Lourdes 2025: A Father–Son Farewell Tour


When your son tells you 2025 is going to be his year, you smile, nod, and try not to think about how quiet the house will be once he’s gone. But before Killian set off into his new chapter, he offered me something unexpected: one last road trip—just the two of us.

You might well be aware that I have a son. His name is Killian, he’s 26, and he’d been living at home since a rather painful break-up. My wife had been dropping “subtle” hints for months, wondering aloud when her boy might consider leaving again. Last year, he brashly declared that 2025 would be his year.

The little bugger was true to his word. I now live with my wife and daughter, firmly in the minority. Molly, the dog, and Zombie, the cat, are both girls. The only other male left in the house is Mamaduke, the other cat—and he was neutered as a kitten.

Feeling somewhat emasculated, Killian offered to accompany me on one final road trip before leaving me alone with all this oestrogen. He suggested we return to Lourdes, as we had done back in 2019. He was a different man back then—brighter around the eyes, more reckless, maybe—but he has since matured through his heartache, and the healing that followed.

The Airbnb was booked and paid for. The car was ready. We were ready. My wife was looking forward to some peace and quiet. We’d be fine, and yes, we promised to send messages on the way to let her know where we were. We had the whole week off work, and this four-day visit would give us a bit of time together before he started this new chapter of his life. One last Ian-and-Killian trip.

On the way down, I quickly learnt that I’d have to hand over control of the music. That was going to be interesting.

He still hates selfies, and is terribly self-conscious about being on camera. So when he spotted my phone recording the both of us, he just muttered, “Mais quel enfer…” The road was very quiet for most of the journey, and things only got rough around Bordeaux. We passed a lorry on its side, cargo strewn everywhere. We said a quiet prayer for the driver. It was a sobering reminder of how fragile life on the road can be.

Killian kept a close eye on me as we tackled the ring road around Bordeaux, directing me with impressive calm. Once we got past the city, things settled down—so did we. Frequent stops for coffee, and fresh air at service stations helped. I wasn’t about to push through and risk ending up like that poor lorry driver. My wife would kill me if I died…

We managed to find our digs for the stay, and although small, it was perfect for the two of us. Killian made us dinner, and we got to bed feeling happy to be alive, and happy to be once again in Lourdes.

We would go down to the Sanctuary the next morning, say hello to Our Lady, maybe go to confession, and visit the baths. Killian wanted to go to Spain, but since I didn’t have our passports, that wasn’t going to happen. I had decided not to overdo anything, and just see where the trip would lead us. No stress, and no rigorous schedule. All I wanted to do was to get to confession, to Mass, and get some water, take some photos, and film to make a video. Killian wanted to go to the Pont d’Espagne, which—despite the name—is in France. But more about that later…

China: The Final Frame – Reflections on a Journey


The tour is over. The bags are unpacked, and things are settling back into their usual rhythm at home. But even though I’m back, part of me is still in China—still thinking about the streets of Shao Xing, the energy of Shenzhen, or the moments shared with the orchestra. The journey may have ended, but it hasn’t really left me.

Reflecting on the Journey

From the moment I landed in Changsha to the final farewell in Shanghai, this trip was a series of moments—some I expected, and some I didn’t. The hustle and bustle in Shenzhen, the streets of Shao Xing, the quiet hills of Xian Ju, and the meals shared with colleagues between concerts. It wasn’t just about the places. It was about the little things—a gesture of hospitality, that mutual respect between musicians, or just watching the world go by.

This trip wasn’t just about playing concerts, it was about learning and adjusting. It was about connecting with people, understanding their way of life, and how we relate to one another in those brief encounters.

The Photographer Without Film

For the first time in a long while, I didn’t travel with my usual film cameras. The Fujifilm X100F was the only camera I had with me, and while I had mixed feelings about it at first, it became a good fit. There was no hesitating over which shot was worth the price of a roll of film. It was just me, the camera, and the present moment.

