Category: Street Photography

The Fujifilm X-T2: A 2024 Perspective – Is It Still Worth It?

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My Love Affair with the X100F (and a Cuppa Tea)

It’s no secret to the regular readers of IJM Photography that I have a great fondness, deep affection, nearing on obsession with my Fujifilm X100F. It’s a great little camera that gets me excited whenever I take it out of my camera bag. But, Dear Reader, what does this have to do with the Fujifilm X-T2? Well, they’re both manufactured by Fuji, they both have an “X” in their name, and I have a deep affection for a nice cup of tea. Not the same T? Ah well…

Similarities and Differences: A Tale of Two X’s

I’ll talk about the differences and similarities between the two cameras and why I thought the X-T2 was a useful and complementary acquisition. We’ll look at not just the specs but also the rather similar way both cameras handle.

  • Sensor and Image Quality: Both use the same 24-megapixel sensor with an anti-aliasing filter, and offer an ISO range from 200 to 128000.
  • Screen and Viewfinder: The X100F has a fixed screen, while the X-T2 boasts a tilting one. Both share the same excellent viewfinder.
  • Performance: The X100F shoots at 8 fps while the X-T2 goes up to 14 fps. For video, the X100F is limited to Full HD, while the X-T2 offers 4K and can shoot at 120 fps.
  • Connectivity: Both cameras have built-in wireless capabilities.
  • Weight: The X100F is lighter at 469g, while the X-T2 is slightly heavier at 507g.
The Lens Factor (and Weather Sealing, Too!)

The main difference? The lens. The X100F has a fixed 23mm (35mm equivalent) f/2.0 lens, while the X-T2 can take the entire range of X-mount lenses. Quite a big difference, indeed. The X-T2 also has the added bonus of weather sealing!

Why Buy a 4-Year-Old Camera in 2020?

Because at the time, I could. It was the logical acquisition and complement to my X100F. Did I mention it also uses the same batteries? I still have the same, beloved-by-many film simulations, and while not as numerous as later models, they are more than enough for me!

My first lens purchase was the 16mm (24mm equivalent) f/2.8 Fuji lens, the perfect complement to the 35mm equivalent on the X100F. I later discovered TTArtisan and 7 Artisans, Chinese firms that make affordable manual focus lenses for the X-mount. I now have the 35mm (50mm equivalent) f/1.2 and 58mm (85mm equivalent) f/1.4, and the fish eye 7mm F2.8 lenses from both companies, both costing a fraction of the autofocus Fuji lenses. The only concession I made to Fuji was later purchasing the 18-55mm (24-70mm equivalent) f/2.8 autofocus kit lens.

Value for Money: The X-T2’s Sweet Spot in 2024

The fact that I bought it second-hand was also a contributing factor. Does it have as many megapixels as the more modern X-T5? No. But does it have enough? Yes! Does it have the same specs as the X-T5? No. But does it have enough? Yes. Can you see a pattern developing here?

For the amount of money spent, I think I have enough cameras for my buck. And that is the crux of the argument for acquiring a now 8-year-old camera in 2024. Is it the very best money can buy? No. But if you’re an amateur like myself, you generally don’t need the specs that manufacturers and those nice men in camera shops will try to tell you you need. 24 megapixels is more than enough for printing even 20″ by 30″ (500mm x 760mm) sized images.

I have just looked at mpb.com for you and have found XT2 bodies from 487€ to 729€ depending on the condition. An X-mount lens will cost you anything from 104€ for a 35mm (50mm equivalent) F1.2 from 7 artisans to 279€ to 340€ for the 16mm (24mm equivalent) F2.8 fuji lens. So as you can see, it’s certainly cheaper than buying the latest models…

Conclusion: A Timeless Tool for the Passionate Photographer

In 2024, the Fujifilm X-T2 remains a compelling option for photographers seeking excellent image quality, classic handling, and a wealth of creative possibilities. Its compact size, weather sealing, and extensive lens selection make it a versatile companion for various genres, from street photography to landscapes.

While newer models may boast more advanced features, the X-T2’s enduring appeal lies in its combination of performance, affordability, and the unique charm of Fujifilm’s X-Trans sensor and film simulations. For photographers who prioritise the essentials of image-making and value for money, the X-T2 continues to be a worthy contender in the ever-evolving world of digital cameras.

If you’re looking for a camera that delivers exceptional results without breaking the bank, the used market might just hold the perfect X-T2 for you. And who knows, you might even discover a newfound appreciation for a slightly older camera that still has plenty to offer in 2024 and beyond.

Post Scriptum

This camera is also capable of 4K video. And I’m using it at work for making videos for training new staff. It is certainly lighter than my Canon 6D Mark II, and I seem to be able to obtain a picture style that I like. It doesn’t have in-built image stabilisation. However, I use it on a tripod so that’s not an issue. And if ever I do decide to use the 18-55mm kit lens, I have image stabilisation in the lens.

