Tag: photography

Canon AE-1 Program – A Classic Film Camera for Timeless Photography

Posted on Posted in Black and White Photography, camera review, Film PhotographyTagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , 5 Comments

The Canon AE-1 Program is a timeless gem that continues to captivate photographers and film enthusiasts alike. As a classic film camera first introduced in 1981, it effortlessly combines automatic and manual features, making it an excellent choice for both beginners and experienced photographers.

Automatic and Manual Controls

One of the standout features of the Canon AE-1 Program is its versatility in handling exposure. For those new to film photography, the program mode automatically sets both the shutter speed and aperture, allowing them to focus solely on composition and creativity. It takes the technical complexities out of the equation, delivering stunning results with ease.

However, for those who crave creative control, the AE-1 Program offers manual settings as well. With the freedom to adjust shutter speed and aperture manually, photographers can explore their artistic vision and experiment with different effects. The inclusion of shutter priority mode and bulb mode for long exposure photography adds even more possibilities for artistic expression.

Build and Design

The camera’s solid metal body exudes durability and reliability, ensuring that it can withstand the test of time. Its sturdiness makes it a trustworthy companion on any photographic journey. Handling the AE-1 Program instills a sense of nostalgia and craftsmanship that modern digital cameras often struggle to replicate.

The bright and clear viewfinder with a split-image prism aids accurate focusing, enhancing the overall shooting experience. Moreover, the hot shoe for attaching external flashes and the self-timer feature further contribute to the camera’s versatility.

Technical Details

  • 35mm SLR film camera
  • Program mode, shutter priority mode, manual mode
  • Metal body for durability
  • Bright and clear viewfinder with split-image prism
  • Hot shoe for flash attachment
  • Self-timer for group shots and self-portraits
  • ISO range: 12-1600
  • Shutter speeds: 1/1000 to 30 seconds
  • Aperture range: f/1.2 to f/16 (depending on lens)

Pros

  1. User-Friendly Interface: Ideal for beginners and those new to film photography, the AE-1 Program’s program mode takes care of exposure details, allowing photographers to focus on creativity.
  2. Creative Freedom: With manual controls and additional shooting modes, experienced photographers can fully unleash their creativity and experiment with different photographic techniques.
  3. Timeless Design: The camera’s robust metal body exudes a sense of craftsmanship and nostalgia, making it a pleasure to handle and use.
  4. Bright Viewfinder: The clear and bright viewfinder with a split-image prism aids accurate focusing, ensuring sharp and well-composed shots.

Cons

  1. Iconic Status: As one of the most sought-after film cameras, the Canon AE-1 Program may come with a higher price tag due to its iconic status.

The Verdict

The Canon AE-1 Program stands as a testament to timeless design and reliable performance. Whether you’re new to film photography or a seasoned enthusiast, this classic camera offers a perfect balance between automatic convenience and manual creativity. Its sturdy build and user-friendly interface make it a delightful companion for any photography journey.

So, if you’re yearning to experience the charm of film photography or simply want to relive the golden era of analog cameras, the Canon AE-1 Program will undoubtedly leave you inspired and amazed by the magic of capturing moments on film.

Happy shooting!

My Personal Thoughts

Without any hesitation, I wholeheartedly recommend the AE-1 Program to all photography enthusiasts out there. Whether you’re new to the charm of film photography or an experienced shutterbug seeking a trustworthy and adaptable companion, this camera will surely delight you. “Just do it” as a certain shoemaker once said.

I’ve had the pleasure of using the AE-1 Program for quite some time now, and I must say it’s been an absolute joy. Not only does it beautifully capture those precious everyday moments, but it also allows for endless creative possibilities. One feature that I particularly appreciate is its seamless transition between automatic and manual controls, empowering me to effortlessly tailor my shooting experience.

The idea here is to give you a raw image from the film scans and show you what you can get with a minimum of fuss in Lightroom with some very basic edits. What do you think?

And here we go with a small selection of pictures from the last roll I developed, which are from 2022 and taken in the streets of Nantes. There will be more to come as I head back into the magical world of film photography!

A Whirlwind of Joy: A Day of Celebrations

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Sundays usually find me in the city of Nantes, where I prefer attending an evening Mass. You get a different crowd at the evening mass, and it feels more exclusive. This particular church stands out for its reverent atmosphere, the cherished celebrant, and the more traditional Mass it offers. It’s not just about tradition; it’s the sense of reverence it brings, allowing for leisurely Sunday mornings. But yesterday was different, and I found myself up at the somewhat ungodly hour to go to mass at 9:30 AM.