Not every moment needed to be captured. I found myself slowing down and soaking things in—sometimes shooting quickly, sometimes just letting the moment pass. It wasn’t about having everything on film; it was about experiencing it fully, even without the lens in front of me.

Respect and Connection

One of the most memorable things about this trip wasn’t the landscapes or the buildings—it was the people. Everywhere I went, I felt a deep respect and sense of community. It wasn’t about being given titles like “Uncle” or anything else. It was just how people engaged, how they saw me as part of something.

The concerts themselves were a reminder of this—the public wasn’t there for rehearsals, but they were there for the concerts, offering energy and appreciation. Music, like photography, is about presence. It’s about sharing a moment with others, and that’s something I’ll never forget.

Coming Home

Returning home after a trip like this always feels a little strange. The familiar feels slightly unfamiliar at first—the quieter streets, the slower pace. But there’s comfort in returning, and yet, it’s hard not to feel that shift in perspective. Things seem different now.

The Final Frame

So, what remains from all of this? The photographs, of course. They’ll hold the moments, the details, the things I might forget over time. But beyond that, it’s not just about the photos. It’s the way travel shifts your perspective and makes you notice the small moments—the ones that don’t always get captured in a frame.

This series was meant to document a tour, but it ended up being more than that. It’s a reflection on the journey itself, on photography, on what it means to truly be somewhere, to connect with others. The tour might be over, but this story isn’t done yet. And whenever the next journey comes, I’ll be ready to pack my bags again.

I have been posting these articles in the WhatsApp group made for the people on the tour, and people’s feedback has been amazing. What came out the most was the feeling of revisiting the tour through the photographs and how that made people feel. And if you make somebody feel something with an image, then you’re off to a good start. The other comment was, “Oh, I didn’t see that!” And that is part of our role as photographers, to record what people don’t see… My reputation as a photographer seems to have surpassed my reputation as a beer drinker, which is good, because I hardly drink a drop anymore. My reputation as a writer seems to be well established too.

So not only am I seen as a hornplayer but also as a photographer, a writer, and a sensitive soul instead of the gruff bear that sits at the back of the orchestra and makes farting sounds with his instrument. Quite the step up really!

China – Shao Xing to Xian Ju


Welcome back to China. It is the morning of the 2nd of January. The whole tour seems to have flown by, and my memory is already hazy. I remember going around Shao Xing, and I remember the concert in Xian Ju, but beyond that? Not much.

I don’t usually black out, even after a drinky-poo, but it feels like I forgot to press Control+S. No saves to rely on. Bugger. Maybe it’s the thought of going home tomorrow? The dread of the parenthesis closing?

Strangely, I wasn’t even fed up with sharing a room with Corentin, and bus rides with everyone were still enjoyable. Definitely bizarre. It can’t be Blue Monday yet!

Anyway. The previous evening, while I was exploring the park, some of my colleagues had stumbled upon a scenic residential area—just the kind of place I’d love to capture in my last shots of China. This wasn’t the posh China of Shenzhen; this felt like a more “authentic” part of town.

And it was stunning, as you’ll see later in the photos—filled with all the quintessential imagery of China: round entrances leading to inner courtyards, red lanterns preparing for the Chinese New Year, fish drying under the rafters, boats drifting along the canals, humpback bridges, mopeds zipping past, and an old lady eating her rice for breakfast. Even Confucius was there—his wisdom guiding us through the streets.

I had heard about this little quarter at dinner the night before. My colleagues had waxed lyrical about it, so off I went, camera in hand. Now, you know my sense of direction—getting lost, or at best, off track, is inevitable. I was told: “Turn left outside the hotel, walk about ten minutes, and you can’t miss it.” Which, of course, is exactly the kind of thing I do miss.

But not today. For once, my terrible sense of direction didn’t fail me—God must have been smiling on me that morning.

