The Fujifilm X-T2: A 2024 Perspective – Is It Still Worth It?


My Love Affair with the X100F (and a Cuppa Tea)

It’s no secret to the regular readers of IJM Photography that I have a great fondness, deep affection, nearing on obsession with my Fujifilm X100F. It’s a great little camera that gets me excited whenever I take it out of my camera bag. But, Dear Reader, what does this have to do with the Fujifilm X-T2? Well, they’re both manufactured by Fuji, they both have an “X” in their name, and I have a deep affection for a nice cup of tea. Not the same T? Ah well…

Similarities and Differences: A Tale of Two X’s

I’ll talk about the differences and similarities between the two cameras and why I thought the X-T2 was a useful and complementary acquisition. We’ll look at not just the specs but also the rather similar way both cameras handle.

  • Sensor and Image Quality: Both use the same 24-megapixel sensor with an anti-aliasing filter, and offer an ISO range from 200 to 128000.
  • Screen and Viewfinder: The X100F has a fixed screen, while the X-T2 boasts a tilting one. Both share the same excellent viewfinder.
  • Performance: The X100F shoots at 8 fps while the X-T2 goes up to 14 fps. For video, the X100F is limited to Full HD, while the X-T2 offers 4K and can shoot at 120 fps.
  • Connectivity: Both cameras have built-in wireless capabilities.
  • Weight: The X100F is lighter at 469g, while the X-T2 is slightly heavier at 507g.
The Lens Factor (and Weather Sealing, Too!)

The main difference? The lens. The X100F has a fixed 23mm (35mm equivalent) f/2.0 lens, while the X-T2 can take the entire range of X-mount lenses. Quite a big difference, indeed. The X-T2 also has the added bonus of weather sealing!

Why Buy a 4-Year-Old Camera in 2020?

Because at the time, I could. It was the logical acquisition and complement to my X100F. Did I mention it also uses the same batteries? I still have the same, beloved-by-many film simulations, and while not as numerous as later models, they are more than enough for me!

My first lens purchase was the 16mm (24mm equivalent) f/2.8 Fuji lens, the perfect complement to the 35mm equivalent on the X100F. I later discovered TTArtisan and 7 Artisans, Chinese firms that make affordable manual focus lenses for the X-mount. I now have the 35mm (50mm equivalent) f/1.2 and 58mm (85mm equivalent) f/1.4, and the fish eye 7mm F2.8 lenses from both companies, both costing a fraction of the autofocus Fuji lenses. The only concession I made to Fuji was later purchasing the 18-55mm (24-70mm equivalent) f/2.8 autofocus kit lens.

Value for Money: The X-T2’s Sweet Spot in 2024

The fact that I bought it second-hand was also a contributing factor. Does it have as many megapixels as the more modern X-T5? No. But does it have enough? Yes! Does it have the same specs as the X-T5? No. But does it have enough? Yes. Can you see a pattern developing here?

For the amount of money spent, I think I have enough cameras for my buck. And that is the crux of the argument for acquiring a now 8-year-old camera in 2024. Is it the very best money can buy? No. But if you’re an amateur like myself, you generally don’t need the specs that manufacturers and those nice men in camera shops will try to tell you you need. 24 megapixels is more than enough for printing even 20″ by 30″ (500mm x 760mm) sized images.

I have just looked at mpb.com for you and have found XT2 bodies from 487€ to 729€ depending on the condition. An X-mount lens will cost you anything from 104€ for a 35mm (50mm equivalent) F1.2 from 7 artisans to 279€ to 340€ for the 16mm (24mm equivalent) F2.8 fuji lens. So as you can see, it’s certainly cheaper than buying the latest models…

Conclusion: A Timeless Tool for the Passionate Photographer

In 2024, the Fujifilm X-T2 remains a compelling option for photographers seeking excellent image quality, classic handling, and a wealth of creative possibilities. Its compact size, weather sealing, and extensive lens selection make it a versatile companion for various genres, from street photography to landscapes.

