China: The Final Frame – Reflections on a Journey


The tour is over. The bags are unpacked, and things are settling back into their usual rhythm at home. But even though I’m back, part of me is still in China—still thinking about the streets of Shao Xing, the energy of Shenzhen, or the moments shared with the orchestra. The journey may have ended, but it hasn’t really left me.

Reflecting on the Journey

From the moment I landed in Changsha to the final farewell in Shanghai, this trip was a series of moments—some I expected, and some I didn’t. The hustle and bustle in Shenzhen, the streets of Shao Xing, the quiet hills of Xian Ju, and the meals shared with colleagues between concerts. It wasn’t just about the places. It was about the little things—a gesture of hospitality, that mutual respect between musicians, or just watching the world go by.

This trip wasn’t just about playing concerts, it was about learning and adjusting. It was about connecting with people, understanding their way of life, and how we relate to one another in those brief encounters.

The Photographer Without Film

For the first time in a long while, I didn’t travel with my usual film cameras. The Fujifilm X100F was the only camera I had with me, and while I had mixed feelings about it at first, it became a good fit. There was no hesitating over which shot was worth the price of a roll of film. It was just me, the camera, and the present moment.

Not every moment needed to be captured. I found myself slowing down and soaking things in—sometimes shooting quickly, sometimes just letting the moment pass. It wasn’t about having everything on film; it was about experiencing it fully, even without the lens in front of me.

Respect and Connection

One of the most memorable things about this trip wasn’t the landscapes or the buildings—it was the people. Everywhere I went, I felt a deep respect and sense of community. It wasn’t about being given titles like “Uncle” or anything else. It was just how people engaged, how they saw me as part of something.

The concerts themselves were a reminder of this—the public wasn’t there for rehearsals, but they were there for the concerts, offering energy and appreciation. Music, like photography, is about presence. It’s about sharing a moment with others, and that’s something I’ll never forget.

Coming Home

Returning home after a trip like this always feels a little strange. The familiar feels slightly unfamiliar at first—the quieter streets, the slower pace. But there’s comfort in returning, and yet, it’s hard not to feel that shift in perspective. Things seem different now.

The Final Frame

So, what remains from all of this? The photographs, of course. They’ll hold the moments, the details, the things I might forget over time. But beyond that, it’s not just about the photos. It’s the way travel shifts your perspective and makes you notice the small moments—the ones that don’t always get captured in a frame.

This series was meant to document a tour, but it ended up being more than that. It’s a reflection on the journey itself, on photography, on what it means to truly be somewhere, to connect with others. The tour might be over, but this story isn’t done yet. And whenever the next journey comes, I’ll be ready to pack my bags again.

I have been posting these articles in the WhatsApp group made for the people on the tour, and people’s feedback has been amazing. What came out the most was the feeling of revisiting the tour through the photographs and how that made people feel. And if you make somebody feel something with an image, then you’re off to a good start. The other comment was, “Oh, I didn’t see that!” And that is part of our role as photographers, to record what people don’t see… My reputation as a photographer seems to have surpassed my reputation as a beer drinker, which is good, because I hardly drink a drop anymore. My reputation as a writer seems to be well established too.

So not only am I seen as a hornplayer but also as a photographer, a writer, and a sensitive soul instead of the gruff bear that sits at the back of the orchestra and makes farting sounds with his instrument. Quite the step up really!

China Homeward Bound – XianJu to Shanghai, Shanghai to Beijing, Beijing to Roissy, Roissy to Nantes, Nantes to St Hilaire.


It’s a “long” title, and it was also a “long” journey. We left our hotel at 7 am on the 3rd of January, and I arrived home with feet under the table at 5 pm on the 4th of January. My mind is still on strike and the memories a little vague, but I’ll try and keep going for as long as possible.

Group 1, i.e. the other group, would be leaving at Terminal 1 in Shanghai, and Group 2, i.e. my group, would be leaving from Terminal 2 in Shanghai. There was a small and very select group that were going to do the “extension,” including my friend Eléonore. We managed to get our suitcases into the “system” at the airport check-in. And then through security, which, due to my sports jacket hack, went very smoothly. All we had to do then was to find somewhere for lunch. I had been in a group for the whole tour and headed off on my own to try and find something to eat.

I did find something to eat—tofu and crab, with a bowl of greens because it’s healthy! And a cup of tea was served with my meal. I spotted a hamburger place just next door to where I was eating and alerted the group via WhatsApp. I took my time eating because I could. I don’t like being rushed. Apart from getting onto the plane on time, my only task was to find a gift for my wife that would please her and, at the same time, be very Chinese. I bought tea. Because why not? And the shop looked very luxurious, and I was sure I couldn’t mess it up.

We flew from Shanghai to Beijing, and part I of our trip home was over.