All of a sudden I was there, walking around with my camera at the ready remembering to take colour photographs because my wife had asked me to.  I meandered through the street watching the morning rituals, people clearing their throats and spitting on the ground, better out than in, people eating their rice for breakfast.  The place seemed to be waking up gently, and the mopeds taking their passengers to work and not driving too fast either.  

There was one moped that thought he could make it over the bridge in one go.  He tried a few times, but obviously it wasn’t going to happen, because it would have made a wonderful photograph.  The man got off the thing, and walked it across the bridge and seemed to appreciate my clapping him over.  Encouragement is as universal as something very universal.  

I kept wandering around with no fixed idea of what to do or see.  I could see a kettle boing for the tea, and felt a slight pang of jealousy.  I was of course, tealess.  I reached the outside of the quarter, and just headed back in at the sign.  I had seen a wicker chair which would have been perfect for my afternoon snoozes.

As I came back in, people seem to have awoken from their slumber, and the small shops started to open.  There were all kinds of things for sale.  Chinese New year decorations, clothes that were lovely but might have been a tad small for my more rotund frame.  There were shops selling brooms and pans.  It was definitely buy local…

As I left for the last time and having taken my phtoographs, I passed Sarah, a fellow photographer, who had obviously awoken slightly later then myself.  We of course said good morning and wished her luck with her camera.  

I mozied on down, back to the hotel to pick up my suitcase and horn, getting ready for the trip to Xian Ju.  And this is where my memory goes a little fuzzy, like my camera out of focus. I remember the concert, sure, but everything else? It’s like my mind just pressed pause. A temporary freeze-frame.

It’s strange, isn’t it? How the mind works in these moments. Maybe it’s the thought of the long journey home—the “parenthesis” closing, as it were. The feeling of something coming to an end, but not quite ready to leave. That lingering moment between chapters, when you’re not sure if you’re truly finished yet.

But then again, I’ll leave that for next time. Perhaps when I’m home, looking back on these images, I’ll see it clearer. For now, though, I can’t remember a thing—not for the life of me.

The UK Chronicles, Part V: Rothbury to Hepple


Do you have a place, be it real or imaginary, that just haunts your mind?  You think of it, and you are transported there instantly.  The smells of the grass, the sounds of the river, and the odd car driving past you wondering what the heck you are doing?  Hepple is my special place.  It is a place where I feel at peace and that all is right with the world.

I’m thinking back to an article I wrote a couple of years ago called Hepple for Photos, Not Gin. I was with my father and had my Canon 6D Mark II with the 16-35mm F4.0 lens and the 70-300mm zoom lens. This year, however, I had my X100F with just the 35mm f2.0 equivalent lens, and I was with Killian, who, surprisingly, was a little tired and decided to curl up on the back seat for a snooze. His loss…

This is the place, this stretch of road, that I have been looking forward to for 2 years. The weather was clement, and I can assure you that the place is still as beautiful as ever. I wasn’t going to have the choice of lenses this time; I would have to see the scene in 35mm and make do with it. No zooming, no switching lenses—just a little constraint. And you know what? I was fine with that!

The lack of zooming and my sleeping son allowed me to walk around the area a little more, exploring under the tree at the end of the road and at the bottom of the hill.  These were views that I had not seen before.  It only goes to show that we might think we know a place, even in our memories, but it still has so much more to offer us.

I parked just before the bridge, as I usually do. Everything was still in place: the stiles, the trees, the river—just as I had pictured it in my mind. It’s when looking at the countryside like this that I am convinced there is a creator behind all this creation. The beauty of it didn’t just happen by chance.

The noises were made by the flowing of the river and the breeze in the trees.  I had this feeling of calm.  I could take photos of that place every day and not get tired of it all.  I might even go so far as to say I could have died here and died a happy death.  I had found my peace.

Killian had found his peace too and was still asleep in the car.  A micro sieste, he said.  He might be 25, but he reminded me of the small boy who was once my son. 

I can’t be the only person on this earth to feel this?