Why the early rise, you might wonder? I had a date with destiny at 1:00 PM, helping friends celebrate their 30th wedding anniversary.

If you’ve read my recent article about bidding farewell to my beloved X100F, you’ll recall the camera’s untimely breakdown. Fate, it seemed, had other plans for me. The ISO dial had broken down, rendering me unable to control ISO settings. It was a frustrating predicament for any photographer.

In an attempt to assess the camera’s condition, I had left it sitting in my glove box for over a month, thinking I might need to send it for repairs. But yesterday, as I turned it on, I was amazed and baffled to see it working again as if nothing had happened. It was a photographic miracle, one that put a smile on my face.

With my trusted camera miraculously resurrected, I set off for my friends’ home, ready to revel in their love story and join the festivities. It was a heartwarming celebration, marking three glorious decades of their union. But there was more to this gathering than just an anniversary.

My friends had recently embarked on a journey to adopt their second child, a precious soul from China. They were soon to depart for China, eager to bring their new daughter home. The air was filled with palpable excitement, the anticipation of a new chapter in their lives.

As I arrived at the party, I was greeted not only by the radiant couple but also by familiar faces from my past. Friends who had once been my teachers and companions in the orchestra I had been part of until the previous year had gathered. It was a reunion of kindred spirits, a chance to catch up on life’s many twists and turns.

The day took an unexpected turn when my wife joined the festivities later in the after. She had been having a meal with the people she had learned to drive a school bus with, so she was going to be late. Little did I know that the surprise and icing on the proverbial cake were yet to come.

A Serbian orchestra arrived, instruments playing and walked playing up to the rest of us. The moment they began to play, the air was filled with a symphony of pure magic. The musicians entertained us with their musical virtuosity, their music becoming the heartbeat of the celebration.

Under the summer sun and the backdrop of a joyful celebration, the strains of Balkan music filled the air. It was as if the very essence of celebration had taken musical form. The infectious rhythms swept us off our feet, and we danced with abandon, reveling in the sheer euphoria of the moment. Laughter, love, and music merged into an unforgettable medley, creating memories that would last a lifetime.

As I reflect on that day, I can’t help but marvel at how life has a way of surprising us when we least expect it. What began as a simple morning Mass and a camera conundrum unfolded into a day of pure joy and connection. It was a reminder that sometimes, the best moments in life are the ones we don’t plan for—the unexpected gifts that leave our hearts brimming with gratitude.

And so, my summer concluded with a flourish, with the echoes of Balkan rhythms resonating in my heart. It was a day of celebrations, a day of love and friendship, and a day that reminded me of the beauty of life’s unpredictable dance. It’s safe to say that I’ll be holding onto the memories of this day for a long, long time, and perhaps reconsidering the pace of my Sunday mornings in Nantes.

Capturing Nantes: A Photowalk Through Urban Charms

Posted on Posted in Art, Black and White Photography, Film Photography, France, Nantes Photography, street photographyTagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Leave a comment

In the heart of bustling Nantes, a city teeming with life and stories waiting to be captured, I embarked on a captivating photowalk adventure. Armed with my trusted Pentax ME Super camera and loaded with Rollei RPX 100 and then Fomapan 100 film, I set out to explore the artistic treasures and serene corners of this vibrant urban landscape, and the latest offerings of the Voyage à Nantes. Join me as I take you on a visual journey through the enchanting Place Royale, the charming Place Graslin, and the captivating sculptures that make Nantes truly unique.

Place Royale: A Fountain of Marine Delights

My journey commenced at Place Royale, where the graceful fountain stood adorned with marine sculptures straight out of a storybook. These sculptures, by the Blegian artist Maen Florin, glistened in the sunlight and droplets of falling water. The Pentax ME Super clicked away as I framed each marine figure, capturing the interplay of water and art with the delicate precision of film photography. The Rollei RPX 100 film lent an air of timeless elegance to each shot, turning the bustling square into a tranquil haven through its lens.

Place Graslin: A Meeting of History and Charm

Next on my path was the inviting Place Graslin, a captivating square that exuded elegance and history. Here, the statue of Combronne with his coffee and glass of water, the newer version by Maya Eneva and the Cellule B collectif, welcomed me outside the iconic Cigale café, where I imagined stories of bygone conversations and shared moments. As the Pentax ME Super’s shutter clicked, the Fomapan 100 film brought forth the statue’s enduring presence, immortalising the blend of past and present that this city so effortlessly portrays.

