Black and white film photograph of a round tower with a conical slate roof and dormer window at Château de la Preuille against a clear sky.

Capturing Time: A Photographic Journey Through Château de la Preuille

Discover Château de la Preuille through stunning black and white film photography. Explore this 11th-century Vendée estate’s vineyards, towers, and moat reflections captured on HP5 film. Learn about gîte accommodations, wine tourism, and analog photography techniques. Experience timeless French heritage where history meets hospitality in Saint-Hilaire-de-Loulay.

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Black and white photograph of a Nantes café window with the handwritten French phrase "On ne peut pas acheter le bonheur mais on peut acheter du bon vin" — you can't buy happiness but you can buy good wine.

YOU CAN’T BUY HAPPINESS, BUT…

“You can’t buy happiness, but you can buy good wine.” A philosophical photo essay exploring what Nantes, France teaches us about the good life—beauty as democracy, the right to solitude, and pleasure as infrastructure. Discover how black and white street photography reveals the architecture of everyday happiness in one of Europe’s most livable cities.

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Black and white film photograph of a person lying on a granite ledge at the water's edge in the Jardin Extraordinaire Nantes, trees and an urban building in the distance, shot on Ilford Pan 100 with a Nikon FE

Birdsong in Black & White: A Morning at the Jardin Extraordinaire

First visit to Nantes’ Jardin Extraordinaire meets first roll of Ilford Pan 100. Shot on a Nikon FE, developed at home in Ifosol 3, scanned on Opticfilm 8100. A slower pace, a Panama hat, and the Grue Titan in the distance. Why analogue photography still matters in 2026, and how film helps me be more authentic.

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Symphonique des bords de Loire orchestra musician photographed on a Pentax ME Super with Fomapan 100, black and white film, March 2026

The Break: An Orchestra at Lunch on Fomapan 100

An orchestra at lunch: documenting the Symphonique des bords de Loire’s communal meal before rehearsal. Shot on Pentax ME Super with Fomapan 100, these fine-grain black and white images capture community, food, and the calm before the musical work begins. Part 1 of 3.

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Black and white film photograph of the Maine valley from the Le Porte-Vue belvedere, the river and weir winding through the wooded gorge, Château-Thébaud.

Making the Ordinary Less Ordinary: Rollei RPX 400 at Pont Caffino

After 40 years behind the lens, still learning. Explore Rollei RPX 400 shot handheld in flat light at Pont Caffino, France. A honest look at dodging, burning, and making ordinary prints less ordinary in Lightroom.

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The high altar of the Cathédrale Saint-Pierre-et-Saint-Paul in Nantes, photographed on a Nikon FE with Ilford HP5 Plus 400, black and white 35mm film

Waiting for the Light: Reclaiming the Cathedral with Ilford HP5+

Ian’s contemplative journey through Nantes’ Saint-Pierre Cathedral, captured on Ilford HP5 Plus film with a Nikon FE. This black and white photography essay explores reclaiming sacred space from municipal spectacle, celebrating grain, silence, and winter light. A meditation on film photography as spiritual practice and architectural reverence in France’s historic cathedrals.

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Accident de travail

After tripping at work and becoming a “human pancake,” I survived SAMU’s “breathe fine → fractured ribs” decree. Tramadol brought mercy, not highs. My car died; my wife drove; my ribs still ache. Yet: 1 star for the rest. Darkly funny. Deeply human. No pain-positivity. Just DNA on office floors and quiet grace.

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Black and white film photograph of children walking to the Grotto in Lourdes, Pentax ME Super with Kentmere 100, July 2025

Summer 2025 Part IV.  What I Gave Them at the Grotto.

A father reflects on one final family trip to Lourdes in What I Gave Them at the Grotto, a heartfelt essay about faith, fatherhood, and the quiet moments that shape a child’s soul. As his children grow older, he grapples with what it means to pass on belief—not through preaching, but through presence. Set against the sacred landscape of southern France, this personal narrative weaves Mass, memory, and a grainy film photograph into a meditation on legacy, letting go, and the imperfect love that lasts a lifetime.

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