While newer models may boast more advanced features, the X-T2’s enduring appeal lies in its combination of performance, affordability, and the unique charm of Fujifilm’s X-Trans sensor and film simulations. For photographers who prioritise the essentials of image-making and value for money, the X-T2 continues to be a worthy contender in the ever-evolving world of digital cameras.

If you’re looking for a camera that delivers exceptional results without breaking the bank, the used market might just hold the perfect X-T2 for you. And who knows, you might even discover a newfound appreciation for a slightly older camera that still has plenty to offer in 2024 and beyond.

Post Scriptum

This camera is also capable of 4K video. And I’m using it at work for making videos for training new staff. It is certainly lighter than my Canon 6D Mark II, and I seem to be able to obtain a picture style that I like. It doesn’t have in-built image stabilisation. However, I use it on a tripod so that’s not an issue. And if ever I do decide to use the 18-55mm kit lens, I have image stabilisation in the lens.

I’ll see if I can’t find you an excerpt of the latest video…

And here it is…

The UK Chronicles Part III: Bamburgh


Memories of Bamburgh: A Personal Connection

I’ve been going to Bamborourgh since I was a little boy. Fifty years later, it still affects me in a way that not many places do. Growing up, there was a painting of the castle in my mother’s bathroom, and ever since I learned photography, I’ve wanted to capture my own photo of the place. Patience, my dear boy, patience…

The last time I was there, I was with my wife and daughter. We explored the castle—a gurt big affair that overlooks the coast and the Farne Islands. This time, I was with my son. It’s all about passing on the experiences we’ve had to future generations. To be honest, this whole trip was about creating memories for the children and spending quality time with them. Ever wary of spending too much, we decided to visit just the village and the beach.

Exploring the Beach: A Walk through the Dunes

To get to the beach, you have to go through the dunes, following the paths, because wandering around the dunes willy-nilly is not the done thing—conservation of the local flora and fauna and all that. The castle towers above the beach, giving a sense of protection. By the time we got there, the beach was fairly full of people, dog walkers, and their dogs, all just enjoying the summer. A British, Northumbrian summer, but summer nonetheless.

I don’t know if you know, but I have a gammy knee and arthritis. I’ve also been taking collagen every day, and although it seems to be doing me good, it’s a bit early to see real effects. Killian was very kind, looking after me and making sure I was keeping up. He’s a good man, and it’s nice spending time with him. After walking on the beach for a while and letting me take my pictures, we found a log to sit on before heading back into the village.

A Stroll Back to the Village: Nostalgia and New Discoveries

As we headed back to the car, we came up the side of the castle and walked along the cricket ground. Dogs and their walkers were still out in force, with the owners throwing balls for the aforementioned dogs. All of a sudden, I missed Molly, our dog, and thought how much she would have loved coming with us, but she’s an old girl, and it wouldn’t have been feasible.

I thought about going up to the church to pay my respects to the local heroine, Grace Darling, who was the Lighthouse Keeper’s daughter in the 19th century. During an epic storm in 1838, a ship was wrecked on the Farne Islands, and Grace and her father went out in a rowing boat to pick up the survivors, as it was considered too rough a sea for the Seahouses lifeboat. They saved 9 out of the 62 passengers and had to shelter in the lighthouse for a further 3 days until the storm calmed down.

A Pub Lunch at The Lord Crewe: A Culinary Interlude

I didn’t manage to get that far. Killian, much like myself, has a weakness for pub lunches. And look, a pub! The Lord Crewe! One of those posh pubs that tries to hit above its station… We went straight to the bar and tried to order two pints of Guinness, while letting them know that we wanted to eat too. “Oh, in that case, just go up to the restaurant, and they’ll deal with you…” I was ready to leave the place and go somewhere else, but Killian was hungry, so we didn’t. However, we did enjoy being rude about the two barmen in French.