Artistic Wonders of Cours Cambronne

A stroll along Cours Cambronne revealed hidden gems in the form of statues – “homme pressé” by the English sculptor Thomas Houseago and “éloge à la transgression,” by the famous Philippe Ramette both stunning creations from the Voyage à Nantes. These sculptures spoke of bold expressions and the city’s penchant for creative exploration. The Pentax ME Super captured their intricate details, with the Fomapan 100 film adding a touch of mystery to their narrative. In the heart of the city, a feeling of tranquilly pervaded, as I marvelled at the artistic tableau that surrounded me.

Bike Shots: Capturing Urban Rhythm

No Nantes photowalk would be complete without capturing the city’s quintessential “bike shots.” Bicycles, intertwined with daily life, spoke of a rhythm unique to urban living. With each click of the Pentax ME Super, the Rollei RPX 100 film transformed these moments into frames that held a slice of the city’s pulse. It also allows people to keep fit and be very smug about not polluting…

A Spectator of Urban Theatre

As I ambled through the city’s streets, I couldn’t help but feel like a mere spectator in the grand play that Nantes puts on every day. The camera in my hand was not just an instrument but a witness to the stories woven into every corner. With the Pentax ME Super, I was able to capture these narratives, bridging time and space through the magic of film.

Conclusion: Nantes Through a Different Lens

The Pentax ME Super, armed with its classic charm, and the duo of Rollei RPX 100 and Fomapan 100 films, transformed my photowalk through Nantes into a visual tale. From the marine wonders of Place Royale to the historical elegance of Place Graslin and the artistic marvels of Cours Cambronne, each click of the camera immortalised the city’s essence. Through the lens of film photography, Nantes unveiled its soul—a blend of history, art, and an urban rhythm that beats to its own tune.

As I reflect upon the captivating frames that now grace my album, I’m reminded of the vibrant energy and artistic tapestry that Nantes weaves. Just as the city’s sculptures and streets tell their stories, the Pentax ME Super and film quietly tell mine – a narrative of a city that thrives in its own unique rhythm, an urban theatre where I played the role of an enchanted spectator.

The Pentax ME Super: A Classic 35mm SLR

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Dear Reader, if you’ve read my last post, you will understand my current state of photographic helplessness after my X100F was taken out of service. Before we proceed, I want to take a moment to reassure my dear mother that I’m doing fine, being a big brave boy during this challenging time, and not losing my mind. I’m still getting my photographic fix, and I thank you, Dear Reader, for your understanding.

Now, let’s dive into today’s topic. The Pentax ME Super, a camera gifted to me by a fellow musician and dear friend, Robert McMillan, holds a special place in my heart. Using it brings back fond memories, and I’m forever grateful for the thoughtful present.

Introduced in 1979, the Pentax ME Super is a 35mm SLR camera that offers reliability and ease of use, making it perfect for those seeking excellent image quality. However, it requires proper focus and composition to make the most of its capabilities. When I use it, I approach photography in a similar manner to how I would with my beloved X100F, albeit with a slight adjustment due to the 50mm lens, which changes from the 35mm lens on the Fuji.

Technical Specs:

  • Shutter speed range: 4 seconds to 1/2000 second, plus Bulb – allowing wide apertures and excellent depth of field.
  • ISO speed range: 12 to 1600
  • Exposure control: Aperture priority
  • Viewfinder: 0.9x magnification, 95% coverage
  • Other features: include a self-timer, a cable release socket, and exposure compensation.

Handling and Ergonomics:

The ME Super is a well-made and compact camera, making it easy to carry around; it is almost the same size and weight as the X100F. The controls are user-friendly and well-positioned. The large, bright viewfinder helps, especially for those of us with less-than-perfect vision.

While it may not surpass the joy I find in using the X100F, the ME Super is steadily gaining ground, and its satisfying shutter noise is a small comfort during this time of longing. Loading and unloading film is a breeze, and the shutter release is smooth and responsive. Additionally, the camera’s reliability is reassuring, offering solace in the absence of the X100F.

Image Quality:

The Pentax ME Super consistently delivers excellent image quality. Composing shots is a breeze with the sharp and bright viewfinder, and the aperture priority exposure control ensures proper exposure. For someone like me who cherishes depth of field, the 1/2000 of a second shutter speed is a delightful feature.

Moreover, the ME Super is compatible with a wide range of Pentax K-mount lenses, providing versatile options for image-making. With my collection of 24mm wide-angle, 50mm F1.7, and 24-80mm zoom lenses, I’m well-equipped for various shooting scenarios, and there is even a 15mm wide angle lens, but I nearly peed myself when I saw the price!

The Verdict:

In conclusion, the Pentax ME Super is an exceptional 35mm SLR camera. Its well-made design, ease of use, and ability to produce outstanding image quality make it an appealing choice. If you’re searching for a reliable and versatile camera that brings years of photographic enjoyment, the Pentax ME Super won’t disappoint.

