Four decades behind the lens. Seven years of sharing the journey.
Welcome. I’m Ian — photographer, horn player, and writer living in the Vendée, near the Loire-Atlantique border. This blog has been running since 2019 and shows no sign of stopping.
You’ll find black and white film work, travel essays, orchestra photography, philosophical digressions about why any of us bother pressing the shutter, and the occasional camera review written by someone with strong opinions and a perhaps unreasonable attachment to grain, Art, and maybe a little history, or things that make you go, “hmmm….” No algorithms chose what appears here. No agency wrote it. Just forty years of looking, and seven of writing it down.
The panama hat, the walking stick, the hearing aids, the beard, have become characters in this story.
Start anywhere. Stay as long as you like.
Latest from the Field
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The Parc D’Asson
A quiet morning in Montaigu, HP5+ pulled to 200 ISO, and the Sunny 16 rule. Sometimes the best places to photograph are the ones you’ve been ignoring. Read more
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Capturing Time: A Photographic Journey Through Château de la Preuille
Discover Château de la Preuille through stunning black and white film photography. Explore this 11th-century Vendée estate’s vineyards, towers, and moat reflections captured on HP5 film. Learn about gîte accommodations, wine tourism, and analog photography techniques. Experience timeless French heritage where history meets hospitality in Saint-Hilaire-de-Loulay. Read more
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YOU CAN’T BUY HAPPINESS, BUT…
“You can’t buy happiness, but you can buy good wine.” A philosophical photo essay exploring what Nantes, France teaches us about the good life—beauty as democracy, the right to solitude, and pleasure as infrastructure. Discover how black and white street photography reveals the architecture of everyday happiness in one of Europe’s most livable cities. Read more
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Birdsong in Black & White: A Morning at the Jardin Extraordinaire
First visit to Nantes’ Jardin Extraordinaire meets first roll of Ilford Pan 100. Shot on a Nikon FE, developed at home in Ifosol 3, scanned on Opticfilm 8100. A slower pace, a Panama hat, and the Grue Titan in the distance. Why analogue photography still matters in 2026, and how film helps me be more… Read more
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Part 3: The Grind — General Rehearsal on HP5+ 3200
The grind continues. General orchestra rehearsal without soloists, shot on Nikon FE with HP5+ pushed to 3200. Heavy grain, raw aesthetic, iterative work. Part 3 of a trilogy documenting the Symphonique des bords de Loire through lunch, concerto rehearsal, and general rehearsal. Read more
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Something I’ve Been Working On
A personal note from Ian Myers of IJM Photography — introducing a small collection of fine art prints, each with the story behind the photograph Read more
Featured Projects
- The UK Chronicles
A solo journey through Britain with the Fujifilm X100F — Northumberland in late summer, the coast at Alnmouth, light coming low off the water. Traveling light enough to actually notice things. - The Film Archives
Black and white film photographs made before this blog existed — Nantes, Clisson, and the Vendée. The negatives had been sitting in binders for years. This is where they finally got out. - Photography Philosophy
Not technique. Not gear. The question underneath all of it: why does any of this matter, and what are we actually doing when we press the shutter? A series of essays without easy answers. - Inside the Orchestra
Three years photographing the Symphonique des Bords de Loire — rehearsals, concerts, and a tour to China. The quiet moments before the music starts, and the ones after. - If you’ve been reading this site for a while and there’s a frame that stuck — the street, the light, something from China, the Vendée, Nantes, wherever — I can probably make you a print of it. Just send me a message.
About the Photographer
A photographer, ever so slightly stubborn, analogue at heart and digital when needed. I’ve been developing my own film since the 1980s. I built this blog in 2019, not for followers, but for focus.
I shoot what moves me, and I hope, sometimes, it moves you too.
Stay in Touch
One letter a month — never spammy, always sincere.
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