Killian decided on fish and chips, or “cod fillet with a beer batter”, and I went for the prawn cocktail. As you can see in the picture, even as Frenchmen, we couldn’t fault the presentation of the dishes. The taste was pretty good too! Eating a meal like that just takes you back to a place of joy and nostalgia. It takes you back to a place of calm and reflection. It takes you back to a place where everything is just the way it should be. It almost helped us forget the two barmen. Almost…

A rather delicious and impeccably presented prawn cocktail..

Continuing the Adventure: More Pints and Ice Cream

We paid and left, still joking at the barmen’s expense. We continued up the road and found the other pub. Ah well, another pint of Guinness. We never got to the church, but that was fine, as I already had the photos I wanted. The beach, the castle, and the dog walkers. We headed back towards the car and had that ice cream that we had noticed while walking up to pub number two. What a sound decision. It was very good ice cream and helped us forget the two rude barmen from the other place… Almost…

Capturing Bamburgh: A Photographer’s Reflections

Anyway, back to the car, and back to Lesbury to go and see the girls. I had the photograph I wanted. I wanted the castle, on top of its hill overlooking the beach and the dunes. The other photos were just a bonus. Yes, I went to a place for just one photo, but it was a photo I had been eager to get for some time. The next time I might just have to go at sunset to get the good light…

Photography Insights: Challenges and Techniques

Let’s conclude by talking about the photography from the day. The main technical difficulty was my camera’s metering of the scenes. I had to really expose for my highlights to compensate for the bright sky and the reflection of this light on the sand. I was actually worried about not being able to retrieve the information in the shadows. Luckily, Lightroom was a champion with photo editing and showed itself to be a top-notch app. For me, Bamburgh is all about the castle. It’s about the castle and the sea. It’s about the castle, the sea, the sand, and the dunes. If you can capture all that, then you’re well on your way to getting some pretty good photos.

Seeing the World Through 35mm: Street Photography with the Fujifilm X100F


Introduction

I have been writing for this blog for a while now and everytime I get a comment it feels wonderful. Especially when I get a thought provoking comment.  LIke this one from my friend Joe:

Excellent post Ian I admire your willingness to stay neutral on the merits of which focal length lens is better for street photography. I personally find the 23mm 2.0 Fuji lens fairly close to what my eyes are seeing before I take the image. Of course we are talking about lenses designed for the APS-C sized Fuji sensor so 35mm would be the equivalent field of view for my 23mm lens (23mm x 1.5 = 34.5mm). Undoubtedly some people will say the nifty fifty is a closer field of view to what the human eye sees but in my opinion I will leave that up to other people that may care to argue that point….
Sorry for my long winded response but I enjoy your articles so much I cannot resist replying even though once I get started you can’t shut me up

I am grateful for Joe’s thoughtful comment and I am still going to stay neutral, and just explain why I use the 35mm (equivalent) on my X100F, for street photography, and environmental portraits, despite having the teleconverter to convert that lens into a 50mm (equivalent) lens.  As a special bonus I will present my latest street photography from Nantes, which just goes to show the sun can shine on us…

The Appeal of the 35mm Lens

The 35mm offers a world view which is very similar to that of the human eye albeit with a very slight distortion that disappears at 50mm.  So, when on the street, we know that our image will have much the same view as what “we” see.  When I get really close for a close up of a subject, the possible distortion remains manageable and doesn’t distract from the subject.   

My Journey with the Fujifilm X100F

I have fanboyed and waxed lyrical about this camera in previous articles and will not do that here. However, I have had mine since 2018 and still use it on a very regular basis, which tells you an awful lot. I use it during travel and when doing street photography because it is light, takes up next to no space, and is subtle, unlike the huge DSLRs and their massive lenses. Moreover, I have enough self-confidence to not need to compensate for anything. It’s also a very sexy little camera, and over the years that we have been together, I have learned how to use it to its full capacity. I can use it intuitively without having to think, which is always a relief. According to camera manufacturers, six years is a long time to be with just one camera, but the costs of replacing it with the latest version are prohibitive, and not enough of them are being produced. The old argument about one in the hand still holds true.