The wait in Beijing seemed to go on forever, and our flight was at 2:40 am local time, which would mean a night flight back to Roissy. Beijing airport is a rather large place where most everything seems to shut at 5 pm. This was going to be a long wait. I resisted the temptation to go and have a “couple” of pints at a bar that was still open but still felt the need to have a drink of something. That something would be a bottle of water. We had our gate and waited for our flight to leave.

As you know, I can generally fall asleep anywhere and at any time. But even for me, this was going to be a tad tricky. I managed to charge my phone thanks to my colleagues and lay down on a bench to try and get some shut-eye. The sports jacket and jumper make a rather good pillow, and I felt slightly more invigorated when boarding the plane.

Maybe that wasn’t a good thing. Anyway, I made my way to my seat, which was at the very back of the aircraft, and tried talking to my neighbour, who asked me if I spoke French. I did, and I could tell she had a plan, that girl. She wanted to be able to have two seats so she could lie down. I asked the hostess if those two empty seats were going to be available, and she took pity on me, saying that they were technically for crew and that if one of the crew asked, I would have to move back and sit with Miss Two Seats.

That sounded very fair, and Miss Two Seats seemed to be happy. I used the pillow for my back, and the blanket was just large enough to snuggle into. Did I sleep like a baby? No, he said, going for the understatement of the year award. No, he did not, but I think he at least managed to snooze, which was good enough. We had breakfast on the plane, which would be my last “Chinese” meal. Part II of our voyage was over.

We landed in Roissy and played everyone’s favourite game—go to the loo, and then on to baggage reclaim. The trombones had been put in with the suitcases and, of course, were the very last things to be put onto the conveyor belt. I have to admit to a rather tense moment when I was wondering if my suitcase would ever turn up. Eventually, it did, and we were reunited. The trombonists were soon reunited with their trombones, but it was all very stressful and a grand moment of solitude for them. We eventually found what we thought was the exit, turned around because it wasn’t the exit, and headed off to another exit to meet our colleagues in Group 1, who had arrived a wee while before us. We were herded along, with Mathilde and Titaua helping us cross the road. You’ve guessed it—we got on the bus, except this bus would be taking us back to Nantes. Part III of our voyage had begun.

My memory was still hazy, and I think we stopped off in the Perche—the place, not the fish, but maybe they had them in the local rivers. I’m not here to judge. We all traipsed into the service station and were greeted by the overpriced sandwiches. Not a chicken foot in sight. It all felt such an anticlimax after the food in China.

We arrived eventually where we had set off from in Nantes. Part III of our voyage was nearly over. Kate and Virginie were there to pick me up, and that hug was particularly tight and lasted quite a while—or so it seemed. Had I missed my family? I will say yes, of course. It will save us many arguments at home!

Part IV of the trip had begun. My wife drove us home through the rain. I entered the house that I had left two weeks earlier. I had been on tour, I had seen things that I had never seen before, I had eaten things that I had never eaten before, and I even managed to save my special Christmas chocolates from the inquisitive looks from the two women in my life. Killian wasn’t there, so Kate had first dibs on which mug she would like. The chopsticks were put away. Tea was made, and the day ended up at home. I was a little tired…

China – Shao Xing


New Year’s Day

Welcome back to China, Dear Reader. When I last left you, we were on the bus somewhere between Hangzhou and Shao Xing. I’m pleased to report that we made it safe and sound, and that Corentin and I now had two keys to our room. It was still sunny—a joy to be alive. Thank you, happy pills. Our room had all the mod cons, though there was a quirk: if one of us was on the loo, we’d slide the door across for privacy. Unfortunately, that meant the person taking a shower lost their privacy. Still, I couldn’t see anything from the loo, so my roomie’s modesty was safe.

Speaking of toilets, we encountered quite a range during our travels. In the service stations, they were the French “chiottes à la Turque,” which are nothing like the Mozart Rondo, but certainly more pungent. Then there were the “ordinary” toilets, followed by the ones whose lids lifted automatically as you passed, and finally the pièce de résistance: the Japanese-style toilet, which remained resolutely Chinese.

This marvel had a heated seat—luxury in itself. You had to lift the lid manually (slumming it in the Stone Age again), but once seated, nature took its course in unparalleled comfort. The real magic began when you pressed a button: a mechanism extended to spray water precisely where needed. There was even a function for ladies. And after the water came the air, drying everything off! I double-checked with toilet paper, of course, but it had done an impeccable job. Truly, a game-changer. As Forrest Gump said, “That’s all I have to say about that!”