I’ll see if I can’t find you an excerpt of the latest video…

And here it is…

The Opening of the Film Archives: An October Saturday in Town with Killian, 2016

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Welcome back to another look at the film archives. This time, I’m sharing a few black-and-white street shots from an October Saturday in Nantes, likely taken with the Praktica MTL3 and HP5 Plus film. These outings with my son Killian, which we called ‘Ian and Killian days,’ became a cherished routine, a time for us to reconnect amidst the busyness of life.

He was 17 then, a weekly boarder at his lycée in La Roche sur Yon. On the weekends, we’d often head into Nantes, following the same familiar programme: a visit to the barbershop, a meal at the Sugar Blue café, and finally, a drink at the John Mc Byrne Irish Pub. In the photo, that handsome chap in the barber’s seat is Killian—a little reminder that it wasn’t always Kate joining me on these trips. These outings were a way to stay connected, despite his growing independence. Even with him being only 17, I still felt that sense of responsibility. Once a Dad, always a Dad.

As we went through our usual routine, I found myself facing the familiar challenge of capturing these moments on film. The low light inside the barbershop always made me second-guess whether I could get a decent shot without using a flash. But over time, I learned to trust the Praktica and the HP5 Plus film. There’s a rawness to film photography, especially with Ilford’s HP5. It adds a certain grit and texture to the image, something that digital just can’t replicate.

That’s what I love about film—the imperfections. The grain gives it character, a certain honesty that smooth, polished digital photos lack. It’s not about creating something flawless but about preserving the authenticity of the moment. This shot of Killian in the barbershop, for example, may not be technically perfect, but it’s real. It’s us, it’s Nantes, it’s one of those ‘Ian and Killian days.’

Looking back at these photos, I’m reminded that sometimes, it’s the imperfections that make an image truly memorable. Quite the day, right?

The Opening of the Film Archives: On va Marcher sur la Lune

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New from the film archives – On va Marcher sur la Lune, captured on a warm October day in 2016. Could this be a nod to Jules Verne, one of Nantes’ famous sons? Possibly. As I look through these photos now, I’m transported back 8 years—to a time when my daughter still saw me as her hero, and we spent afternoons exploring with our cameras.

That day, she had her Olympus Trip 35, and I was carrying the equally iconic Canon AE-1 with some 400ASA Kentmere black and white film. Both cameras, steeped in history, were very much a part of our lives at the time. And when I say the Olympus is so simple a seven-year-old could use it, I’m not exaggerating—she handled it with ease, maybe even with a bit more flair than I did.

We parked near the Grue Titan and wandered towards the Elephant, a landmark almost as famous as Jules Verne himself. It was one of those days that would just lead its own way along the Loire, and I was completely fine with that. My only concern was Kate remembering to change the dial on the Olympus to the right focus zone. In hindsight, I should’ve let her take the lead and placed more confidence in her. Hindsight—that luxury of later life. Her photos? They turned out better than just fine.

Later, we explored the “On va Marcher sur la Lune” exhibit, which featured a lunar landscape with trampolines in each crater—a hit with children of all ages. The area was bustling with people enjoying the Indian Summer, including a mix of families and those embracing the trendy atmosphere. As we walked towards the Elephant, we noticed how it had revitalized this once rundown shipbuilding area. The remnants of the old shipyards still linger, but the new architecture is resolutely modern.

The Opening of the Film Archives—Clisson, September 2016

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Welcome back, Dear Reader, to the film archives, still with the Canon AE1 and HP5 Plus from Ilford, but in Clisson this time.  You will remember Clisson from previous articles and will have seen the pictures, so it shouldn’t be a stranger to you.  Who knows, it could even feel like revisiting an old friend.  It certainly is for me. 

But why Clisson I hear you say.  Well, it’s not very far away from where I live.  It’s also one of those market towns that is renowned for the beauty of its architecture with an Italian slant.  It has the massive castle that towers above the river.  It has me taking photographs of it.  

Clisson, like most things, has options.  On a Friday the main option is the huge market, and wandering around the 14th-century Halles, which can keep you out of the sun, the rain, the heat or the cold, depending on the time of year.  I either go down to the river and wander along the river banks in the Garenne and Lemot park, or park at the top of town and stroll around the Halles and surrounding streets.  In the series of photos at the end, you will see some stone steps that join the two options, but I have dodgy knees, and those steps are like leg day at the gym.  You can avoid those steps by just following the road that wraps itself around the church, and going under the tree that just got tired and decided to rest on the house opposite.  

But this time I decided to break out of my habits and visit the Quartier St Jacques with its decommissioned chapel, and garden.  It’s yet another pretty place in a pretty town, and when I was sitting there in the sun, I felt that I didn’t have a care in the world.  Serenity flooded my mind and all was well with the world…

The Opening of the Film Archives—Le Château des Ducs de Bretagne, August 2016

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Welcome back to the Film Archive of IJM Photography! This time, we find ourselves in the beautiful city of Nantes, in the heart of the Cité des Ducs. Our adventure takes us through the majestic Château des Ducs de Bretagne, a site rich in history and culture.