Pros:

  • Excellent build quality
  • Sharp and bright viewfinder
  • Simple and straightforward operation
  • Wide range of compatible lenses
  • Capable of producing excellent image quality
  • Built-in exposure compensation
  • Self-timer
  • Cable release socket

Cons:

  • Flash sync limitations at faster shutter speeds (i.e., more than 1/125)
  • Not an X100F

Overall:

The Pentax ME Super is an excellent 35mm SLR camera, offering great build quality, ease of use, and superb image quality. It’s a dependable choice for any photography enthusiast seeking a delightful film shooting experience.

Additional Information:

The ME Super remains popular among collectors for its exceptional build and image quality. If you’re interested in acquiring one, you can explore used cameras online or at camera shops. Additionally, you’ll find manuals and other valuable information about the camera on the internet.

I hope this review proves helpful. If you have any questions, please feel free to ask in the comment section.

But, most importantly, let me stop talking and allow you to enjoy some photos taken with the Pentax ME Super, capturing moments in Clisson and Nantes.

Farewell, my beloved X100F

Posted on Posted in Black and White Photography, Film Photography, mental healthTagged , , , , , , , , , , , , , , , 2 Comments

It is with great sadness that I must announce the unfortunate fate of my beloved X100F – its ISO dial has broken and will require repair. To those who don’t understand the attachment to a camera, it may seem trivial, but it’s like losing your favorite cup from which you drink your morning tea. The feeling of loss and instability is truly disarming. The X100F has been my faithful companion, capturing countless cherished moments.

I visited the camera shop to check if it was a simple setting issue, but alas, it wasn’t. In September, I will send it to Fuji for repair, no matter the cost. I am determined to bring it back to life.

While I grieve the temporary loss of my X100F, I find solace in other photographic tools at my disposal. My trusty XT2 and Canon 6D Mark II, along with various lenses, are there to fill the void. But it won’t be the same; the X100F had a unique charm that cannot be easily replaced.

I believe there might be a lesson in all this. Perhaps it’s a subtle nudge from the universe to slow down and appreciate the art of photography in its purest form, to revisit the world of film and embrace its magic.

During this challenging time, I gratefully welcome any moral support. Meanwhile, I’ve been diving into the world of film photography, scanning old negatives, and maybe even writing reviews on vintage cameras. It’s my way of coping with the “X100F PTSD.”

While I await the return of my dear companion, I want to share some of my favorite shots taken with the X100F. It has been a source of inspiration and creativity, and its memory will live on through the photographs captured with its lens.

Farewell for now, my dear X100F. Until we meet again.

Hello Summer!

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Hello Dear Reader. It’s been a funny old time lately. Something is not quite right. I can’t quite put my finger on it. It could be depression, or lowering of my mood, not too horrible, but not nice either. On the way to mass last Sunday I had a moment and cried. It could be because of work. New job, a transition from my old job that has been poorly managed, and has left me homeless in the factory. It could be because of good old-fashioned tiredness despite my super-duper sleep apnoea machine, and the holidays just being a week away. It could be lack of self-discipline; I have films to scan, and am having trouble getting the required results from my scanner, and therefore lacking motivation.

Hey, even with everything going on, I’ve managed to sneak out with my camera a couple of times and snap some awesome shots. I’ve got pictures of Nantes, the super cool Voyage à Nantes, a fun evening with friends, and even my buddy the barber doing his thing – cutting hair and beards like a pro. So, it hasn’t been all bad, you know? There are still moments of fun and excitement to be found out there!

It seems as though we are in a state of limbo. Killian and I have been doing a heroic job of holding down the fort while my wife and daughter have been away attending a wedding on our behalf and will be gone until Sunday. There have been no mishaps around the home and all the animals have been fed and watered. The dog and the two cats appear to be healthy as well!

Yes, a funny couple of weeks.  On the news, or at least the BBC website, all we hear about is Ukraine, and how climate change is sizzling all of Europe, how fires are burning all over the place, and how it’s all due to climate change and how we must continue to worship at the altar of Greta, buy new and expensive electric cars to save the planet.  The Vendée seems not have got the memo…

The photo was taken on my phone and edited in Snapseed.

As far as the photography is concerned, the photos were taken on the Canon 6D Mark II and the Fujifilm X100F.

Bastille Day 2023

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It’s of course Bastille Day here in France so you have to imagine the pace of life in a 2CV, in first gear, driving along a farm track, at not a rapid rate of knots. One could even go as far as too say, slitgly more sedate than usual, pumped up on black French coffee.