Now, let’s move quickly on from toilet humour (as universal as it may be) to the park next to our hotel. We were on the 22nd floor and had a marvellous view of the city centre. I could even see that night’s venue from our room and decided to explore the area, camera in hand. The winter sunlight was soft—bright but not blinding—perfect for photography. I wanted to capture the impression of Shao Xing, not just through candid portraits of people but through its landscapes and atmosphere. My aim was to convey the city’s essence, much like an impressionist painting, but with a camera instead of a brush.

The park was alive with activity. Aunties and uncles sat on benches, chatting animatedly and observing the world go by. One Aunty beckoned me to join her, and I obliged. She greeted me with a thumbs-up—a universally positive gesture, except when hitchhiking in Greece, where it’s a faux pas. Using the translator in Alipay, I explained that I was a horn player with the visiting orchestra and would be performing that night in the concert hall across the park. This app is a godsend in China, though I briefly considered going back to study the language. My wife might not be thrilled with me disappearing for six months, though.

As we sat, the Aunty hummed a Chinese song. I was transported elsewhere, nearly dozing off in the sunlight—a habit I seemed to be developing. Thanking her for her company, I wandered further into the park. The sunlight filtered through the trees, highlighting the park’s serene beauty. I came across a single artist practicing calligraphy on the ground, using water instead of ink. His strokes were delicate and ephemeral—a fleeting masterpiece destined to evaporate. Children played with marbles nearby, using the sculpted floor as their playground. The juxtaposition of timeless tradition and youthful play captured the spirit of China for me. Above it all, a pagoda stood proudly, with an airship hovering in the background—a striking blend of the classic and the modern.

Reluctantly, I left the park to prepare for our penultimate concert. The thought of returning to the mundanity of home life began to weigh on me. This tour had been a gift, filled with unforgettable experiences and people. I wasn’t ready for it to end.

The concert hall was just across the park, and I strolled over leisurely—no need to rush; a gentleman never runs. The theatre director and his team greeted us warmly, their hospitality as magical as ever. Some brass players had prepared a fanfare to welcome the audience, and the atmosphere buzzed with excitement. Selfies were taken in abundance, and someone was even live-streaming for TikTok.

The concert itself went beautifully, with the usual audience participation adding to the magic. Afterward, the theatre manager addressed us, reminding us of the event’s purpose: celebrating Franco-Sino relations and their 60th anniversary. His French was excellent, and his enthusiasm infectious. They had prepared a spread for us—a delightful picnic with beer aplenty. As the night progressed, the manager led by example, dancing and motivating his team to let loose. Seeing their boss in this light seemed to surprise them.

I left the party early, taking a quiet stroll back to the hotel. The park, now illuminated, looked entirely different. The pagoda glowed softly and had changed character, and became the central element to the park.  Meanwhile, Corentin extended the festivities at a local bar, where the owner was treated to an impromptu rendition of Michel Sardou’s “Les Lacs du Connemara.” A night to remember, indeed.

China – Operation Shenzhen Nights


It had been a relaxing day. I’d emptied my mind by wandering around Shenzhen, taking colour photos for my wife, editing them on the go with Lightroom CC on my phone—all the power of Lightroom, neatly packaged for mobile. The afternoon had been just as easy-going. I could get used to this.

Corentin, Monsieur Lover Lover, and Paul “the Duck Tongue” Trouillet had decided that, since we weren’t performing that night, we’d head out for a bit of fun. Thus, Operation Shenzhen Nights was born. They’d planned everything down to the last detail. The walk to the tube station was about a kilometre, and even with my gammy knee, it was doable.

So, off we went—a whole group of us—to the Shenzhen tube. Along the way, we passed bustling restaurants where people were already seated for dinner. We walked by a pet shop where people were cuddling kittens. At least, I hoped it was just a pet shop and not a restaurant! The kittens were adorable.

The Saturday night energy was in full swing, with people out for meals or simply strolling. We were about to do much the same.

First, the journey into town. Entering the tube station, I was relieved to see all the signs in both Chinese and English—a lifesaver, as my Chinese still needs work. Passing through a baggage and body scanner was certainly out of the ordinary, but I quickly got over it. People often talk about personal freedoms in China, but it didn’t faze me in the least.

We bought our tickets—or more accurately, small green plastic disks that you scan to access the platform. Then came the stairs, and that’s when my gammy knee started to let itself be heared. Fortunately, there was a lift, which would have been a shame not to use. When the train arrived, I managed to grab a seat, camera ready to snap photos of the metro ride.

About an hour later, we reached our destination, where Operation Shenzhen Nights would truly begin.

Corentin, always as eager as a five-year-old at the zoo, practically bounced with excitement. His enthusiasm was infectious, and I tried to keep up, though one day I’ll have to explain the “pace of the slowest man” rule to him.

As we exited the tube, we were greeted by a sea of lights, red lanterns swaying overhead in celebration of Chinese New Year, and professional TikTok setups. These weren’t just quick phone clips—this was full-scale production, complete with lighting and sound. I still don’t quite get TikTok, but they sure seem to.

