The UK Chronicles Part VII: Chesters Roman Fort


Welcome, Dear Reader, to the very edge of the Roman Empire, and by implication, civilisation. You might be wondering why there’s a carving of a phallus as the cover photo for this article. Well, don’t forget that soldiers will be soldiers, even when they’re part of a Spanish Cavalry regiment stationed here. Some things never change—except these soldiers were caught by archaeologists centuries later!

Chesters Roman Fort was constructed along Hadrian’s Wall to keep out the “uncivilised” Picts and Scots. This impressive wall stretches across the country from East to West, ending at Wallsend in Tyneside. It was a massive undertaking, and I’m still amazed by this feat of engineering.

Killian, my dear son and heir, whom you might recall from the previous article about his misadventures at Otterburn, was slightly less impressed. “Ce n’est pas le Mur d’Hadrian, mais le muret d’Hadiran,” he quipped—translating to, “Not Hadrian’s wall, but Hadrian’s little tiny miniature wall.” Some people are just impossible to please!

Despite his initial skepticism, Killian was genuinely impressed by the quality of the stonemasonry, even after nearly 2,000 years. With his background in plumbing, he quickly noticed the Roman plumbing and underfloor heating, which makes you realise how little we’ve actually invented since then.

When we visited the cavalry lines and saw where the horses were kept, he was astonished to learn that three men and three horses lived in the same building, with the horses at one end and the soldiers at the other.

Even though he was flippant at the start of the visit, he took a keen interest in everything and enjoyed explaining each building to me. Maybe he’s a closet intellectual after all…

As we continued our tour, my knee was giving me trouble, and Killian showed his concern, asking if I really wanted to go down to the river to see where the bridge once stood. I insisted we go, so we made our way slowly towards the river and the soldiers’ baths. And by baths, I mean a fully-fledged hammam complete with sauna and dry heat—the very latest technology to provide the frontier soldiers with some home comforts. If those baths were still operational, they might have been perfect for soothing my arthritic knee!

We walked slowly towards the west gate and could only imagine the civilian buildings buried beneath the fields in front of us. This site wasn’t just a series of building outlines but a thriving Roman community on the very edge of civilisation.

Speaking of civilisation, I felt it might just be time for a cup of tea. As we strolled through the site towards the car, we spotted a tea shop. A cup of tea and a slice of cake were just what I needed—I was in heaven! Good old National Trust! No wonder they’re an institution. Our conversation shifted to the gift shop, where I was trying to convince Killian that, despite how cool owning a replica Roman helmet and armour might be, it could be a tad impractical and he might not have many occasions to wear such Roman regalia. Mind you he would be very dashing!

If you want to, you can even play a game of “Where’s Waldo” or “Where’s Wally,” for the British readers. Note I didn’t say “Where’s the Wally…” Keep an eye out for the photos of Killian…

The Opening of the Film Archives: On va Marcher sur la Lune


New from the film archives – On va Marcher sur la Lune, captured on a warm October day in 2016. Could this be a nod to Jules Verne, one of Nantes’ famous sons? Possibly. As I look through these photos now, I’m transported back 8 years—to a time when my daughter still saw me as her hero, and we spent afternoons exploring with our cameras.

That day, she had her Olympus Trip 35, and I was carrying the equally iconic Canon AE-1 with some 400ASA Kentmere black and white film. Both cameras, steeped in history, were very much a part of our lives at the time. And when I say the Olympus is so simple a seven-year-old could use it, I’m not exaggerating—she handled it with ease, maybe even with a bit more flair than I did.

We parked near the Grue Titan and wandered towards the Elephant, a landmark almost as famous as Jules Verne himself. It was one of those days that would just lead its own way along the Loire, and I was completely fine with that. My only concern was Kate remembering to change the dial on the Olympus to the right focus zone. In hindsight, I should’ve let her take the lead and placed more confidence in her. Hindsight—that luxury of later life. Her photos? They turned out better than just fine.

Later, we explored the “On va Marcher sur la Lune” exhibit, which featured a lunar landscape with trampolines in each crater—a hit with children of all ages. The area was bustling with people enjoying the Indian Summer, including a mix of families and those embracing the trendy atmosphere. As we walked towards the Elephant, we noticed how it had revitalized this once rundown shipbuilding area. The remnants of the old shipyards still linger, but the new architecture is resolutely modern.

The Opening of the Film Archives – Nantes November 2016


Following our last trip to Carnac, the film archive now has a look at Nantes in the autumn of 2016. These photos offer a glimpse into how I approached photographing a city back then, and if I’m being totally honest with you, still do. I treat the city much like a model on a photoshoot. The goal is to capture not just the physical landscape, but the essence and atmosphere of a place, allowing viewers to get a feel for the city simply by looking at the images. In this series of pictures, Nantes reveals herself and her architecture, resplendent in the autumnal sunshine.

Over time, I have come to know the city and appreciate her architecture. Buildings are not only a reflection of the architect but also of the people who live in them. They add character to the city, allowing her personality to shine through.  I enjoy looking at the lines, and the shapes of them.  They inspire me.  They tell the story of the people who, either work, or live in them.  They are not just mere edifices.  

You will notice as we go through the archives, I might not respect the timeline slavishly. My aim is to give you an aperçu of my world at the time through film. I know you will be able to take this affront in your stride and not hate me!

We’ll go from the bains douches municipales, through to the Sainte Croix church, to the Stalinian 1950’s architecture of the Social Security building, passing by the odd shop, Hausmanian architecture, and even a shot looking towards the Cathedral.