Exposures

Four decades behind the lens. Six years of sharing the journey.

Welcome. I’m Ian — photographer, horn player, and writer living in the Vendée, near the Loire-Atlantique border. This blog has been running since 2019 and shows no sign of stopping.

You’ll find black and white film work, travel essays, orchestra photography, philosophical digressions about why any of us bother pressing the shutter, and the occasional camera review written by someone with strong opinions and a perhaps unreasonable attachment to grain. No algorithms chose what appears here. No agency wrote it. Just forty years of looking, and six of writing it down.

Start anywhere. Stay as long as you like.

Latest from the Field

  • Abbaye de Maillezais Vendée

    Abbaye de Maillezais Vendée

    The writer reminisces about Yorkshire’s historic abbeys, destroyed due to Henry VIII’s divorce dispute. Despite mentioning the famous sites, the focus shifts to Maillezais Abbey in Vendée. The story humorously recounts a scenic but mistakenly chosen route to the abbey. The article hints at future content featuring photography equipment used during the visit. Read more

  • Clisson in colour, and close up…

    Clisson in colour, and close up…

    As you might know from reading the rest of this blog, I love using my Canon 6D Mark II with vintage glass. This Helios M44-2 is a bokeh beast for my inner bokeh whore… I love depth of field and this lens allows me to really express myself. Not only do I get the bokeh… Read more

  • Clisson in Black and White.

    Clisson in Black and White.

    Clisson, a quaint French town, transforms into a haven for Heavy Metal fans during the annual Hellfest. The author reminisces about visiting the weekly market, lamenting the inability to frequent it due to work. They spent two hours in Clisson before an impromptu picnic in Nantes. The photos showcase their exploration with different camera lenses. Read more

  • My Wife…

    My Wife…

    I don’t usually think of myself as a portrait photographer, but I do take photos of my wife and children for family albums. I have a Helios M44-2 58mm which is a dedicated portrait lens and found a willing victim… I say victim but she did say “yes” all that time ago. She usually hates… Read more

  • Modern architecture on the Île de Nantes

    Modern architecture on the Île de Nantes

    I remember when the words, “modern,” and “architecture,” when used together in the same sentence would conjure up images of post-war concrete brutalism. Think carparks from thw 1960’s etc. Thankfully, this is no longer the case! Or at least I hope not. So nearly 60 years later, yes, that does give you a bit of… Read more

  • Down by the waterfront Part 2

    Down by the waterfront Part 2

    Right, where was I? Ah yes, down by the waterfront, the front being the Hangar à Bananes and the water being the Loire. So we’ve done the Grue Titan, had a quick look at the rings, and even looked at the Cantine where Kate and I had lunch. Whilst having lunch I noticed a gentleman… Read more

Featured Projects

  1. The UK Chronicles
    Light, minimalism, and preparation.
    Shot entirely on the Fujifilm X100F during a recent solo journey through Britain — a deliberate exercise in traveling light, seeing deeply, and preparing for the sensory overload of China.
  2. The Film Archives
    Memory in monochrome.
    A vault unlocked: black and white film photographs from Nantes, Clisson, and beyond — captured long before this blog existed. Grain, patience, and timeless moments.
  3. Photography Philosophy
    Why do we do this?
    Not a tutorial. Not a gear guide. A quiet exploration of purpose — the “why” behind the viewfinder. For those who photograph not to post, but to feel.
  4. The Orchestra Visit to China
    Culture, chaos, and concert halls.
    A visual symphony from the road with the orchestra — temples, trains, backstage glances, and the electric silence before the first note.

About the Photographer

I am not an influencer. I am not a brand.
I am a photographer, ever so slightly stubborn, analogue at heart, digital when needed, and fiercely independent. I’ve been developing my own film since the 1980s. I built this blog in 2019, not for followers, but for focus.

I do not outsource my editing. I do not chase trends. I shoot what moves me, and I hope, sometimes, it moves you too.

“Commercial editing offers and unsolicited partnerships will not be published or replied to. This space is sacred; for art, not advertising.”

A Note from a Reader

“j’adore… il y a des jours avec, et les jours sans….”
— A kind visitor, September 2025

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