The Opening of the Film Archives – March 2017 with Kate in the Vines


Hello you! It’s great to have you back for another dive into the archives. Over the past few posts, you might have noticed a recurring star of the series: my Canon AE1. While it’s true I’ve leaned on this camera heavily for many of these moments, I promise there’s more variety to come—even some colour film photography! For now, though, let’s continue exploring these Canon snapshots together. Thank you for sticking with me—it means a lot to me.

This time, I took my daughter Kate for a walk among the vines—a walk I used to do with Killian when he was about her age. Admittedly, it wasn’t the most creative choice for me, but for Kate, it was a brand-new adventure. That’s my excuse, and I’m sticking to it.

The day was all about Kate, the wind, and the way it danced through her hair. Unlike me, where the wind barely leaves a trace, it created a beautiful, dynamic subject in her. There’s something magical about how the movement of hair and clothing in the wind adds life to a photograph. I captured some truly memorable shots that I now treasure as priceless souvenirs of a fleeting moment.

Maybe they were some of those famous Kodak moments… Whatever the case, they bring back lovely memories of simpler times. Looking back, it reminds me how the simplest moments—like a walk through familiar vines—can hold so much meaning. Sometimes, what’s close to home can be just as captivating as far-off adventures.

It also reminds us that though we might be in familiar territory, that territory can look entirely different to someone seeing it for the first time. The soft, diffused light that day brought out rich textures in the vines, and Kate’s sense of wonder made even the most ordinary details come alive.

When you’re out with your camera, maybe, just maybe, that’s something to keep in mind. How might your everyday surroundings look through fresh eyes—or through the eyes of someone discovering them for the first time?

The Opening of the Film Archives: On va Marcher sur la Lune


New from the film archives – On va Marcher sur la Lune, captured on a warm October day in 2016. Could this be a nod to Jules Verne, one of Nantes’ famous sons? Possibly. As I look through these photos now, I’m transported back 8 years—to a time when my daughter still saw me as her hero, and we spent afternoons exploring with our cameras.

That day, she had her Olympus Trip 35, and I was carrying the equally iconic Canon AE-1 with some 400ASA Kentmere black and white film. Both cameras, steeped in history, were very much a part of our lives at the time. And when I say the Olympus is so simple a seven-year-old could use it, I’m not exaggerating—she handled it with ease, maybe even with a bit more flair than I did.

We parked near the Grue Titan and wandered towards the Elephant, a landmark almost as famous as Jules Verne himself. It was one of those days that would just lead its own way along the Loire, and I was completely fine with that. My only concern was Kate remembering to change the dial on the Olympus to the right focus zone. In hindsight, I should’ve let her take the lead and placed more confidence in her. Hindsight—that luxury of later life. Her photos? They turned out better than just fine.

Later, we explored the “On va Marcher sur la Lune” exhibit, which featured a lunar landscape with trampolines in each crater—a hit with children of all ages. The area was bustling with people enjoying the Indian Summer, including a mix of families and those embracing the trendy atmosphere. As we walked towards the Elephant, we noticed how it had revitalized this once rundown shipbuilding area. The remnants of the old shipyards still linger, but the new architecture is resolutely modern.