you about these photos. They were taken on the Sunday night when I needed some “me” time to deal with the overwhelming overload of nostalgia. I was out with the Canon 6D Mark II, and the 16-35mm lens. Hope you like them.

Did I go on for too long?

Modern architecture on the Île de Nantes


I remember when the words, “modern,” and “architecture,” when used together in the same sentence would conjure up images of post-war concrete brutalism. Think carparks from thw 1960’s etc.

Thankfully, this is no longer the case! Or at least I hope not. So nearly 60 years later, yes, that does give you a bit of a choc, modern architecture is no longer a dirty word, used, to put architects down.

In this series of photos you will see geometric forms, textures, walkways, and a place I would consider living if it wasn’t so pricy… Maybe in the 60’s they said similar things, but this time around, I believe them!

Today’s weapon of choice was the Canon 6d Mark II and the 16-35mm lens.

Down by the waterfront Part 2


Right, where was I? Ah yes, down by the waterfront, the front being the Hangar à Bananes and the water being the Loire. So we’ve done the Grue Titan, had a quick look at the rings, and even looked at the Cantine where Kate and I had lunch.

Whilst having lunch I noticed a gentleman and his wife and their two boys. There’s a kind of hilly thing that the children can play on and I think I have a picture of it somewhere… It’s called the “Coline” which means hill. I get you a photo next time… Anyway. I noticed the guy had a rather nice camera and we got talking, and comparing photos and Instagrams etc. Which was nice because anyone that knows me, knows how I can go on and on about photography, and my wife gets bored of it all very quickly, but this guy didn’t. So thank you very much Patrick.

The conversation kept going and it turned out that he, and his wife had moved to Nantes from Paris in much the same way as I had moved to Vendée from Paris in 2001. So we got talking about the differences and how we both had no regrets coming out here. The conversation turned into an impromptu photo walk and it was lovely!

This is where you get to see the big Yellow Titan crane, which has become a symbol of Nantes, as well as the elephant, which is massive and definitely something that every child wants to see and go on!

Down on the waterfront Part 1


After having met Nikos Aliagas on the Saturday I was still starstruck and it seemed to bring me out of my photographic funk… I’m not saying that all my photos were crap, but I was definitely getting into a rut.

I was originally going to go out on my own to Clisson, but Kate asked me to wait and take her to Nantes.  So I waited.  Thinking that she would use the x100 and I would use the Canon 6d Mark II with the 16-35mm lens, we set off to the Hangar à Bananes and got into action.

I love this bit of Nantes’ industrial heritage and happy that they conserved it.  This huge grey crane looms up before you and is on the very end of the Île de Nantes. I’ve photograped this crane many times and I might publish some other photos from the archives later on.

When one says Hangar à Bananes, people from Nantes get images of the huge grey Titan crane, les Anneaux de Buren, la Cantine (where we had a lovely little lunch), various pieces of modern art, the HAB Galerie (place the Kate loves having a look around), the Carrousel des Mondes Marins, and a big huge Elephant, modern architecture and so much more. This is Nantes, so expect the unexpected!

In this gallery you can see the first part of my photographs. The rest will follow in future articles…

The obligatory bike shot!


Do you ever get that shot that just seems to turn up on each of your films or series on an SD card? I do. Usually it’s doors, or door knockers for me, but I’ll leave that for an other post. This time I’m going to talk about the obligatory bike shot.

Now I’m all for being ecological and actually own a bike. I have even been known to get on it. Not only that but have been known to use it as a form of exercise and ride around my village. I keep telling myself to get my arse back into gear and get back on after a winter break. My body could use the exercise. Anyway, in Nantes, there seems to be a huge amount of bikes around, and you can see the Dilveroo, or Uber eats, guys riding around and they for an integral part of the city’s landscape. The city also has a large amount of cycle paths and I aim to visit Nantes on my bike one day. It should help me get to places that I can just can’t get to with the car, and it will diminish my carbon footprint, but maybe not my rubber tyre print…

The thing with a bike is that you can get up close and it won’t question your motives like you sometimes get whilst trying to do street photography portraits. You can take your time getting the angle you want without it telling you to get a bloody move on. You can get that depth of field that you like so much and it wont tell to Photoshop out any rust. They won’t talk back. No being accused of stalking.

The tools of the trade for these photos are: the Canon 6D Mark II, the Fujifilm X100F, and the Canon AE1. Can you spot which two photos were shot on film? And for the really keen ones amongst you, can you tell me which film I used?