The Versatility of the 35mm Lens on the X100F 

The versatility of the lens, as with any lens, depends on the person “behind” the camera. I use it for documenting a scene. It’s just wide enough to get a good view, but not to distort or have too “busy” a scene, as can happen with the 28mm. It’s great for portraits. Dear Reader, I know I have previously talked about the distortion when close up, but what it is great for is a portrait of a person in his environment. It gives us more context about the person and tells more about him, as we can see his surroundings. Because of the silent shutter, I can also get nearer to my subject without making a flapping mirror sound when I press the shutter button. At F2.0, I can either get massive depth of field or shoot in relatively low light. My basic setup is ISO 3200 and F2.0. But on a day like today, I will put it into ISO 400, and if things get really bright, then I can use the inbuilt ND filter.

Comparisons with Other Focal Lengths

I have already touched upon the differences between the 28mm, the 35mm, and the 50mm focal lengths, but let’s get real for a second.  The 28mm is great, but too much distortion and makes the image very busy because of the wider field of view.  This is fine when used with intent, but you have to be so much more careful with your composition.  The 50mm is the lens that I grew up, but after having used the slightly wider 35mm, I find myself backing up to get the same field of view, which leads to banging into things and apologising profusely to the bin that I have just reversed into.  It has happened!

Practical Tips for Street Photography with the 35mm

Just use it, go back and use it again, and if you have any doubts then just go out and use it once more to be sure.  Don’t overthink it.  Don’t worry about the distortion I have mentioned.  It only really happens when you get right up to your subject.  If you have only used the nifty fifty then you shouldn’t notice a huge difference, but physically you will.  You’ll be moving closer to things, but it’s just “one step up.”  It will seamlessly “grow” on you.  

Be the man in grey, or whatever colour you fancy, but know the environment in which you’ll be shooting.  You might want to avoid fuchsia if you’re going to be in the woods shooting, or in that beautifully tailored three piece suit if you’re going to be in the stands at a football match.  Think sore thumb and being out standing in a field.

Conclusion

If you so wish, you now have the arguments for and against the 35mm lens.  I don’t think that arguing about ti will get you anywhere though…  The lens, as the camera, is a tool at your disposal to create an image.  Just getting a new lens won’t change your life despite what the guy in the shop might tell you.  You “can” use a 50mm for street photography, and some even use the 85mm to go for more details, and more candid shots.  Use what you have already.  I have just talked about my experience since using the 35mm (equivalent) on the X100F.  The information is purely subjective.  If you want an X100, then by all means go out and buy one.  Maybe go for an older model like the X100F or even the X100T for the price difference.  Or if you can get your hands on one, the X100VI is wonderful.  At the moment however, I cannot justify buying a more expensive camera to my wife!

I’ll leave you the comments section to debate the various merits of each piece of kit.  And you can use the hashtag “#ijmphotography” to share your images with me on the gram.  Look forward to hearing from you.  Until next time…

The X100F, again!


It seems that I’m not the only one who raves about this powerhouse of a camera. This just proves that size truly doesn’t matter. I’ve mentioned it on numerous occasions and I stand completely justified in doing so!

Here’s a selection of articles that I have written showcasing phtoography from this amazing little camera in no particular order:

The idea behind using a camera is not just about capturing moments, it’s also about the experience it grants you. This camera has the ability to inspire and motivate its users to explore and create, which is a testament to its design and functionality. The joy and enthusiasm that comes with using this camera is contagious, and it’s evident in the way it empowers photographers to unleash their creativity. It’s not just a tool, but a companion that fuels the passion for photography, encouraging individuals to embrace the world around them through its lens.