This morning was very sedate. My alarm went off as if it were normal working Friday, and the pleasure I had turning the multiple alarms of and not going to work was almost obscene.

My shower wasn’t hurried and as I did my skin care routine (thank you Horace) I felt glowing, nearly as much as the sun trying to come through the shutters.

My cup of tea this morning was a pint of Darjeeling tea. I must have still had the glow-up as I actually filled the dishwasher before being yelled at to do by that woman who said yes 25 years ago so now has to put up with me full-time. I even made us all lunch.

My wife has an aversion to prawns so guess what I prepared for lunch. But I cooked them in olive oil and deglazed with lemon juice. So off to a good start. Sauce – half mayo, half Greek yoghurt, lemon juice, sweet paprika, and with the prawns, some chopped up four hard boiled eggs, one cucumber, and one red onion. All that served up on French “pain” as opposed to baguette, with baby spinach.

It was delicious and i now have to wash my t-shirt which has sauce on it. I also did all my dishes so I dont want to hear any nagging from a particular lady.

My original plan for the day was and still is do develop some films that have been waiting around and I have no idea what is on them, and some films that I must have started over a year ago but never got around to finishing. The idea is to have a fresh start and get back into doing some analogue photography.

We’re out at a friend’s house for dinner tonight amd admire the fireworks from afar. I think the word I’m looking for is delightful!

It would appear that I can still produce half decent negatives…

The Ship Cemetery

Posted on Posted in France, Travel photographyTagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Leave a comment

I can’t help but think about the men who sailed on these old ships that have been abandoned. Most likely, fisherman heading out to sea to bring back fish to sell at Ettel, a Breton port. They must be grateful not to be shipwrecks like their former vessels. And yet, when we contemplate them, we are filled with awe, realising that these fishing boats were the only defence these men had against the elements and the mighty waves.

Some of them are so decomposed that we can only just make out their skeletons and speculate about their previous states. Others have been turned into supports for street art. Maybe a more fitting tribute.

This maritime cemetery is just upstream of the Barre d’Etel, a most treacherous stretch of water with currents that will drag you out to sea, and sandbanks that will stop you entering the Ria D’Etel.

Bretagne – a story of sea and stones

Posted on Posted in France, History, Landscape Photography, Travel photographyTagged , , , , , , , , , , , , , , , , , , , , , , , , 3 Comments

It has been a quiet week in Saint Hilaire… But it was a pleasant weekend in Brittany.  Some may accuse the Bretons of being way too preoccupied with being Bretons, similar to the Cornish in Cornwall, or the Welsh in Wales, when they can manage to forget about getting cuddly with sheep.  In that previous paragraph, I just irritated 6.9 million people.  That’s not bad for a single paragraph.

Say what you will about the Breton people, they do do a great line in standing stones, or standing lines of standing stones, especially near Carnac.  This gets me topq where my in-laws live, which is not far from Carnac.  It was the first afternoon of our stay, and I didn’t want to irritate my mother-in-law by just existing, breathing, and so on.  I seized the chance to go out with my camera and shoot some photos.  It’s one of the reasons I look forward to these visits.  It’s truly about getting away from everything and simply soaking in the scenery.

These stones have been standing for around 7000 years, so they must be getting exhausted.  Some have just given up on life and collapsed, or have they had too many parties and consumed too much alcohol?  Anyway, when I was travelling around the grounds of these lines of standing stones, or stones standing in lines, I observed a lady with dowsing rods sitting on one of the stones.  There’s nowt as funny as folk, as my father once stated…  Then the first lady’s companion came up and tried to hug the rocks.  Now, I’ve seen some unusual things in my life, as has the majority of Hull’s population, since it’s never dull in ‘Ull.

But this not only took the biscuit, but it almost took the tea as well!  They said that the Druids had placed the stones there to make the soil more fertile, and that each stone had its unique set of qualities.  I tried not to laugh as I thought about how fertile their imagination was.  After all, they were completely serious.  I know nothing about old stones, whether standing or not, but I patiently listened to them.

I explained how we had once been to Stonehenge and how there was something about the place that was less than ordinary, and how we had seen people kissing the ground and having moments.  They told me that of course this was because of the energy.  You must ask the stone for permission to use its qualities first then sit on it.  And were I to do this I would feel something.  The only thing I felt was a sore bottom!

Wait a minute! He mentioned the Sea, not simply stones. We want to see the marine pics!!! If you’re good and well behaved I might include them in an upcoming post. I can assure you that they are ready. I’ll be highlighting Ettel’s Boat Cemetery. Be patient already!