Symphonique des bords de Loire orchestra musician photographed on a Pentax ME Super with Fomapan 100, black and white film, March 2026

The Break: An Orchestra at Lunch on Fomapan 100

An orchestra at lunch: documenting the Symphonique des bords de Loire’s communal meal before rehearsal. Shot on Pentax ME Super with Fomapan 100, these fine-grain black and white images capture community, food, and the calm before the musical work begins. Part 1 of 3.

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Landscape format black and white photograph on a Nikon FE with Ilford HP5 Plus at 100 ASA, pull processed, scanned on an Opticfilm 8100

The HP5 Plus 100 ASA Experiment: A Happy Accident?

“Accidentally shot HP5 Plus 400 at ISO 100? Discover how this film photography mistake became a happy accident. Learn pull processing techniques, shadow detail retention, and highlight control using Ilfosil 3. See stunning black and white results from a Nikon FE. Your guide to film latitude and overexposure experiments.

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Black and white film photograph of the Maine valley from the Le Porte-Vue belvedere, the river and weir winding through the wooded gorge, Château-Thébaud.

Making the Ordinary Less Ordinary: Rollei RPX 400 at Pont Caffino

After 40 years behind the lens, still learning. Explore Rollei RPX 400 shot handheld in flat light at Pont Caffino, France. A honest look at dodging, burning, and making ordinary prints less ordinary in Lightroom.

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Hero illustration for A New Chapter, announcing the launch of the IJM Photography museum-quality print-on-demand collection

A New Chapter for IJM Photography

IJM Photography now offers a curated collection of museum-quality, print-on-demand photographs—intimate fragments of light, memory, and place. Featuring timeless black and white and rich colour images, each 8×10 inch print is crafted on archival paper, ready to bring quiet beauty to your home. Discover moments captured with care, now shared with you.

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Winter morning still life photographed by a window, hero image for the Notes January 2026 journal entry, IJM Photography

Notes, January 2026

A raw, reflective journal from January 2026: navigating global disillusionment, memory, fatherhood, and the quiet return to film photography after burnout. Honest thoughts on decency, presence, and making art in a fractured world—by IJM Photography.

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Muted winter reflection AI-generated illustration for "Never Complain, Never Explain", an essay on seasonal depression and creative silence, IJM Photography

Never Complain, Never Explain

A raw, reflective post on seasonal depression, creative silence, and recovery. The IJM Photography blog explores acute depression, Franco-British identity, and the healing power of film photography. Honest writing about mental health, resilience, and returning to art—one frame, one word at a time—amid winter’s weight and the quiet journey back to self.

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Shenzhen late night with city lights and people on December 30 last night, Fujifilm X100F 23mm, Guangdong Province

致我在中国的读者们:一封感谢信A Letter of Gratitude to My Readers in China

一颗蜜橘,一杯茉莉茶,一场跨越语言的音乐会——2024年末,中国给了我最温柔的冬日记忆。如今,越来越多来自中国的读者走进我的摄影世界,我想亲口对你们说:谢谢。

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AI-generated example image demonstrating provocative prompt output, for the "AI Isn't Magic" article on the A.C.T.D. framework, IJM Photography

AI Isn’t Magic — It’s a Tool.

AI isn’t magic—it’s a tool. In a world rushing to automate creativity, I use the A.C.T.D. framework to stay in control: clarifying who AI should act as, grounding it in context, defining the task, and prompting deep thinking. This keeps AI useful without letting it overwrite my voice, vision, or craft.

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Accident de travail

After tripping at work and becoming a “human pancake,” I survived SAMU’s “breathe fine → fractured ribs” decree. Tramadol brought mercy, not highs. My car died; my wife drove; my ribs still ache. Yet: 1 star for the rest. Darkly funny. Deeply human. No pain-positivity. Just DNA on office floors and quiet grace.

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Black and white photograph of the wall memorial to John Manderston, Lord Provost of Edinburgh, and his spouse Petra Orme, framed by vine leaves, a fallen stone urn at its base.

NORTHUMBRIAN SUMMER PART IV

A heartfelt father’s day in Edinburgh during festival season—magic shows, St. Giles Cathedral, Greyfriars Bobby, and a geek bar surprise. Northburiian Summer, Part IV blends travel, faith, family, and memory in a moving personal essay about parenting, loyalty, and the quiet magic of being present with your children.

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Black and white photograph of Princes Street, Edinburgh, the Scott Monument and National Gallery in the distance, a tram stop and a double-decker bus, a white-haired woman crossing.

NORTHUMBRIAN SUMMER PART III

Father-daughter memoir: Edinburgh 2025. After years splitting time between three kids, a dad gives his 15-year-old daughter solo “Dad time” in Scotland. She rejects H&M’s body-shaming, claims a tartan étole, and chooses a claddagh ring—right hand, heart free. A legacy of belonging. Not travel writing: who we become in places we’re given.

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Black and white photograph of the mouth of Craster harbour between two stone piers, fishing boats moored against the walls and open sea beyond.

NORTHUMBRIAN SUMMER PART II

Lyrical UK travel writing meets documentary photography. Preserving Northumberland’s soul through M&S sandwiches, pub pints, and the sacred “incense at mass” of smoked fish.

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