Paul and Corentin were already eager to dive into the street food, and it wouldn’t be the first stop of the evening. Skewers with all kinds of “supposedly” edible things lined the stalls. I was fine with chicken and octopus but drew the line at scorpions and crickets. Maybe next time I’ll embrace my more adventurous side.

The place was packed, with street restaurants everywhere. Out of the corner of my eye, I spotted a shop selling mineral water and bought a litre. I felt much better after hydrating. I knew it would mean a bathroom hunt later, but I threw caution to the wind. “Bugger it,” I thought. Some risks are worth taking.

The night was buzzing with energy—smells, sounds, and lights everywhere. Red lanterns swayed overhead, casting a warm glow as the city geared up for Chinese New Year. 

Paul and Corentin thrived in the chaos, eagerly planning their next round of snacks while some of the group veered off to McDonald’s for a quick bite. As we waited, we soaked in the atmosphere. When the others rejoined us, I was already with my camera taking shots of a city that seemed to be in perpetual motion. Operation Shenzhen Nights was rich with everything that mattered—good company, questionable snacks, and memories destined to linger long after the evening faded. 

We continued walking, and the boys ended up finding tofu in sauce, which they let me taste. I must learn how to cook tofu like that at home. But again, I drew the line at eating durian. “It can have a rather pungent smell,” he said, going for the understatement of the year.

As we left the main drag, the goal was to find a watering hole. And we did! More beer, and a last chance to have a bit to eat. I kept it simple with my food choices, but one of the group tried roasted silk worm chrysalids. Definitely interesting, but it turned out to be one of the less than tasty things of the evening.

The youngsters wanted to go to a nightclub, an idea which wasn’t really for me at nearly 53 years old. I’m not a fan of nightclubs and haven’t set foot in one since the early ‘90s. Still not a fan 30 years later. The elders of the group headed out for a beer, and the more adventurous of them had rice wine—or rather, rice alcohol. I ended up chatting to one of them until half past six in the morning. He had things to get off his chest, and I entered Uncle Ian mode.

The UK Chronicles, Part V: Rothbury to Hepple


Do you have a place, be it real or imaginary, that just haunts your mind?  You think of it, and you are transported there instantly.  The smells of the grass, the sounds of the river, and the odd car driving past you wondering what the heck you are doing?  Hepple is my special place.  It is a place where I feel at peace and that all is right with the world.

I’m thinking back to an article I wrote a couple of years ago called Hepple for Photos, Not Gin. I was with my father and had my Canon 6D Mark II with the 16-35mm F4.0 lens and the 70-300mm zoom lens. This year, however, I had my X100F with just the 35mm f2.0 equivalent lens, and I was with Killian, who, surprisingly, was a little tired and decided to curl up on the back seat for a snooze. His loss…

This is the place, this stretch of road, that I have been looking forward to for 2 years. The weather was clement, and I can assure you that the place is still as beautiful as ever. I wasn’t going to have the choice of lenses this time; I would have to see the scene in 35mm and make do with it. No zooming, no switching lenses—just a little constraint. And you know what? I was fine with that!

The lack of zooming and my sleeping son allowed me to walk around the area a little more, exploring under the tree at the end of the road and at the bottom of the hill.  These were views that I had not seen before.  It only goes to show that we might think we know a place, even in our memories, but it still has so much more to offer us.

I parked just before the bridge, as I usually do. Everything was still in place: the stiles, the trees, the river—just as I had pictured it in my mind. It’s when looking at the countryside like this that I am convinced there is a creator behind all this creation. The beauty of it didn’t just happen by chance.

The noises were made by the flowing of the river and the breeze in the trees.  I had this feeling of calm.  I could take photos of that place every day and not get tired of it all.  I might even go so far as to say I could have died here and died a happy death.  I had found my peace.

Killian had found his peace too and was still asleep in the car.  A micro sieste, he said.  He might be 25, but he reminded me of the small boy who was once my son. 

I can’t be the only person on this earth to feel this?

The X100F, again!


It seems that I’m not the only one who raves about this powerhouse of a camera. This just proves that size truly doesn’t matter. I’ve mentioned it on numerous occasions and I stand completely justified in doing so!

Here’s a selection of articles that I have written showcasing phtoography from this amazing little camera in no particular order:

The idea behind using a camera is not just about capturing moments, it’s also about the experience it grants you. This camera has the ability to inspire and motivate its users to explore and create, which is a testament to its design and functionality. The joy and enthusiasm that comes with using this camera is contagious, and it’s evident in the way it empowers photographers to unleash their creativity. It’s not just a tool, but a companion that fuels the passion for photography, encouraging individuals to embrace the world around them through its lens.