As we explore the castle, I’m armed with another one of my favorite cameras from the golden days of film photography—the Canon AE1. This was before the surge of interest from the YouTube hipster crowd, who quickly snatched up every classic camera they could find, driving up prices and making these gems harder to come by.

The Canon AE1 is justifiably sought after, and for good reason. It’s a camera that offers both simplicity and elegance, paired with the beautiful FD 50mm F1.8 lens. This lens, in particular, has a way of capturing light that enhances every shot, allowing me, the photographer, to create images that feel alive. You can see the results in the photos here—every frame is a testament to the quality and craftsmanship of this camera.

It feels solid in the hand, and focusing with the split prism is a breeze. The camera is “shutter priority,” and it adapts the f-stop to the speed at which you’re shooting. As a street photographer, I don’t need to shoot at 1/1000th of a second for all my shots, so I have a wider range of options than someone taking pictures of sports. It still provides me with the necessary depth of field.

On this particular day, I was motivated and thought I could walk up the steps to the battlements to get some more interesting shots from a raised standpoint. I captured the urban landscape that spans from the 13th to the 21st century, and in one of the shots, you can see the ever-present figure of the Tour de Bretagne. It once represented the modernity of the 20th century and is now closed for asbestos removal. My feet, however, were firmly rooted much earlier in the castle.

Exploring the Château des Ducs de Bretagne with the Canon AE1 was a journey through both time and photography. The castle’s ancient walls and rich history provided a stunning backdrop for capturing moments that feel timeless. With every click of the shutter, I was reminded of the magic of film photography—the anticipation, the artistry, and the satisfaction of seeing the world through a vintage lens. As I descended from the battlements, I couldn’t help but feel grateful for the simple joy of capturing life on film, in a place where history and modernity blend seamlessly. Until next time, keep exploring and shooting. There’s always more to discover.

The Opening of the Film Archives, Lisbon, August 2016

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Welcome back to the Film Archives, where I showcase my analogue photography from the period BB (before the blog). In this edition, we’re diving into a street photography session in Lisbon, captured using the Olympus Trip 35 paired with Ilford HP5 Plus film. This camera and film combination was my go-to at the time, and with the fantastic lighting conditions in Lisbon, I was confident in its ability to deliver excellent results.

Setting the Scene

Our cruise around the Canary Islands had one final stop in Lisbon before heading back to Southampton. After disembarking, we faced the usual checks—showing ID and ensuring we had no contraband. The docks were conveniently close to the city center, and I followed the crowd to the left as we exited. My family, however, decided to explore in a different direction and turned right.

Capturing Lisbon’s Essence

Lisbon is renowned for its distinctive tiles, and I was immediately drawn to their intricate patterns. My first shot aimed to capture these tiles, which were a striking shade of blue. Of course, the beauty of these tiles is somewhat lost in black-and-white photos, but the pattern’s appeal was undeniable. Perhaps a color photograph would have better showcased their vibrancy, but the monochrome shots still convey the city’s essence.

Having visited Lisbon before, I was eager to find the massive statue of a man on a horse located in the square. Finding it again brought back memories of my previous visit. The weather was quite warm—typical of that summer—but I sought refuge under the cool arches, which made for excellent photographic compositions. The leading lines and repetitive patterns of the arches created compelling visual elements in my photos.

One aspect I had forgotten about was the trolley buses. Their bright yellow color adds a unique touch to the city’s character. Although these buses are less striking in black and white, their presence adds to the city’s charm and energy.

Technical Insights

The Olympus Trip 35 is a straightforward, fully mechanical camera with a fixed lens and automatic exposure. It’s perfect for street photography due to its simplicity and reliability. The HP5 Plus film is known for its versatility and fine grain, which works well in various lighting conditions. On this bright day in Lisbon, the film’s wide exposure latitude allowed me to capture the city’s details with great clarity and depth.

Experiencing Lisbon

As I walked through Lisbon, it felt as if I had stepped back in time. The city’s mosaic pavements and vintage shop signs created a nostalgic atmosphere reminiscent of the 1960s. While I’m sure some areas are more modern, my exploration was limited to the historic parts I could reach on foot. In these moments, I felt detached from the “real” world, fully immersed in observing and photographing the city. This sense of liberation of being a stranger in a new place is incredibly freeing.

During my shoot, a German lady, who was a resident of Lisbon, approached me on Instagram and was surprised when I told her these photos were taken just 15 days ago. It’s fascinating how a fresh perspective can capture the timeless quality of a place.

Conclusion

In summary, Lisbon, at least in the areas I explored, possesses a timeless charm akin to that of a gentleman in a linen suit with a Panama hat. The city’s classical style and foreign allure were captivating. Although I don’t speak Portuguese, I chose to keep to myself, relying on the universal language of photography to connect with the city.

The Olympus Trip 35 was ideal for this day of exploration. Its simplicity, coupled with the bright light of Lisbon, allowed me to focus on capturing the city’s spirit without being bogged down by complex settings. The vintage camera, combined with the city’s classic charm, perhaps contributed to the nostalgic vibe of the photos, adding to the allure that intrigued even my German friend.